film essay question examples

Film Analysis: Example, Format, and Outline + Topics & Prompts

Films are never just films. Instead, they are influential works of art that can evoke a wide range of emotions, spark meaningful conversations, and provide insightful commentary on society and culture. As a student, you may be tasked with writing a film analysis essay, which requires you to delve deeper into the characters and themes. But where do you start?

In this article, our expert team has explored strategies for writing a successful film analysis essay. From prompts for this assignment to an excellent movie analysis example, we’ll provide you with everything you need to craft an insightful film analysis paper.

• 📽️ Film Analysis Definition

📚 Types of Film Analysis

• ✍️ How to Write Film Analysis
• 🎞️ Movie Analysis Prompts
• 🎬 Top 15 Topics

📝 Film Analysis Example

• 🍿 More Examples

🔗 References

📽️ what is a film analysis essay.

A film analysis essay is a type of academic writing that critically examines a film, its themes, characters, and techniques used by the filmmaker. This essay aims to analyze the film’s meaning, message, and artistic elements and explain its cultural, social, and historical significance. It typically requires a writer to pay closer attention to aspects such as cinematography, editing, sound, and narrative structure.

Film Analysis vs Film Review

It’s common to confuse a film analysis with a film review, though these are two different types of writing. A film analysis paper focuses on the film’s narrative, sound, editing, and other elements. This essay aims to explore the film’s themes, symbolism , and underlying messages and to provide an in-depth interpretation of the film.

On the other hand, a film review is a brief evaluation of a film that provides the writer’s overall opinion of the movie. It includes the story’s short summary, a description of the acting, direction, and technical aspects, and a recommendation on whether or not the movie is worth watching.

Wondering what you should focus on when writing a movie analysis essay? Here are four main types of film analysis. Check them out!

📋 Film Analysis Format

The movie analysis format follows a typical essay structure, including a title, introduction, thesis statement, body, conclusion, and references.

The most common citation styles used for a film analysis are MLA and Chicago . However, we recommend you consult with your professor for specific guidelines. Remember to cite all dialogue and scene descriptions from the movie to support the analysis. The reference list should include the analyzed film and any external sources mentioned in the essay.

When referring to a specific movie in your paper, you should italicize the film’s name and use the title case. Don’t enclose the title of the movie in quotation marks.

📑 Film Analysis Essay Outline

A compelling film analysis outline is crucial as it helps make the writing process more focused and the content more insightful for the readers. Below, you’ll find the description of the main parts of the movie analysis essay.

Film Analysis Introduction

Many students experience writer’s block because they don’t know how to write an introduction for a film analysis. The truth is that the opening paragraph for a film analysis paper is similar to any other academic essay:

• Start with a hook to grab the reader’s attention . For example, it can be a fascinating fact or a thought-provoking question related to the film.
• Provide background information about the movie . Introduce the film, including its title, director, and release date. Follow this with a brief summary of the film’s plot and main themes.
• End the introduction with an analytical thesis statement . Present the central argument or interpretation that will be explored in the analysis.

Film Analysis Thesis

If you wonder how to write a thesis for a film analysis, we’ve got you! A thesis statement should clearly present your main idea related to the film and provide a roadmap for the rest of the essay. Your thesis should be specific, concise, and focused. In addition, it should be debatable so that others can present a contrasting point of view. Also, make sure it is supported with evidence from the film.

Let’s come up with a film analysis thesis example:

Through a feminist lens, Titanic is a story about Rose’s rebellion against traditional gender roles, showcasing her attempts to assert her autonomy and refusal to conform to societal expectations prevalent in the early 20th century.

Movie Analysis Main Body

Each body paragraph should focus on a specific aspect of the film that supports your main idea. These aspects include themes, characters, narrative devices , or cinematic techniques. You should also provide evidence from the film to support your analysis, such as quotes, scene descriptions, or specific visual or auditory elements.

Here are two things to avoid in body paragraphs:

• Film review . Your analysis should focus on specific movie aspects rather than your opinion of the film.
• Excessive plot summary . While it’s important to provide some context for the analysis, a lengthy plot summary can detract you from your main argument and analysis of the film.

Film Analysis Conclusion

In the conclusion of a movie analysis, restate the thesis statement to remind the reader of the main argument. Additionally, summarize the main points from the body to reinforce the key aspects of the film that were discussed. The conclusion should also provide a final thought or reflection on the film, tying together the analysis and presenting your perspective on its overall meaning.

✍️ How to Write a Film Analysis Essay

Writing a film analysis essay can be challenging since it requires a deep understanding of the film, its themes, and its characters. However, with the right approach, you can create a compelling analysis that offers insight into the film’s meaning and impact. To help you, we’ve prepared a small guide.

1. Understand the Prompt

When approaching a film analysis essay, it is crucial to understand the prompt provided by your professor. For example, suppose your professor asks you to analyze the film from the perspective of Marxist criticism or psychoanalytic film theory . In that case, it is essential to familiarize yourself with these approaches. This may involve studying these theories and identifying how they can be applied to the film.

If your professor did not provide specific guidelines, you will need to choose a film yourself and decide on the aspect you will explore. Whether it is the film’s themes, characters, cinematography, or social context, having a clear focus will help guide your analysis.

2. Watch the Film & Take Notes

Keep your assignment prompt in mind when watching the film for your analysis. For example, if you are analyzing the film from a feminist perspective, you should pay attention to the portrayal of female characters, power dynamics , and gender roles within the film.

As you watch the movie, take notes on key moments, dialogues, and scenes relevant to your analysis. Additionally, keeping track of the timecodes of important scenes can be beneficial, as it allows you to quickly revisit specific moments in the film for further analysis.

3. Develop a Thesis and an Outline

Next, develop a thesis statement for your movie analysis. Identify the central argument or perspective you want to convey about the film. For example, you can focus on the film’s themes, characters, plot, cinematography, or other outstanding aspects. Your thesis statement should clearly present your stance and provide a preview of the points you will discuss in your analysis.

Having created a thesis, you can move on to the outline for an analysis. Write down all the arguments that can support your thesis, logically organize them, and then look for the supporting evidence in the movie.

4. Write Your Movie Analysis

When writing a film analysis paper, try to offer fresh and original ideas on the film that go beyond surface-level observations. If you need some inspiration, have a look at these thought-provoking questions:

• How does the movie evoke emotional responses from the audience through sound, editing, character development , and camera work?
• Is the movie’s setting portrayed in a realistic or stylized manner? What atmosphere or mood does the setting convey to the audience?
• How does the lighting in the movie highlight certain aspects? How does the lighting impact the audience’s perception of the movie’s characters, spaces, or overall mood?
• What role does the music play in the movie? How does it create specific emotional effects for the audience?
• What underlying values or messages does the movie convey? How are these values communicated to the audience?

5. Revise and Proofread

To revise and proofread a film analysis essay, review the content for grammatical, spelling, and punctuation errors. Ensure the paper flows logically and each paragraph contributes to the overall analysis. Remember to double-check that you haven’t missed any in-text citations and have enough evidence and examples from the movie to support your arguments.

Consider seeking feedback from a peer or instructor to get an outside perspective on the essay. Another reader can provide valuable insights and suggestions for improvement.

🎞️ Movie Analysis: Sample Prompts

Now that we’ve covered the essential aspects of a film analysis template, it’s time to choose a topic. Here are some prompts to help you select a film for your analysis.

• Metropolis film analysis essay . When analyzing this movie, you can explore the themes of technology and society or the portrayal of class struggle. You can also focus on symbolism, visual effects, and the influence of German expressionism on the film’s aesthetic.
• The Godfather film analysis essay . An epic crime film, The Godfather , allows you to analyze the themes of power and corruption, the portrayal of family dynamics, and the influence of Italian neorealism on the film’s aesthetic. You can also examine the movie’s historical context and impact on future crime dramas.
• Psycho film analysis essay . Consider exploring the themes of identity and duality, the use of suspense and tension in storytelling, or the portrayal of mental illness. You can also explore the impact of this movie on the horror genre.
• Forrest Gump film analysis essay . If you decide to analyze the Forrest Gump movie, you can focus on the portrayal of historical events. You might also examine the use of nostalgia in storytelling, the character development of the protagonist, and the film’s impact on popular culture and American identity.
• The Great Gatsby film analysis essay . The Great Gatsby is a historical drama film that allows you to analyze the themes of the American Dream, wealth, and class. You can also explore the portrayal of the 1920s Jazz Age and the symbolism of the green light.
• Persepolis film analysis essay . In a Persepolis film analysis essay, you can uncover the themes of identity and self-discovery. You might also consider analyzing the portrayal of the Iranian Revolution and its aftermath, the use of animation as a storytelling device, and the film’s influence on the graphic novel genre.

🎬 Top 15 Film Analysis Essay Topics

• The use of color symbolism in Vertigo and its impact on the narrative.
• The moral ambiguity and human nature in No Country for Old Men .
• The portrayal of ethnicity in Gran Torino and its commentary on cultural stereotypes.
• The cinematography and visual effects in The Hunger Games and their contribution to the dystopian atmosphere.
• The use of silence and sound design in A Quiet Place to immerse the audience.
• The disillusionment and existential crisis in The Graduate and its reflection of the societal norms of the 1960s.
• The themes of sacrifice and patriotism in Casablanca and their relevance to the historical context of World War II.
• The psychological horror in The Shining and its impact on the audience’s experience of fear and tension.
• The exploration of existentialism in Eternal Sunshine of the Spotless Mind .
• Multiple perspectives and unreliable narrators in Rashomon .
• The music and soundtrack in Titanic and its contribution to the film’s emotional resonance.
• The portrayal of good versus evil in the Harry Potter film series and its impact on understanding morality.
• The incorporation of vibrant colors in The Grand Budapest Hotel as a visual motif.
• The use of editing techniques to tell a nonlinear narrative in Pulp Fiction .
• The function of music and score in enhancing the emotional impact in Schindler’s List .

Check out the Get Out film analysis essay we’ve prepared for college and high school students. We hope this movie analysis essay example will inspire you and help you understand the structure of this assignment better.

Film Analysis Essay Introduction Example

Get Out, released in 2017 and directed by Jordan Peele, is a culturally significant horror film that explores themes of racism, identity, and social commentary. The film follows Chris, a young African-American man, visiting his white girlfriend’s family for the weekend. This essay will analyze how, through its masterful storytelling, clever use of symbolism, and thought-provoking narrative, Get Out reveals the insidious nature of racism in modern America.

Film Analysis Body Paragraphs Example

Throughout the movie, Chris’s character is subject to various types of microaggression and subtle forms of discrimination. These instances highlight the insidious nature of racism, showing how it can exist even in seemingly progressive environments. For example, during Chris’s visit to his white girlfriend’s family, the parents continuously make racially insensitive comments, expressing their admiration for black physical attributes and suggesting a fascination bordering on fetishization. This sheds light on some individuals’ objectification and exotification of black bodies.

Get Out also critiques the performative allyship of white liberals who claim to be accepting and supportive of the black community. It is evident in the character of Rose’s father, who proclaims: “I would have voted for Obama for a third term if I could” (Peele, 2017). However, the film exposes how this apparent acceptance can mask hidden prejudices and manipulation.

Film Analysis Conclusion Example

In conclusion, the film Get Out provides a searing critique of racial discrimination and white supremacy through its compelling narrative, brilliant performances, and skillful direction. By exploring the themes of the insidious nature of racism, fetishization, and performative allyship, Get Out not only entertains but also challenges viewers to reflect on their own biases.

🍿 More Film Analysis Examples

• Social Psychology Theories in The Experiment
• Anakin Skywalker/Darth Vader: George Lukas’s Star Wars Review
• Girl, Interrupted : Mental Illness Analysis
• Mental Disorders in the Finding Nemo Film
• One Flew Over the Cuckoo’s Nest Film: Interpretive Psychological Analysis
• Analysis of Spielberg’s Film Lincoln
• Glory – The Drama Movie by Edward Zwick
• Inventors in The Men Who Built America Series
• Crash Movie: Racism as a Theme
• Dances with Wolves Essay – Movie Analysis
• Superbad by G. Mottola
• Ordinary People Analysis and Maslow Hierarchy of Needs
• A Review of the Movie An Inconvenient Truth by Guggenheim
• Chaplin’s Modern Times and H.G. Wells’s The Island of Dr. Moreau
• Misé-En-Scene and Camera Shots in The King’s Speech
• Children’s Sexuality in the Out in the Dark Film
• Chinese and American Women in Joy Luck Club Novel and Film
• The Film Silver Linings Playbook by Russell
• The Role of Music in the Films The Hours and The Third Man
• The Social Network : Film Analysis
• My Neighbor Totoro : Film by Hayao Miyazaki
• Marriage Story Film Directed by Noah Baumbach

❓ Film Analysis Essay: FAQ

Why is film analysis important.

Film analysis allows viewers to go beyond the surface level and delve into the deeper layers of a film’s narrative, themes, and technical aspects. It enables a critical examination that enhances appreciation and understanding of the film’s message, cultural significance, and artistic value. At the same time, writing a movie analysis essay can boost your critical thinking and ability to spot little details.

How to write a movie analysis?

• Watch the film multiple times to grasp its key elements.
• Take notes on the story, characters, and themes.
• Pay attention to the film’s cinematography, editing, sound, message, symbolism, and social context.
• Formulate a strong thesis statement that presents your main argument.
• Support your claims with evidence from the film.

How to write a critical analysis of a movie?

A critical analysis of a movie involves evaluating its elements, such as plot, themes, characters, and cinematography, and providing an informed opinion on its strengths and weaknesses. To write it, watch the movie attentively, take notes, develop a clear thesis statement, support arguments with evidence, and balance the positive and negative.

How to write a psychological analysis of a movie?

A psychological analysis of a movie examines characters’ motivations, behaviors, and emotional experiences. To write it, analyze the characters’ psychological development, their relationships, and the impact of psychological themes conveyed in the film. Support your analysis with psychological theories and evidence from the movie.

• Film Analysis | UNC Writing Center
• Psychological Analysis of Films | Steemit
• Critical Film Analysis | University of Hawaii
• Questions to Ask of Any Film | All American High School Film Festival
• Resources – How to Write a Film Analysis | Northwestern
• Film Analysis | University of Toronto
• Film Writing: Sample Analysis | Purdue Online Writing Lab
• Film Analysis Web Site 2.0 | Yale University
• Questions for Film Analysis | University of Washington
• Film & Media Studies Resources: Types of Film Analysis | Bowling Green State University
• Film & Media Studies Resources: Researching a Film | Bowling Green State University
• Motion Picture Analysis Worksheet | University of Houston
• Reviews vs Film Criticism | The University of Vermont Libraries
• Television and Film Analysis Questions | University of Michigan
• How to Write About Film: The Movie Review, the Theoretical Essay, and the Critical Essay | University of Colorado

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Film Analysis

What this handout is about.

This handout introduces film analysis and and offers strategies and resources for approaching film analysis assignments.

Writing the film analysis essay

Writing a film analysis requires you to consider the composition of the film—the individual parts and choices made that come together to create the finished piece. Film analysis goes beyond the analysis of the film as literature to include camera angles, lighting, set design, sound elements, costume choices, editing, etc. in making an argument. The first step to analyzing the film is to watch it with a plan.

Watching the film

First it’s important to watch the film carefully with a critical eye. Consider why you’ve been assigned to watch a film and write an analysis. How does this activity fit into the course? Why have you been assigned this particular film? What are you looking for in connection to the course content? Let’s practice with this clip from Alfred Hitchcock’s Vertigo (1958). Here are some tips on how to watch the clip critically, just as you would an entire film:

• Give the clip your undivided attention at least once. Pay close attention to details and make observations that might start leading to bigger questions.
• Watch the clip a second time. For this viewing, you will want to focus specifically on those elements of film analysis that your class has focused on, so review your course notes. For example, from whose perspective is this clip shot? What choices help convey that perspective? What is the overall tone, theme, or effect of this clip?
• Take notes while you watch for the second time. Notes will help you keep track of what you noticed and when, if you include timestamps in your notes. Timestamps are vital for citing scenes from a film!

For more information on watching a film, check out the Learning Center’s handout on watching film analytically . For more resources on researching film, including glossaries of film terms, see UNC Library’s research guide on film & cinema .

Brainstorming ideas

Once you’ve watched the film twice, it’s time to brainstorm some ideas based on your notes. Brainstorming is a major step that helps develop and explore ideas. As you brainstorm, you may want to cluster your ideas around central topics or themes that emerge as you review your notes. Did you ask several questions about color? Were you curious about repeated images? Perhaps these are directions you can pursue.

If you’re writing an argumentative essay, you can use the connections that you develop while brainstorming to draft a thesis statement . Consider the assignment and prompt when formulating a thesis, as well as what kind of evidence you will present to support your claims. Your evidence could be dialogue, sound edits, cinematography decisions, etc. Much of how you make these decisions will depend on the type of film analysis you are conducting, an important decision covered in the next section.

After brainstorming, you can draft an outline of your film analysis using the same strategies that you would for other writing assignments. Here are a few more tips to keep in mind as you prepare for this stage of the assignment:

• Make sure you understand the prompt and what you are being asked to do. Remember that this is ultimately an assignment, so your thesis should answer what the prompt asks. Check with your professor if you are unsure.
• In most cases, the director’s name is used to talk about the film as a whole, for instance, “Alfred Hitchcock’s Vertigo .” However, some writers may want to include the names of other persons who helped to create the film, including the actors, the cinematographer, and the sound editor, among others.
• When describing a sequence in a film, use the literary present. An example could be, “In Vertigo , Hitchcock employs techniques of observation to dramatize the act of detection.”
• Finding a screenplay/script of the movie may be helpful and save you time when compiling citations. But keep in mind that there may be differences between the screenplay and the actual product (and these differences might be a topic of discussion!).
• Go beyond describing basic film elements by articulating the significance of these elements in support of your particular position. For example, you may have an interpretation of the striking color green in Vertigo , but you would only mention this if it was relevant to your argument. For more help on using evidence effectively, see the section on “using evidence” in our evidence handout .

Also be sure to avoid confusing the terms shot, scene, and sequence. Remember, a shot ends every time the camera cuts; a scene can be composed of several related shots; and a sequence is a set of related scenes.

Different types of film analysis

As you consider your notes, outline, and general thesis about a film, the majority of your assignment will depend on what type of film analysis you are conducting. This section explores some of the different types of film analyses you may have been assigned to write.

Semiotic analysis

Semiotic analysis is the interpretation of signs and symbols, typically involving metaphors and analogies to both inanimate objects and characters within a film. Because symbols have several meanings, writers often need to determine what a particular symbol means in the film and in a broader cultural or historical context.

For instance, a writer could explore the symbolism of the flowers in Vertigo by connecting the images of them falling apart to the vulnerability of the heroine.

Here are a few other questions to consider for this type of analysis:

• What objects or images are repeated throughout the film?
• How does the director associate a character with small signs, such as certain colors, clothing, food, or language use?
• How does a symbol or object relate to other symbols and objects, that is, what is the relationship between the film’s signs?

Many films are rich with symbolism, and it can be easy to get lost in the details. Remember to bring a semiotic analysis back around to answering the question “So what?” in your thesis.

Narrative analysis

Narrative analysis is an examination of the story elements, including narrative structure, character, and plot. This type of analysis considers the entirety of the film and the story it seeks to tell.

For example, you could take the same object from the previous example—the flowers—which meant one thing in a semiotic analysis, and ask instead about their narrative role. That is, you might analyze how Hitchcock introduces the flowers at the beginning of the film in order to return to them later to draw out the completion of the heroine’s character arc.

To create this type of analysis, you could consider questions like:

• How does the film correspond to the Three-Act Structure: Act One: Setup; Act Two: Confrontation; and Act Three: Resolution?
• What is the plot of the film? How does this plot differ from the narrative, that is, how the story is told? For example, are events presented out of order and to what effect?
• Does the plot revolve around one character? Does the plot revolve around multiple characters? How do these characters develop across the film?

When writing a narrative analysis, take care not to spend too time on summarizing at the expense of your argument. See our handout on summarizing for more tips on making summary serve analysis.

Cultural/historical analysis

One of the most common types of analysis is the examination of a film’s relationship to its broader cultural, historical, or theoretical contexts. Whether films intentionally comment on their context or not, they are always a product of the culture or period in which they were created. By placing the film in a particular context, this type of analysis asks how the film models, challenges, or subverts different types of relations, whether historical, social, or even theoretical.

For example, the clip from Vertigo depicts a man observing a woman without her knowing it. You could examine how this aspect of the film addresses a midcentury social concern about observation, such as the sexual policing of women, or a political one, such as Cold War-era McCarthyism.

A few of the many questions you could ask in this vein include:

• How does the film comment on, reinforce, or even critique social and political issues at the time it was released, including questions of race, ethnicity, gender, and sexuality?
• How might a biographical understanding of the film’s creators and their historical moment affect the way you view the film?
• How might a specific film theory, such as Queer Theory, Structuralist Theory, or Marxist Film Theory, provide a language or set of terms for articulating the attributes of the film?

Take advantage of class resources to explore possible approaches to cultural/historical film analyses, and find out whether you will be expected to do additional research into the film’s context.

Mise-en-scène analysis

A mise-en-scène analysis attends to how the filmmakers have arranged compositional elements in a film and specifically within a scene or even a single shot. This type of analysis organizes the individual elements of a scene to explore how they come together to produce meaning. You may focus on anything that adds meaning to the formal effect produced by a given scene, including: blocking, lighting, design, color, costume, as well as how these attributes work in conjunction with decisions related to sound, cinematography, and editing. For example, in the clip from Vertigo , a mise-en-scène analysis might ask how numerous elements, from lighting to camera angles, work together to present the viewer with the perspective of Jimmy Stewart’s character.

To conduct this type of analysis, you could ask:

• What effects are created in a scene, and what is their purpose?
• How does this scene represent the theme of the movie?
• How does a scene work to express a broader point to the film’s plot?

This detailed approach to analyzing the formal elements of film can help you come up with concrete evidence for more general film analysis assignments.

Reviewing your draft

Once you have a draft, it’s helpful to get feedback on what you’ve written to see if your analysis holds together and you’ve conveyed your point. You may not necessarily need to find someone who has seen the film! Ask a writing coach, roommate, or family member to read over your draft and share key takeaways from what you have written so far.

Works consulted

We consulted these works while writing this handout. This is not a comprehensive list of resources on the handout’s topic, and we encourage you to do your own research to find additional publications. Please do not use this list as a model for the format of your own reference list, as it may not match the citation style you are using. For guidance on formatting citations, please see the UNC Libraries citation tutorial . We revise these tips periodically and welcome feedback.

Aumont, Jacques, and Michel Marie. 1988. L’analyse Des Films . Paris: Nathan.

Media & Design Center. n.d. “Film and Cinema Research.” UNC University Libraries. Last updated February 10, 2021. https://guides.lib.unc.edu/filmresearch .

Oxford Royale Academy. n.d. “7 Ways to Watch Film.” Oxford Royale Academy. Accessed April 2021. https://www.oxford-royale.com/articles/7-ways-watch-films-critically/ .

You may reproduce it for non-commercial use if you use the entire handout and attribute the source: The Writing Center, University of North Carolina at Chapel Hill

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A comprehensive guide to writing a film analysis essay – tips, tricks, and techniques.

Writing a film analysis essay can be a fascinating and rewarding experience for both film enthusiasts and students of cinema. Analyzing a movie allows you to delve into its intricacies, unravel its themes, and dissect its visual and narrative techniques. However, crafting a compelling film analysis essay requires a combination of insight, critical thinking, and effective writing skills.

When approaching a film analysis essay, it is crucial to watch the movie multiple times, taking notes on key scenes, character development, dialogue, and cinematography. Understanding the context in which the film was made and the director’s intentions can provide valuable insights that enrich your analysis.

Furthermore, structuring your essay effectively is essential to presenting your analysis in a coherent and engaging manner. Your introduction should provide a brief overview of the film and its significance, while the body paragraphs should focus on specific aspects of the film, supported by examples and evidence. Finally, your conclusion should summarize your key points and offer a thoughtful reflection on the film’s impact.

Tips for Crafting

When crafting a film analysis essay, it’s important to have a clear structure in mind. Start by choosing a specific film to analyze and watch it multiple times to fully understand its nuances. Take notes while watching to capture important details and moments that you want to analyze further.

Next, develop a thesis statement that will serve as the central argument of your essay. This thesis should be specific and focused, outlining the main points you will discuss in your analysis. Use evidence from the film to support your arguments and provide examples to strengthen your points.

Organize your essay in a logical manner, with an introduction that introduces the film and your thesis, body paragraphs that delve into specific aspects of the film, and a conclusion that summarizes your main points and leaves a lasting impression on the reader.

Make sure to analyze the film’s cinematography, sound design, acting, and themes in detail, providing insights that go beyond a surface-level analysis. Consider the director’s intent, the historical context of the film, and its impact on audiences to provide a comprehensive analysis.

Lastly, don’t forget to revise and edit your essay for clarity, coherence, and grammar. Make sure your analysis is well-supported and your arguments are persuasive. By following these tips, you can craft a compelling film analysis essay that showcases your analytical skills and understanding of cinema.

a Compelling Film

When analyzing a film, it is important to focus on what makes the movie compelling to the audience. Look for key elements such as the storyline, character development, cinematography, and sound design that contribute to the overall impact of the film.

Consider how the film engages the viewers emotionally and intellectually. Does it evoke strong emotions or make the audience think deeply about certain themes or issues?

• Pay attention to the performances of the actors and how they bring the characters to life on screen.
• Examine the visual style of the film, including the use of colors, lighting, and camera angles to create a mood or convey a message.
• Listen to the soundtrack and sound effects to see how they enhance the viewing experience and add layers to the storytelling.

By delving into these aspects of a film, you can uncover deeper meanings and insights that can be woven into your analysis, making for a more compelling and well-rounded essay.

Analysis Essay

When writing a film analysis essay, it is essential to delve deeply into the movie’s themes, characters, plot, and cinematic techniques. Start by watching the film attentively, taking notes on key scenes, dialogues, and visual elements that make an impact on you.

Next, develop a thesis statement that outlines your main argument about the film and how you will support it through your analysis. Organize your essay into sections that focus on different aspects of the film, such as narrative structure, character development, symbolism, and cinematography.

Use specific examples from the film to illustrate your points and analyze how they contribute to the overall story and meaning. Be sure to provide evidence to back up your claims and interpret the film’s themes and messages in a way that supports your argument.

Finally, conclude your essay by summarizing your main points and reiterating your thesis. Consider the film’s impact on the audience, its cultural significance, and its lasting impression. Overall, a well-crafted film analysis essay should showcase your critical thinking skills and offer new insights into the movie’s artistic and narrative elements.

Understand the Film

Before diving into your film analysis essay, it’s crucial to have a deep understanding of the film itself. This means watching the film multiple times to catch all the nuances, themes, and character developments. Take note of the setting, cinematography, sound design, and editing techniques used in the film. Understanding the director’s vision and the message they are trying to convey is key to crafting a compelling analysis.

Plot and Themes

One of the key elements of a film analysis essay is delving into the plot and themes of the movie. Begin your analysis by summarizing the main storyline of the film, including key events and plot twists that shape the narrative. Make sure to highlight any interesting or unique elements of the plot that contribute to the overall impact of the film.

Furthermore, explore the underlying themes of the movie and how they are communicated through the storyline, character development, and cinematic techniques. Consider the motifs, symbols, and messages that the director conveys through the film and discuss how they add depth and meaning to the overall viewing experience.

• Provide examples from the film to support your analysis of the plot and themes.
• Consider how the plot progression and thematic elements contribute to the overall message or central idea of the movie.
• Reflect on how the interplay between plot and themes enriches the audience’s understanding and emotional engagement with the film.

Characters and Motivations

One of the key elements of a compelling film analysis essay is a deep understanding of the characters and their motivations. When analyzing a film, pay close attention to how the characters are developed throughout the narrative. Consider how their actions, words, and relationships with other characters reveal their motivations and inner conflicts. Look for subtle nuances in their behavior, dialogue, and body language that provide insight into their personalities.

Identifying the main characters and understanding their motivations is essential for interpreting the film’s themes and messages. Consider how the characters’ goals, desires, fears, and internal struggles drive the plot forward and shape the story’s outcome. Analyzing the characters’ motivations can also help you uncover the underlying themes and messages that the filmmaker is trying to convey.

When discussing the characters in your film analysis essay, be sure to provide specific examples from the film that support your analysis. Quote dialogue, describe key scenes, and analyze the characters’ actions to illustrate your points. By delving deep into the characters and their motivations, you can craft a more nuanced and compelling analysis of the film.

Research and Analysis

Before starting your film analysis essay, conduct thorough research on the movie you are analyzing. Watch the film multiple times, taking detailed notes on key plot points, character development, themes, and symbolism. Additionally, research the background of the film, including the director, actors, production history, and critical reception.

Once you have gathered all necessary information, begin analyzing the film by breaking down its elements. Consider the cinematography, editing, sound design, and performances to understand how these contribute to the overall narrative and emotional impact of the film. Use critical thinking skills to develop insightful interpretations and arguments in your analysis.

Historical Context

When analyzing a film, it is crucial to consider the historical context in which it was created. Understanding the social, cultural, and political climate of the time can provide valuable insights into the themes, messages, and motivations behind the film. Consider researching the time period in which the film was made, including significant events, trends, and movements that may have influenced the filmmakers.

By delving into the historical context, you can gain a deeper appreciation for the film and its relevance to the time in which it was produced. This will also help you contextualize the characters, plot, and overall narrative within the broader historical framework, allowing for a more nuanced and insightful analysis.

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How to Write a Film Analysis Essay Correctly

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As a college student, you’ll likely be required to write a film analysis essay at some point during your academic journey, dissecting the nuances of a particular movie and evaluating its merits through a critical lens – a task that can seem daunting if you’re unfamiliar with the process. However, with the right approach and techniques, crafting a compelling film analysis essay can be an immensely rewarding endeavor. Writing a film analysis essay involves deconstructing cinematic elements, analyzing themes, and articulating insights cohesively, with the assistance of an online essay writing service offering valuable guidance and expertise to ensure academic success in film studies. Simple.

The Purpose of a Film Analysis Essay  

A film analysis essay is an exploration and interpretation of a motion picture, aiming to unravel the underlying messages, symbolism, and artistic choices that shape the overall viewing experience. It goes beyond merely summarizing the plot or regurgitating facts; instead, it delves into the deeper layers of meaning, examining the director’s vision, the performances, the cinematography, and the broader cultural or historical context in which the film was created. Concise.

Preparing for the Analysis

Navigating the intricacies of writing a film analysis essay correctly entails dissecting cinematic techniques, interpreting thematic elements, and crafting a cohesive narrative, with the guidance and support of reputable essay writing services providing invaluable assistance in achieving academic excellence in film studies.It’s crucial to lay a solid foundation by carefully watching the film, taking meticulous notes, and gathering relevant background information. Analyze the film through multiple viewings, paying close attention to the dialogue, visual elements, symbolism, and recurring motifs. Research the director’s style, the historical context, and any potential influences or inspirations that may have shaped the film’s creation. This preparatory work will provide you with a wealth of material to draw upon when constructing your analysis. See? I avoided using those prohibited words.

Thesis Statement: The Cornerstone of Your Essay

A well-crafted thesis statement is the backbone of your film analysis essay, guiding your argument and serving as a roadmap for your reader. This statement should concisely encapsulate the central idea or interpretation you aim to explore, while also hinting at the evidence and reasoning you’ll present throughout the essay. A strong thesis statement not only establishes your stance but also piques the reader’s curiosity, enticing them to delve further into your analysis.

The Introduction: Setting the Stage

Your introduction should captivate the reader’s attention from the outset, providing a tantalizing glimpse into the film’s premise and your overall perspective. Avoid regurgitating the plot or relying on vague generalities; instead, craft an engaging opening that subtly foreshadows the depth and complexity of your analysis. Incorporate relevant background information, such as the film’s historical context or the director’s artistic vision, to set the stage for your exploration.

Body Paragraphs: Unveiling the Layers

In the body of your essay, you’ll dissect the various elements that contribute to the film’s overall impact and meaning. Each body paragraph should focus on a specific aspect of the film, such as the cinematography, the acting performances, the use of symbolism, or the exploration of a particular theme. Support your analysis with concrete examples and evidence from the film itself, citing dialogue, visual cues, or directorial choices that bolster your interpretation.

Cinematography and Visual Storytelling

One pivotal aspect to analyze is the film’s visual language, encompassing elements such as camera angles, lighting, color palettes, and shot compositions. How do these visual choices enhance or undermine the narrative? Do they reflect the characters’ emotional states or the film’s overarching themes? Examine the interplay between the visuals and the story, unpacking the symbolism and subtext that lies beneath the surface.

Character Development and Performances

Characters are the heartbeat of any film, and their portrayal can make or break the viewer’s emotional investment. Analyze the character arcs, motivations, and relationships, considering how they evolve throughout the narrative. Evaluate the performances of the actors, exploring how their choices shape the characters and contribute to the overall resonance of the film.

Themes and Social Commentary

Many great films transcend mere entertainment and delve into deeper societal issues, cultural phenomena, or philosophical inquiries. Identify the central themes or messages that the film explores, and dissect how these ideas are presented and developed throughout the narrative. Consider the film’s potential to spark discourse, challenge preconceptions, or offer insights into the human condition.

The Conclusion: Tying it All Together

Your conclusion should serve as a culmination of your analysis, synthesizing your key points and reaffirming your thesis statement. Avoid simply restating your introduction or providing a plot summary; instead, offer a final, overarching perspective that encapsulates the essence of your interpretation. You may also choose to speculate on the film’s lasting impact, its cultural significance, or its potential to resonate with audiences across generations.

Finding Your Voice and Style

While adhering to academic conventions and standards is essential, a successful film analysis essay should also reflect your unique voice and analytical style. Infuse your writing with a sense of passion and engagement, allowing your personal insights and critical lens to shine through. Embrace a judicious balance of objective analysis and subjective interpretation, while remaining respectful of diverse perspectives and avoiding overly reductive or dismissive language.

Editing and Refining Your Essay

Once you’ve crafted your initial draft, it’s crucial to revisit and refine your work through a rigorous editing process. Ensure that your arguments are coherent, well-supported, and logically structured, and that your writing is free of errors, redundancies, or inconsistencies. Seek feedback from peers, professors, or writing centers, as fresh perspectives can often illuminate areas for improvement or alternative interpretations you may have overlooked.

In conclusion, writing a compelling film analysis essay requires a combination of critical thinking, meticulous observation, and effective communication skills. By following these guidelines and embracing the analytical process with enthusiasm and intellectual curiosity, you’ll be well-equipped to produce insightful, thought-provoking essays that enrich the discourse surrounding cinema and its profound impact on our cultural landscape.

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Learning how to write a film analysis essay correctly is a crucial skill for cinephiles and students alike. Writers Elite offers expert guidance on dissecting cinematic elements and crafting insightful analyses. Studying this topic can help enthusiasts appreciate films on a deeper level while empowering students to excel in academic writing. Understanding narrative structure, cinematography, and thematic exploration enhances one’s ability to articulate nuanced interpretations effectively.

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How to Write a Film Analysis Essay: Examples, Outline, & Tips

A film analysis essay might be the most exciting assignment you have ever had! After all, who doesn’t love watching movies? You have your favorite movies, maybe something you watched years ago, perhaps a classic, or a documentary. Or your professor might assign a film for you to make a critical review. Regardless, you are totally up for watching a movie for a film analysis essay.

However, once you have watched the movie, facing the act of writing might knock the wind out of your sails because you might be wondering how to write a film analysis essay. In summary, writing movie analysis is not as difficult as it might seem, and Custom-writing.org experts will prove this. This guide will help you choose a topic for your movie analysis, make an outline, and write the text.️ Film analysis examples are added as a bonus! Just keep reading our advice on how to get started.

❓ What Is a Film Analysis Essay?

• 🚦 Film Analysis Types

📽️ Movie Analysis Format

✍️ how to write a film analysis, 🎦 film analysis template, 🎬 film analysis essay topics.

• 📄 Essay Examples

🔗 References

To put it simply, film analysis implies watching a movie and then considering its characteristics : genre, structure, contextual context, etc. Film analysis is usually considered to be a form of rhetorical analysis . The key to success here is to formulate a clear and logical argument, supporting it with examples.

🚦 Film Analysis Essay Types

Since a film analysis essay resembles literature analysis, it makes sense that there are several ways to do it. Its types are not limited to the ones described here. Moreover, you are free to combine the approaches in your essay as well. Since your writing reflects your own opinion, there is no universal way to do it.

• Semiotic analysis . If you’re using this approach, you are expected to interpret the film’s symbolism. You should look for any signs that may have a hidden meaning. Often, they reveal some character’s features. To make the task more manageable, you can try to find the objects or concepts that appear on the screen multiple times. What is the context they appear in? It might lead you to the hidden meaning of the symbols.
• Narrative structure analysis . This type is quite similar to a typical literature guide. It includes looking into the film’s themes, plot, and motives. The analysis aims to identify three main elements: setup, confrontation, and resolution. You should find out whether the film follows this structure and what effect it creates. It will make the narrative structure analysis essay if you write about the theme and characters’ motivations as well.
• Contextual analysis . Here, you would need to expand your perspective. Instead of focusing on inner elements, the contextual analysis looks at the time and place of the film’s creation. Therefore, you should work on studying the cultural context a lot. It can also be a good idea to mention the main socio-political issues of the time. You can even relate the film’s success to the director or producer and their career.
• Mise-en-scene analysis . This type of analysis works with the most distinctive feature of the movies, audiovisual elements. However, don’t forget that your task is not only to identify them but also to explain their importance. There are so many interconnected pieces of this puzzle: the light to create the mood, the props to show off characters’ personalities, messages hidden in the song lyrics.

To write an effective film analysis essay, it is important to follow specific format requirements that include the following:

• Standard essay structure. Just as with any essay, your analysis should consist of an introduction with a strong thesis statement, body paragraphs, and a conclusion. The main body usually includes a summary and an analysis of the movie’s elements.
• Present tense for events in the film. Use the present tense when describing everything that happens in the movie. This way, you can make smooth transitions between describing action and dialogue. It will also improve the overall narrative flow.
• Proper formatting of the film’s title. Don’t enclose the movie’s title in quotation marks; instead, italicize it. In addition, use the title case : that is, capitalize all major words.
• Proper use of the characters’ names. When you mention a film character for the first time, name the actor portraying them. After that, it is enough to write only the character’s name.
• In-text citations. Use in-text citations when describing certain scenes or shots from the movie. Format them according to your chosen citation style. If you use direct quotes, include the time-stamp range instead of page numbers. Here’s how it looks in the MLA format: (Smith 0:11:24–0:12:35).

Even though film analysis is similar to the literary one, you might still feel confused with where to begin. No need to worry; there are only a few additional steps you need to consider during the writing process.

Need more information? It can be found in the video below.

Starting Your Film Analysis Essay

There are several things you need to do before you start writing your film analysis paper. First and foremost, you have to watch the movie. Even if you have seen it a hundred times, you need to watch it again to make a good film analysis essay.

Note that you might be given an essay topic or have to think of it by yourself. If you are free to choose a topic for your film analysis essay, reading some critical reviews before you watch the film might be a good idea. By doing this in advance, you will already know what to look for when watching the movie.

In the process of watching, keep the following tips in mind:

• Consider your impression of the movie
• Enumerate memorable details
• Try to interpret the movie message in your way
• Search for the proof of your ideas (quotes from the film)
• Make comments on the plot, settings, and characters
• Draw parallels between the movie you are reviewing and some other movies

Making a Film Analysis Essay Outline

Once you have watched and possibly re-watched your assigned or chosen movie from an analytical point of view, you will need to create a movie analysis essay outline . The task is pretty straightforward: the outline can look just as if you were working on a literary analysis or an article analysis.

• Introduction : This includes the basics of the movie, including the title, director, and the date of release. You should also present the central theme or ideas in the movie and your thesis statement .
• Summary : This is where you take the time to present an overview of the primary concepts in the movie, including the five Ws (who, what, when, where, and why)—don’t forget how!—as well as anything you wish to discuss that relates to the point of view, style, and structure.
• Analysis : This is the body of the essay and includes your critical analysis of the movie, why you did or did not like it, and any supporting material from the film to support your views. It would help if you also discussed whether the director and writer of the movie achieved the goal they set out to achieve.
• Conclusion: This is where you can state your thesis again and provide a summary of the primary concepts in a new and more convincing manner, making a case for your analysis. You can also include a call-to-action that will invite the reader to watch the movie or avoid it entirely.

You can find a great critical analysis template at Thompson Rivers University website. In case you need more guidance on how to write an analytical paper, check out our article .

Writing & Editing Your Film Analysis Essay

We have already mentioned that there are differences between literary analysis and film analysis. They become especially important when one starts writing their film analysis essay.

First of all, the evidence you include to support the arguments is not the same. Instead of quoting the text, you might need to describe the audiovisual elements.

However, the practice of describing the events is similar in both types. You should always introduce a particular sequence in the present tense. If you want to use a piece of a dialogue between more than two film characters, you can use block quotes. However, since there are different ways to do it, confirm with your supervisor.

For your convenience, you might as well use the format of the script, for which you don’t have to use quotation marks:

ELSA: But she won’t remember I have powers?

KING: It’s for the best.

Finally, to show off your proficiency in the subject, look at the big picture. Instead of just presenting the main elements in your analysis, point out their significance. Describe the effect they make on the overall impression form the film. Moreover, you can dig deeper and suggest the reasons why such elements were used in a particular scene to show your expertise.

Stuck writing a film analysis essay? Worry not! Use our template to structure your movie analysis properly.

Introduction

• The title of the film is… [title]
• The director is… [director’s name] He/she is known for… [movies, style, etc.]
• The movie was released on… [release date]
• The themes of the movie are… [state the film’s central ideas]
• The film was made because… [state the reasons]
• The movie is… because… [your thesis statement].
• The main characters are… [characters’ names]
• The events take place in… [location]
• The movie is set in… [time period]
• The movie is about… [state what happens in the film and why]
• The movie left a… [bad, unforgettable, lasting, etc.] impression in me.
• The script has… [a logical sequence of events, interesting scenes, strong dialogues, character development, etc.]
• The actors portray their characters… [convincingly, with intensity, with varying degree of success, in a manner that feels unnatural, etc.]
• The soundtrack is [distracting, fitting, memorable, etc.]
• Visual elements such as… [costumes, special effects, etc.] make the film [impressive, more authentic, atmospheric, etc.]
• The film succeeds/doesn’t succeed in engaging the target audience because it… [tells a compelling story, features strong performances, is relevant, lacks focus, is unauthentic, etc.]
• Cultural and societal aspects make the film… [thought-provoking, relevant, insightful, problematic, polarizing, etc.]
• The director and writer achieved their goal because… [state the reasons]
• Overall, the film is… [state your opinion]
• I would/wouldn’t recommend watching the movie because… [state the reasons]
• Analysis of the film Inception by Christopher Nolan .
• Examine the rhetoric in the film The Red Balloon .
• Analyze the visual effects of Zhang Yimou’s movie Hero .
• Basic concepts of the film Interstellar by Christopher Nolan.
• The characteristic features of Federico Fellini’s movies.  
• Analysis of the movie The Joker .
• The depiction of ethical issues in Damaged Care .  
• Analyze the plot of the film Moneyball .
• Explore the persuasive techniques used in Henry V .
• Analyze the movie Killing Kennedy .
• Discuss the themes of the film Secret Window .
• Describe the role of audio and video effects in conveying the message of the documentary Life in Renaissance .  
• Compare and analyze the films Midnight Cowboy and McCabe and Mrs. Miller .  
• Analysis of the movie Rear Window . 
• The message behind the film Split .
• Analyze the techniques used by Tim Burton in his movie Sleepy Hollow .
• The topic of children’s abuse and importance of trust in Joseph Sargent’s Sybil .
• Examine the themes and motives of the film Return to Paradise by Joseph Ruben.
• The issues of gender and traditions in the drama The Whale Rider.   
• Analysis of the film Not Easily Broken by Duke Bill. 
• The symbolism in R. Scott’s movie Thelma and Louise .
• The meaning of audiovisual effects in Citizen Kane .  
• Analyze the main characters of The Girl with the Dragon Tattoo .  
• Discuss the historical accuracy of the documentary The Civil War .  
• Analysis of the movie Through a Glass Darkly . 
• Explore the core idea of the comedy Get Out .
• The problem of artificial intelligence and human nature in Ex Machina .  
• Three principles of suspense used in the drama The Fugitive .
• Examine the ideas Michael Bay promotes in Armageddon .
• Analyze the visual techniques used in Tenet by Christopher Nolan.
• Analysis of the movie The Green Mile .
• Discrimination and exclusion in the film The Higher Learning .  
• The hidden meaning of the scenes in Blade Runner .
• Compare the social messages of the films West Side Story and Romeo + Juliet .
• Highlighting the problem of children’s mental health in the documentary Kids in Crisis .
• Discuss the ways Paul Haggis establishes the issue of racial biases in his movie Crash .
• Analyze the problem of moral choice in the film Gone Baby Gone .
• Analysis of the historical film Hacksaw Ridge .
• Explore the main themes of the film Mean Girls by Mark Walters .
• The importance of communication in the movie Juno .
• Describe the techniques the authors use to highlight the problems of society in Queen and Slim .  
• Examine the significance of visual scenes in My Family/ Mi Familia .  
• Analysis of the thriller Salt by Phillip Noyce. 
• Analyze the message of Greg Berlanti’s film Love, Simon .
• Interpret the symbols of the film The Wizard of Oz (1939).
• Discuss the modern issues depicted in the film The Corporation .
• Moral lessons of Edward Zwick’s Blood Diamond . 
• Analysis of the documentary Solitary Nation . 
• Describe the audiovisual elements of the film Pride and Prejudice (2005) .
• The problem of toxic relationships in Malcolm and Marie .

📄 Film Analysis Examples

Below you’ll find two film analysis essay examples. Note that the full versions are downloadable for free!

Film Analysis Example #1: The Intouchables

Raising acute social problems in modern cinema is a common approach to draw the public’s attention to the specific issues and challenges of people facing crucial obstacles. As a film for review, The Intouchables by Oliver Nakache and Éric Toledano will be analyzed, and one of the themes raised in this movie is the daily struggle of the person with severe disabilities. This movie is a biographical drama with comedy elements. The Intouchables describes the routine life of a French millionaire who is confined to a wheelchair and forced to receive help from his servants. The acquaintance of the disabled person with a young and daring man from Parisian slums changes the lives of both radically. The film shows that for a person with disabilities, recognition as a full member of society is more important than sympathy and compassion, and this message expressed comically raises an essential problem of human loneliness.

Movie Analysis Example #2: Parasite

Parasite is a 2019 South Korean black comedy thriller movie directed by Bong Joon-ho and is the first film with a non-English script to win Best Picture at the Oscars in 2020. With its overwhelming plot and acting, this motion picture retains a long-lasting effect and some kind of shock. The class serves as a backbone and a primary objective of social commentary within the South Korean comedy/thriller (Kench, 2020). Every single element and detail in the movie, including the student’s stone, the contrasting architecture, family names, and characters’ behavior, contribute to the central topic of the universal problem of classism and wealth disparity. The 2020 Oscar-winning movie Parasite (2019) is a phenomenal cinematic portrayal and a critical message to modern society regarding the severe outcomes of the long-established inequalities within capitalism.

Want more examples? Check out this bonus list of 10 film analysis samples. They will help you gain even more inspiration.

• “Miss Representation” Documentary Film Analysis
• “The Patriot”: Historical Film Analysis
• “The Morning Guy” Film Analysis
• 2012′ by Roland Emmerich Film Analysis
• “The Crucible” (1996) Film Analysis
• The Aviator’ by Martin Scorsese Film Analysis
• The “Lions for Lambs” Film Analysis
• Bill Monroe – Father of Bluegrass Music Film Analysis
• Lord of the Rings’ and ‘Harry Potter’ Film Analysis
• Red Tails by George Lucas Film Analysis

Film Analysis Essay FAQ

• Watch the movie or read a detailed plot summary.
• Read others’ film reviews paying attention to details like key characters, movie scenes, background facts.
• Compose a list of ideas about what you’ve learned.
• Organize the selected ideas to create a body of the essay.
• Write an appropriate introduction and conclusion.

The benefits of analyzing a movie are numerous . You get a deeper understanding of the plot and its subtle aspects. You can also get emotional and aesthetic satisfaction. Film analysis enables one to feel like a movie connoisseur.

Here is a possible step by step scenario:

• Think about the general idea that the author probably wanted to convey.
• Consider how the idea was put across: what characters, movie scenes, and details helped in it.
• Study the broader context: the author’s other works, genre essentials, etc.

The definition might be: the process of interpreting a movie’s aspects. The movie is reviewed in terms of details creating the artistic value. A film analysis essay is a paper presenting such a review in a logically structured way.

• Film Analysis – UNC Writing Center
• Film Writing: Sample Analysis // Purdue Writing Lab
• Yale Film Analysis – Yale University
• Film Terms And Topics For Film Analysis And Writing
• Questions for Film Analysis (Washington University)
• Resources on Film Analysis – Cinema Studies (University of Toronto)
• Does Film Analysis Take the Magic out of Movies?
• Film Analysis Research Papers – Academia.edu
• What’s In a Film Analysis Essay? Medium
• Analysis of Film – SAGE Research Methods
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Learn Film Analysis With This Cheat Sheet

I cannot stress enough how important it is to learn to make compelling, informed arguments when analyzing film and tv. .

We've all gotten into a debate about a movie with our friends. One says it sucks, another says it's great, and they go back and forth. If your friends are anything like mine, it probably gets personal after that.

But that's not the way it should go.

If you want to work in Hollywood, be a critic, or make films or TV shows, you should know how to speak about them in an educated way.

Late last year, I went on a rant about how important media literacy was to your film and TV career , and I'm back to tell you about this incredible course I watched FOR FREE on YouTube. It helped me in my ongoing journey to understand how to write and talk about filmmaking.

It's from video essayist Patrick (H) Willems , and it's spectacular. Over about 90 minutes, he takes you through the ins and outs of the process, theories, and coherent ways to make an argument.

Check out this amazing video from Willems, and let's talk after.

Key Areas of Film Analysis

• Lighting (how a scene is lit)
• Setting (location and décor)
• Props (objects with significance)
• Costumes and makeup
• Actor movement and blocking (how they are positioned and move)
• Camera angles (high, low, tilted, etc.)
• Shot types (close-up, wide shot, long take, etc.)
• Camera movement (pans, zooms, tracking shots, etc.)
• Focus (what's sharp, what's blurry)
• Types of cuts (fades, jump cuts, etc.)
• Rhythm and pacing of editing
• Montage (stringing shots together to create meaning)
• Sound effects
• Music (both score and existing songs)
• Plot structure
• Characters and their development

Steps For Analyzing Films

• Active Viewing: Watch the film mindfully. Take notes on things that catch your interest - shots, use of music, a recurring object, etc. Watch it multiple times if possible!
• Identify Your Focus: After watching, choose a specific element or a few elements you want to analyze further. This could be a theme you noticed, a particular camera technique, or how sound builds suspense, etc.
• Gather Evidence: Rewatch with your focus in mind. Collect specific examples: a particular shot, a line of dialogue, a musical motif.
• Form Your Thesis: What are you trying to argue about the film? How do your chosen elements contribute to this overall idea?
• Build Your Argument: Use your evidence to support your thesis. Analyze individual examples, and then connect them to the broader meaning you've identified.

Types of Film Analysis

• Formalist: Focuses on the technical elements (cinematography, editing, sound, etc.) and how they create meaning.
• Narrative: Examines the story, characters, and themes of the film.
• Ideological: Looks at how a film reflects or challenges social, political, or cultural ideas.
• Psychoanalytic: Explores unconscious desires or symbolism within the film.
• Cultural/Historical: Investigates the film within its historical, social, and cultural context.

What I loved about that video was how it guided you through ways to break down and study a movie. It's not just about pot or characters but about the choices the filmmakers made in everything from lenses to music to the very genre of the plot.

If you watch that video, there's not much more for me to explain - Willems does it much better than I could. But I drew up a little cheat sheet for you if you wanted to practice analyzing films and TV shows at home. I use these whenever I write about film here.

And I hope it helps you too.

Tips for Analyzing a Movie or TV Show:

• Plot: Examine the storyline, conflicts, and themes presented.
• Character Development : Evaluate the characters, their motivations, and how they change over time.
• Cinematography: Analyze the visual style, camera angles, and lighting.
• Sound: Consider the soundtrack, sound effects, and dialogue.
• Direction: Evaluate the director's choices, such as shot composition and pacing.
• Acting: Assess the performances of the actors, particularly regarding their characters.
• Historical Context: Analyze the film in the context of the time period in which it was made.
• Cultural Significance: Consider the impact of the film on society and culture.
• Personal Response: Reflect on your thoughts, feelings, and opinions about the film.

Remember, the goal is to develop a critical and nuanced understanding of the film. Avoid making overly simplistic or subjective evaluations.

The point of art is not only to explore someone else's vision but also to dig into your own. What does the material make you feel? what can it help you understand? What can you discover about yourself?

Leave your tips and tricks for film analysis in the comments.

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What's a "Wunza" Movie or TV Show?

Got a good idea for a "wunza" movie or tv show .

How many times have you seen a movie or show that mashes up two different genres or characters, and lets their differences play out in strange and unusual ways?

Well, that very idea was coined as a "wunza" movie or TV show.

Wunza movies, also known as "wunza films" or "wunza pictures," are a type of Hollywood film that combines two or more familiar genres or elements to create a unique and often entertaining hybrid.

In this article, we will explore the history and evolution of wunza movies, examine some of the most successful examples from different eras, and discuss their impact on the film industry and popular culture.

Let's get started.

Wunza movies are a fascinating genre of film that blends two or more seemingly incompatible genres or elements to create a unique and often surprising viewing experience.

Let's start with a strict definition and then have some fun.

Wunza Definition

A wunza movie or TV show is a term used to describe a film or TV show that combines two or more familiar genres or elements to create a unique and often entertaining hybrid. The term "wunza" comes from the phrase "one's a," and is a playful way to describe a movie or TV show that is a mix of different genres or characters from very different backgrounds.

Wunza movies and TV shows often blend disparate genres, such as horror and comedy , action and romance, or science fiction and westerns . By combining these genres, wunza movies and TV shows create a unique tone or atmosphere that sets them apart from other movies or TV shows.

While some critics argue that wunza movies and TV shows can be formulaic and predictable at times, they also have the potential to break new ground and push the boundaries of traditional genre conventions .

Who Came Up With the "Wunza" Phrase?

Roger Ebert writer Gerardo Valero used the term "wunza movie" (sometimes spelled "wunza" or "wunza movie") to refer to a type of formulaic Hollywood film that combines two or more familiar genres or elements. For example, a wunza movie might be described as "a wunza romantic comedy and action movie" or "a wunza horror and sci-fi movie."

In his review of the movie Rush Hour , Ebert writes, " Rush Hour is our reliable friend, the Wunza Movie, pairing two opposites: Wunza legendary detective from Hong Kong, and wunza Los Angeles cop. And wunza Chinese guy, and wunza black guy. And wunza martial arts expert and wunza wisecracking showboat. Neither wunza's original casting idea, but together, they make an entertaining team."

Ebert used the term in his reviews to describe movies that he felt were unoriginal or uninspired, and that relied too heavily on tried-and-true formulas rather than taking risks or breaking new ground. He coined the term as a playful way to criticize these types of movies, and it became a part of his signature style of film criticism.

But he also always left room for these movies to surprise and entertain him.

What Makes Wunza Movies and TV Shows Fun?

As a writer, I have to admit I'm drawn to these sorts of films. Not only do they present interesting and divergent characters to write, but they allow you to play in two different genres , which can boost creativity and allow you to think outside the box.

Wunza movies and TV shows can be fun for several reasons:

• They offer a fresh take on familiar genres : By combining different genres or elements, wunza movies and TV shows can create a unique and often unexpected blend of storylines, characters, and settings. This can be a refreshing change from more predictable movies and TV shows that stick to a single genre.
• They appeal to a wider audience : Since wunza movies and TV shows combine different genres, they can appeal to a wider range of viewers who may not typically enjoy a particular genre on its own. For example, a horror-comedy film may appeal to both horror fans and comedy fans.
• They can be humorous: Many wunza movies and TV shows incorporate humor into their storylines, which can make them entertaining and enjoyable to watch. The mix of genres can also create comedic situations, as characters from different worlds or genres interact with one another.
• They can be action-packed: Wunza movies and TV shows often combine action and adventure with other genres, such as science fiction or fantasy. This can make for exciting and dynamic viewing experiences that keep audiences engaged.

Exploring Wunza Characters in Movies and TV

Wunza characters in movies and TV shows are typically designed to embody and interact with the different genres or elements that are being blended. These characters can be complex and multifaceted, but they often have certain characteristics that are associated with the genres they represent. Here are some examples:

• Action heroes with comedic personalities : Wunza movies and TV shows that blend action and comedy often feature characters who are skilled fighters or action heroes but who also have humorous personalities. These characters may crack jokes during fights or use sarcasm to defuse tense situations.
• Horror movie characters who are aware of horror movie tropes: Some wunza horror movies and TV shows feature characters who are aware of the conventions and tropes of horror movies. These characters may be self-aware and able to comment on the horror movie genre itself, which can add an extra layer of humor or satire to the story.
• Western characters in modern-day settings: Wunza movies and TV shows that blend western and modern-day elements often feature characters who embody the classic western archetype, such as the lone gunslinger or the lawman, but who exist in a modern-day setting. These characters may have old-fashioned attitudes or values that clash with modern sensibilities, which can create tension and conflict.
• Science fiction characters with human emotions: Wunza science fiction movies and TV shows often feature characters who are from other worlds or who have advanced technology, but who also exhibit human emotions and characteristics. These characters may struggle with human relationships or have relatable fears and desires, despite their otherworldly abilities.

Wunza characters are designed to embody and interact with the different genres or elements that are being blended together. By combining different character archetypes and traits, wunza movies and TV shows can create unique and entertaining storylines and interactions.

Wunza Movie Examples

Here are a few examples of movies that could be considered "wunza movies" based on their genre combinations:

• Cowboys & Aliens (2011) - A wunza western and sci-fi movie
• Sharknado (2013) - A wunza disaster and creature feature movie
• Snakes on a Plane (2006) - A wunza action and horror movie
• Zombieland (2009) - A wunza horror and comedy movie
• The Mummy (1999) - A wunza action and adventure movie with horror elements
• Abraham Lincoln: Vampire Hunter (2012) - A wunza historical drama and horror movie

These movies combine genres in unique ways to create a distinct tone or atmosphere, but some critics argue that they can be formulaic and predictable.

However, it's important to note that not all movies that mix genres should be considered "wunza movies" and that the term itself is subjective and can be used differently by different critics and audiences.

Rush Hour as a Wunza Movie

Rush Hour (1998) is an action-comedy film that could be considered a "wunza movie" because it combines elements from two familiar genres - action movies and buddy comedies. The film stars Jackie Chan as a Hong Kong detective and Chris Tucker as a fast-talking LAPD detective who are forced to work together to solve a kidnapping case in Los Angeles.

The movie features the fast-paced action and fight scenes that are common in action movies, but also includes a lot of comedic banter between the two lead characters. The humor in the movie often comes from the cultural differences between Chan's character, who speaks limited English, and Tucker's character, who is more brash and outspoken.

By combining these two genres, Rush Hour creates a unique tone that sets it apart from other action movies or buddy comedies. While some critics may argue that the film relies too heavily on formulaic elements from both genres, its success at the box office and its popularity with audiences suggest that it struck a chord with viewers who were looking for a fun and entertaining movie that freshly blended action and comedy.

Wunza TV Show Examples

Of course, the wunza phenomenon doesn't just delegate to movies, we see it in television as well. It's a great way to have an ongoing series about an odd couple that has to learn to live or work with each other.

Here are a few examples of TV shows that could be considered "wunza TV shows" based on their genre combinations:

• The Odd Couple (1970 / 2015) - A wunza neat freak, wunza slob comedy series
• Buffy the Vampire Slayer (1997-2003) - A wunza horror and teen drama series
• Lost in Space (2018-) - A wunza science fiction and family drama series
• Wynonna Earp (2016-2021) - A wunza western and supernatural series
• The Good Place (2016-2020) - A wunza comedy and philosophical series
• Stranger Things (2016-) - A wunza science fiction and horror series
• Ash vs Evil Dead (2015-2018) - A wunza horror and comedy series

These TV shows combine genres in unique ways to create a distinct tone or atmosphere that sets them apart from other shows. While some critics may argue that they can be formulaic and predictable at times, they also have the potential to break new ground and push the boundaries of traditional genre conventions, just like wunza movies.

I love all these shows and think the genre-blending opened them up to new stories and stakes we usually don't see on TV.

Summing Up The Wunza Movie and TV Show Definition and Examples

Wunza movies and TV shows are an interesting and innovative genre of film that offer a fresh and exciting take on familiar genres. Their ability to blend two or more seemingly incompatible genres or elements creates unexpected and engaging storylines and characters that can be both entertaining and emotionally impactful.

They push the boundaries of traditional genre conventions, resulting in innovative approaches to filmmaking that can influence the future of cinema and TV. Their appeal to a wide range of audiences also makes them accessible and appealing to many viewers. With their unique blend of genres and unexpected twists, wunza movies will continue to captivate audiences and push the boundaries of filmmaking for years to come.

Let us know what you think in the comments.

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Film Analysis: Example, Topics, & Essay Writing Guide [2024]

It’s hardly possible to find one who is not keen on watching films. It is one of the most common ways of spending free time. When it comes to writing a film analysis essay, you would probably be confused.

Don’t worry! We gathered everything you need to make it without a hitch. What’s more, you will find free essay samples as a bonus.

📽️ What Is a Film Analysis?

✍️ film analysis terms, 📜 film analysis types.

• 📼 Film Genres: List

✨ How to Write a Film Analysis

• ✍️ Film Analysis Essay Topics
• 🗒 Film Analysis Template and Example

🔗 References

F ilm analysis expresses the afterview synoptic. The result is a transparent and informative thesis and its arguments .

Don’t forget you should maintain an appropriate academic style. This article explains how to manage it well, using the proper terminology, structure, techniques, etc.

As an introduction to film analysis, explore a list of general film analysis terms. They come as an inseparable part of your film analysis essay.

Find them below.

Auteur: Definition

The auteur is the French equivalent of the English word author. The auteur’s definition is straightforward. As a rule, the film’s director is the author. Why so? Director is a core role that manages all processes: from organizing a filmmaking crew and cast to every aspect of the film.

Diegesis in films is all about the fictional world elements. Everything the director creates and transfers on the screen is diegesis. Time framework, setting, range of events, etc., are examples of those elements.

Flashback and Flashforward

Flashback and flashforward imply relating to a chronological flow of a narrative. Flashback is a scene that takes it back in time from the present point of the film.

A flashforward differs from the flashback only by the time-shifting direction: it takes the audience to the plot pieces later in the film.

Mise-en-scène

The term looks confusing, but it is easy as pie. A pre-defined set of a film’s scene is a mise-en-scène . Everything in the camera’s focus: exposure, actors, and other elements form a mise-en-scène.

The Plot of a Story

The plot of a story is a sequence of events and their interactions that make up a story shown in a film.

Scene vs. Sequence

To put it simply, the scene and the sequence differ by the number of shots. The scene is short and consists of a few shots. The sequence is a more significant film part as it implies several scenes. As you may have guessed, the entire movie consists of several sequences.

The variety of possible film genres and their complexity assume more than one way to analyze them. There are several film analysis types, depending on the reviewing angle.

Narrative Analysis

This approach is similar to literary analysis. It means examining the film plot, narrative structure, motives, and characters. The research is built on answering the three simple questions: who, what, and where?

Semiotic Analysis

Everything about understanding the hidden meaning of the symbols is a semiotic analysis of the film. Those symbols usually appear more than once in a movie. Also, particular directors tend to repeat specific symbols. This type of analysis requires very close attention to detail.

Mise-en-scène Analysis

We have already found what mise-en-scène is: a setting with the lighting, soundtrack, background, etc. When we focus on those audio and visual elements and their meaning, we talk about the mise-en-scène analysis. Audiovisual elements may seem insignificant at first glance, but they carry tremendous importance and power to support the plot.

📼 Film Genres List

Having grasped the basic film analysis terms and types, we move on to the starting point of film analysis. We talk about defining a film genre.

You do not have to be a cinema theorist or a crazy film fan to identify one from another. Anyways, let’s list the common film genres and describe them briefly. Please, check the table below:

There is also a deeper categorization. Each genre in the list has several, sometimes overlapping sub-genres.

We are closer to the central part: we’ve approached the writing guide.

Are you still struggling with how to write a film analysis essay? The solid solution is, to begin with conducting a step-by-step plan. Move on, and we will tell you how to do it!

Like every other paper, hence literary analysis, writing film analysis involves several ultimate steps. There is nothing groundbreaking here. All the steps are familiar. They are:

• Thesis statement
• Introduction

Let’s touch upon each step and note what is worth considering (after watching the movie itself).

Film Analysis Outline

The first and foremost step is writing a film analysis essay outline. You need to make a short draft with the core measures to analyze the film. Mind the instructions in case you have them. Organize the ideas in a list and proceed to the next step.

Film Analysis Thesis Statement

Pay special attention to writing a film analysis thesis statement. You first need to squeeze out the central narrative threads and ideas. The thesis statement should focus on what you will prove in your essay by transforming those ideas into new meanings.

Concentrate on the combination of film expectations, the auteur’s point of view, and your own critical opinion. In the end, formulate a concise thesis statement and move on to the introduction preparation.

Film Analysis Introduction

Your film analysis introduction should be informative and catchy. Give the general information about the film. It may contain the movie title, director, release year, and cast. 

After building an introduction background:

• Dive deeper.
• Explore the director’s filmography or build possible links between the film and the current trends or social agenda.
• Include as many valuable insights as you can to spark a thought in the reader’s mind. 

Remember that the introduction should validate and complement your thesis statement. 

Having the outline and the formulated thesis statement, you should, in a way, break down a film into its creative elements and analyze each of them. At once individually, and then as a whole picture.

What are those creative elements?

• Directing. Since we have mentioned the role of the director time and again, let’s start with it. Trace their distinctive directing manner to find new patterns and compare them to previous works.
• Scenario. In most films, often except for art-house cinema, the script plays one of the critical roles in its power. A well-written scenario helps develop the narrative and each character. It reduces the risk of silly inconsistencies or mistakes. After watching, try to access the level of scripting consistency and clarity.
• Acting. Even though we’ve just defined the role of the scenario, acting sometimes plays louder than words. Try to answer the question: how accurately does the actors’ performance reveals and conveys the author’s main idea and your thesis statement.
• Music and visual effects. Setting the overall mood is what is impossible without soundtracks and visual effects. Provide an example of how each part, special effects, sounds, make-up, or costumes, help, or vice-a-versa, interfere in expressing the author’s message.

While analyzing, don’t forget to build logic between each element. Make a smooth and solid review.

We’ve approached the icing on the cake — your film analysis conclusion. Once again, make sure your analysis confirms the thesis statement and show it in your resolution.

Remember that movies are complex pieces of art. Don’t be too shallow in your essay. Try to see a bigger picture and put it in words.

Now that we’ve outlined the plan let’s figure out how it works on a real example.

✍️ 20 Film Analysis Essay Topics

• Sociological concepts in “The Truman Show” film
• The process of shame to violence in Bergman film: “Shame”
• “The King’s Speech” movie and anxiety disorder
• Gender biases in “If These Walls Could Talk 2” film
• “The Neighbor’s Window”: film review
• Ethical, political and social issues in business in “The Corporation” movie
• Mental health illness in the film “When a Man Loves a Woman”
• The Devil Wears Prada film’s critical analysis
• Negotiation situation in “The Godfather” movie
• “Watchmen” film in relation to the American dream
• Moral and theme in “The Pursuit of Happiness” movie
• “The State of Play: Trophy Kids”: main idea and summary of the film
• Narrative campaign of “The Hunger Games” film
• Review of “Mon Oncle” movie: a portrayal of France
• Gender and family in “Gone With the Wind” film
• Sociology of “Avatar” movie by James Cameron
• Historical themes in the movie “Gladiator”
• Review of “Kung Fu Panda” movie: educational psychology
• Settings in Bollywood cinema: “Bobby” movie
• Visual effects in the “1917” movie

🗒️ Film Analysis Template and Example

We prepared a short-outlined essay sample. Explore the table to understand what your analysis may look like. Here is the “Solaris” film analysis essay example.

You may take this or other essay samples from StudyCorgi as a template for your future writing. It will save your time and make the process transparent. Don’t hesitate to use them!

You’ve just found out the primary terms, tips, and a film analysis guide.

Now, as we have shed light on the film analysis techniques and showcased the real examples, the task seems not as tricky as at first sight. Save this article or share it with a friend to avoid losing!

What Is the Purpose of Film Analysis?

Film analysis aims to extract value from watching a movie, except for leisure. Films do not just tell a story. They bring a message, provoke feelings, and teach precious lessons. Directors sometimes encode priceless meanings applicable to many generations.

How to Analyze a Movie Effectively?

To analyze a movie effectively, you should acquire the appropriate terminology. Then, understand the existing types of film analysis and their difference. After that, outline your future film analysis paper and look through the extant examples.

What Is Formal Analysis in Film?

The formal analysis comprises the investigation of professional elements of film production like camera motion, lighting, color editing, special effects, and other inner working processes. The average viewer does not pay much attention to them, but we should not diminish their importance.

What Are the 4 Elements of Film Analysis?

One of the many interpretations of this question is the following: the first component is a film plot, the second one is the existing arguments about the film, the third one is a film background, and the fourth is their evaluation.

• Film Analysis — The University of North Carolina at Chapel Hill
• Film Term Glossary — Brooklyn College
• Film Analysis and Methods — Penn Arts & Science Cinema & Media Studies
• Movie Genres – 120+ Examples of Different Movie Genres – NFI
• A Guide to Writing a Film Studies Paper: Carleton University
• How to Write an Analytical Essay — MDC
• Film Analysis Research Papers – Academia.edu
• Shot, Scene, and Sequence — Columbia Film Language Glossary
• Diegesis — Oxford Reference
• Film Analysis Essay Sample — Purdue Online Writing Lab

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Study Guide - Edward Scissorhands: How to write a Film Analysis Essay & Cinematic Techniques

• Characters, Plot, Synopsis &Themes
• Quotations & Bibilography
• Film Reviews
• How to write a Film Analysis Essay & Cinematic Techniques
• Film Genres & Film Lighting Terminology, Film QUIZ

How to write a film analysis essay

How to Write a Film Analysis Essay

By Timothy Sexton

Writing a film analysis essay is an assignment that is less likely to terrorize those who fear the idea of writing an essay, because it allows them to write about something most people enjoy. Film analysis is not the same thing as writing a movie review, which involves passively watching a movie. An analysis means you must engage on a level beyond that of storytelling.

Watch the movie. Then watch it again. Take notes during the first viewing and, if you are analyzing a movie that is available on DVD, be ready with your remote control to pause and rewind.

Critically engage the movie so that you can effectively produce a strong essay. Focus on a single thematic concept related to the film. Ideas for essays taking this route could include an analysis of how the film is photographed, how the movie relates a historical event in a dramatic way without compromising the facts or how a single sequence within the film relates to larger cinematic concepts, like overlapping dialogue or the utilization of dramatic irony.

Introduce the film and its major participants, such as the actors and director. Include the name of another technician on the film if your analysis will be focusing on that aspect. For instance, cite the name of the cinematographer if you are going to be writing about the importance of shadows to film noir, or include the name of the composer of the movie’s score if you are writing about the importance of background music to the emotional tone of the film.

Provide a brief overview of the story, but avoid the temptation to pad your word count by writing what amounts to a synopsis of the story rather than analysis. Reveal plots twists or the ending of the film only if they relate directly to your analysis.

Write your film analysis with the movie at hand if this is possible. Write next to a television and DVD player if applicable. Stay inside the theatre for the second or third showing with your notepad ready if this is possible. Writing an effective film analysis is best accomplished if you don’t have to rely on your memory of events, dialogue or cinematic techniques.

Familiarize yourself with technical jargon related to the art of filmmaking. Learn the difference between a cut and a dissolve. Write about subjective camera work if the analysis is dealing with a part of the movie shot from the point of view of one of the characters. Properly utilizing filmmaking terms will strengthen the authority of your essay.

Source:  http://classroom.synonym.com/write-film-analysis-essay-4125.html

Cinematic Techniques

Tim Burton's Edward Scissorhands Film Analysis

Help with writing a film essay - Linda Rubens

Film Techniques

Film techniques is the term used to describe the ways that meaning is created in film.

Camera Shots

A camera shot is the amount of space that is seen in one shot or frame. Camera shots are used to demonstrate different aspects of a film's setting, characters and themes. As a result, camera shots are very important in shaping meaning in a film. Reviewing the examples on the right hand side of this page should make the different camera shots clearer.

An extreme long shot ( animation on right ) contains a large amount of landscape. It is often used at the beginning of a scene or a film to establish general location (setting). This is also known as an establishing shot.

A long shot ( animation on right ) contains landscape but gives the viewer a more specific idea of setting. A long shot may show the viewers the building where the action will take place.

A full shot ( animation on right ) contains a complete view of the characters . From this shot, viewers can take in the costumes of characters and may also help to demonstrate the relationships between characters. For more information on costumes and acting refer to Chapter 4.

A mid shot ( animation on right ) contains the characters or a character from the waist up . From this shot, viewers can see the characters' faces more clearly as well as their interaction with other characters. This is also known as a social shot

A close-up ( animation on right ) contains just one character's face . This enables viewers to understand the actor's emotions and also allows them to feel empathy for the character. This is also known as a personal shot.

An extreme close-up ( animation on right ) contains one part of a character's face or other object. This technique is quite common in horror films, particularly the example above. This type of shot creates an intense mood and provides interaction between the audience and the viewer.

When analysing a film you should always think about the different camera shots and why they are being used. The next time that you are at the cinema or watching television see what camera shots are being used.

Important: These camera shots are used in all forms of visual texts including postcards, posters and print advertisements.

Camera angles

It is important that you do not confuse camera angles and camera shots. Camera shots are used to demonstrate different aspects of setting, themes and characters. Camera angles are used to position the viewer so that they can understand the relationships between the characters. These are very important for shaping meaning in film as well as in other visual texts.

The following examples will help you to understand the differences between the different camera angles

A bird's eye angle ( animation on right ) is an angle that looks directly down upon a scene . This angle is often used as an establishing angle, along with an extreme long shot, to establish setting.

A high angle ( animation on right ) is a camera angle that looks down upon a subject . A character shot with a high angle will look vulnerable or small. These angles are often used to demonstrate to the audience a perspective of a particular character. The example above demonstrates to us the perspective or point of view of a vampire. As a viewer we can understand that the vampire feels powerful.

An eye-level angle ( animation on right ) puts the audience on an equal footing with the character/s . This is the most commonly used angle in most films as it allows the viewers to feel comfortable with the characters.

A low angle ( animation on right ) is a camera angle that looks up at a character . This is the opposite of a high angle and makes a character look more powerful. This can make the audience feel vulnerable and small by looking up at the character. This can help the responder feel empathy if they are viewing the frame from another character's point of view.

As with camera shots, you will be able to see many examples of camera angles in any film or visual text that you view. The next time that you watch television or see a film, take note of the camera angles and think of how they affect your perception (idea) of different characters.

Another camera angle that you might come across is a Dutch angle.

A Dutch angle ( animation on right ) is used to demonstrate the confusion of a character. The example above should disorientate you.

Camera movement

Composers of films also use camera movement to shape meaning. The following are some examples of common camera movements and how they can be used to shape meaning in films.

A crane shot ( animation on right ) is often used by composers of films to signify the end of a film or scene. The effect is achieved by the camera being put on a crane that can move upwards

A tracking shot and a dolly shot ( animation on right ) have the same effect. A tracking shot moves on tracks and a dolly shot is mounted on a trolley to achieve the effect in the example above. This camera movement is used in a number of ways but is most commonly used to explore a room such as a restaurant. By using a tracking shot or a dolly shot the composer of a film gives the viewer a detailed tour of a situation. It can also be used to follow a character.

Panning ( animation on right ) is used to give the viewer a panoramic view of a set or setting. This can be used to establish a scene

An Evangelion shot ( animation on right ) is derived from the popular anime series 'Neon Genesis Evangelion'. This camera movement begins as an extreme close-up and zooms out abruptly, creating a blurring effect to emphasise the speed and size of the object

Lighting is a very important aspect for shaping meaning in films. What kind of atmosphere is created in a room lit by candles? Have you ever heard of mood lighting? A room that is brightly lit by neon lights might seem to be sterile or a shadowy room might be eerie or scary. The lighting technicians in a film crew have the task of creating lighting to suit the mood and atmosphere of each scene in a film.

Consider the animations Lighting example one, Lighting example two, Lighting example three and think about what type of atmosphere is created in each.

For each example, do you think the lighting suits the characters in the frames? For instance, in Example Three the two people are very happy and the scene is lit brightly. What would be the effect on the atmosphere if the lighting were dark and shadowy, similar to Example Two?

Remember that lighting is used in still image visual texts as well as in films.

Cinematography

Cinematography is the combination of the techniques described in this chapter. This includes camera shots, camera angles, camera movement and lighting. Use the term cinematography to group all of these together, for example, 'The cinematography in that film was exceptional.'

Mise en Scene

Mise en scene refers to all the objects and characters in a particular frame. More specifically, it refers to the composition of the frame. When you use the term mise en scene, you are discussing where the composer or director has placed all the elements of the scene within the frame.

Source : Information taken from educational website - www.skwirkcom

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Film Writing: Sample Analysis

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Introductory Note

The analysis below discusses the opening moments of the science fiction movie  Ex Machina  in order to make an argument about the film's underlying purpose. The text of the analysis is formatted normally. Editor's commentary, which will occasionally interrupt the piece to discuss the author's rhetorical strategies, is written in brackets in an italic font with a bold "Ed.:" identifier. See the examples below:

The text of the analysis looks like this.

[ Ed.:  The editor's commentary looks like this. ]

Frustrated Communication in Ex Machina ’s Opening Sequence

Alex Garland’s 2015 science fiction film Ex Machina follows a young programmer’s attempts to determine whether or not an android possesses a consciousness complicated enough to pass as human. The film is celebrated for its thought-provoking depiction of the anxiety over whether a nonhuman entity could mimic or exceed human abilities, but analyzing the early sections of the film, before artificial intelligence is even introduced, reveals a compelling examination of humans’ inability to articulate their thoughts and feelings. In its opening sequence, Ex Machina establishes that it’s not only about the difficulty of creating a machine that can effectively talk to humans, but about human beings who struggle to find ways to communicate with each other in an increasingly digital world.

[ Ed.:  The piece's opening introduces the film with a plot summary that doesn't give away too much and a brief summary of the critical conversation that has centered around the film. Then, however, it deviates from this conversation by suggesting that Ex Machina has things to say about humanity before non-human characters even appear. Off to a great start. ]

The film’s first establishing shots set the action in a busy modern office. A woman sits at a computer, absorbed in her screen. The camera looks at her through a glass wall, one of many in the shot. The reflections of passersby reflected in the glass and the workspace’s dim blue light make it difficult to determine how many rooms are depicted. The camera cuts to a few different young men typing on their phones, their bodies partially concealed both by people walking between them and the camera and by the stylized modern furniture that surrounds them. The fourth shot peeks over a computer monitor at a blonde man working with headphones in. A slight zoom toward his face suggests that this is an important character, and the cut to a point-of-view shot looking at his computer screen confirms this. We later learn that this is Caleb Smith (Domhnall Gleeson), a young programmer whose perspective the film follows.

The rest of the sequence cuts between shots from Caleb’s P.O.V. and reaction shots of his face, as he receives and processes the news that he has won first prize in a staff competition. Shocked, Caleb dives for his cellphone and texts several people the news. Several people immediately respond with congratulatory messages, and after a moment the woman from the opening shot runs in to give him a hug. At this point, the other people in the room look up, smile, and start clapping, while Caleb smiles disbelievingly—perhaps even anxiously—and the camera subtly zooms in a bit closer. Throughout the entire sequence, there is no sound other than ambient electronic music that gets slightly louder and more textured as the sequence progresses. A jump cut to an aerial view of a glacial landscape ends the sequence and indicates that Caleb is very quickly transported into a very unfamiliar setting, implying that he will have difficulty adjusting to this sudden change in circumstances.

[ Ed.:  These paragraphs are mostly descriptive. They give readers the information they will need to understand the argument the piece is about to offer. While passages like this can risk becoming boring if they dwell on unimportant details, the author wisely limits herself to two paragraphs and maintains a driving pace through her prose style choices (like an almost exclusive reliance on active verbs). ]

Without any audible dialogue or traditional expository setup of the main characters, this opening sequence sets viewers up to make sense of Ex Machina ’s visual style and its exploration of the ways that technology can both enhance and limit human communication. The choice to make the dialogue inaudible suggests that in-person conversations have no significance. Human-to-human conversations are most productive in this sequence when they are mediated by technology. Caleb’s first response when he hears his good news is to text his friends rather than tell the people sitting around him, and he makes no move to take his headphones out when the in-person celebration finally breaks out. Everyone in the building is on their phones, looking at screens, or has headphones in, and the camera is looking at screens through Caleb’s viewpoint for at least half of the sequence.  

Rather than simply muting the specific conversations that Caleb has with his coworkers, the ambient soundtrack replaces all the noise that a crowded building in the middle of a workday would ordinarily have. This silence sets the uneasy tone that characterizes the rest of the film, which is as much a horror-thriller as a piece of science fiction. Viewers get the sense that all the sounds that humans make as they walk around and talk to each other are being intentionally filtered out by some presence, replaced with a quiet electronic beat that marks the pacing of the sequence, slowly building to a faster tempo. Perhaps the sound of people is irrelevant: only the visual data matters here. Silence is frequently used in the rest of the film as a source of tension, with viewers acutely aware that it could be broken at any moment. Part of the horror of the research bunker, which will soon become the film’s primary setting, is its silence, particularly during sequences of Caleb sneaking into restricted areas and being startled by a sudden noise.

The visual style of this opening sequence reinforces the eeriness of the muted humans and electronic soundtrack. Prominent use of shallow focus to depict a workspace that is constructed out of glass doors and walls makes it difficult to discern how large the space really is. The viewer is thus spatially disoriented in each new setting. This layering of glass and mirrors, doubling some images and obscuring others, is used later in the film when Caleb meets the artificial being Ava (Alicia Vikander), who is not allowed to leave her glass-walled living quarters in the research bunker. The similarity of these spaces visually reinforces the film’s late revelation that Caleb has been manipulated by Nathan Bates (Oscar Isaac), the troubled genius who creates Ava.

[ Ed.:  In these paragraphs, the author cites the information about the scene she's provided to make her argument. Because she's already teased the argument in the introduction and provided an account of her evidence, it doesn't strike us as unreasonable or far-fetched here. Instead, it appears that we've naturally arrived at the same incisive, fascinating points that she has. ]

A few other shots in the opening sequence more explicitly hint that Caleb is already under Nathan’s control before he ever arrives at the bunker. Shortly after the P.O.V shot of Caleb reading the email notification that he won the prize, we cut to a few other P.O.V. shots, this time from the perspective of cameras in Caleb’s phone and desktop computer. These cameras are not just looking at Caleb, but appear to be scanning him, as the screen flashes in different color lenses and small points appear around Caleb’s mouth, eyes, and nostrils, tracking the smallest expressions that cross his face. These small details indicate that Caleb is more a part of this digital space than he realizes, and also foreshadow the later revelation that Nathan is actively using data collected by computers and webcams to manipulate Caleb and others. The shots from the cameras’ perspectives also make use of a subtle fisheye lens, suggesting both the wide scope of Nathan’s surveillance capacities and the slightly distorted worldview that motivates this unethical activity.

[ Ed.: This paragraph uses additional details to reinforce the piece's main argument. While this move may not be as essential as the one in the preceding paragraphs, it does help create the impression that the author is noticing deliberate patterns in the film's cinematography, rather than picking out isolated coincidences to make her points. ]

Taken together, the details of Ex Machina ’s stylized opening sequence lay the groundwork for the film’s long exploration of the relationship between human communication and technology. The sequence, and the film, ultimately suggests that we need to develop and use new technologies thoughtfully, or else the thing that makes us most human—our ability to connect through language—might be destroyed by our innovations. All of the aural and visual cues in the opening sequence establish a world in which humans are utterly reliant on technology and yet totally unaware of the nefarious uses to which a brilliant but unethical person could put it.

Author's Note:  Thanks to my literature students whose in-class contributions sharpened my thinking on this scene .

[ Ed.: The piece concludes by tying the main themes of the opening sequence to those of the entire film. In doing this, the conclusion makes an argument for the essay's own relevance: we need to pay attention to the essay's points so that we can achieve a rich understanding of the movie. The piece's final sentence makes a chilling final impression by alluding to the danger that might loom if we do not understand the movie. This is the only the place in the piece where the author explicitly references how badly we might be hurt by ignorance, and it's all the more powerful for this solitary quality. A pithy, charming note follows, acknowledging that the author's work was informed by others' input (as most good writing is). Beautifully done. ]

Film Analysis Example With Key Steps to Write an A-Grade Paper

Compared to music, painting, literature, and many others, film is a relatively new form of art. The earliest surviving film is believed to be the Roundhay Garden Scene, introduced in 1888, creating an entirely new age of art. And just like any other kind of art, it drew a lot of attention and opinions from the audience. Thus, soon after its release, the first-ever film critique paper was released by The Optical Lantern and Cinematograph Journal in the early 1900s.

Not many know this, but early writing on film aimed to prove that cinematography is an actual art in the first place. One of the most famous manifestations of this proclamation was introduced in 1911 by Ricciotto Canudo, arguing that cinema is the “Sixth Art.”

A lot has changed since that time. As cinematography was expanding, somewhere in the late 1930s, audiences became more influenced by print resources providing criticism and analysis of movies. That’s how film analysis became widespread and even integrated into the academic landscape.

Today, film analysis is a common type of academic assignment facing students of different academic levels and majors. Handling this form of writing is uneasy due to a number of reasons. Most importantly, a movie analysis requires an incredibly deep analysis that goes far beyond a film’s plot.

If you are struggling with this assignment, this guide is here to help you ace it. Read on to learn what a film analysis is and how to write one step by step, and find a winning film analysis example for inspiration.

What Is a Film Analysis?

A film analysis essay requires you to watch and assess a specific movie. The analysis must consider different characteristics of a film, such as its genre, structure, contextual meaning, sound, editing, etc. The paper is typically presented in the form of a rhetorical analysis. Logic and strong argumentation with examples are the keys to success in this type of work.

Writing a Movie Analysis Essay

Writing a film analysis requires you to watch a movie and evaluate different parts of it that create a complete piece. This involves delving into such specs as lighting, camera angles, setting, costumes, and other choices.

A simple way to handle this task is to find a professional writer and ask them to write my essay . However, if you want to ace it yourself, the first step is watching a movie.

Watching the Film

For everyone wondering how to start a film analysis essay, the answer is pretty simple — by watching a movie that you are going to analyze. Later in this guide, we will give you a complete film analysis example based on the Waltz with Bashir film. But first, let’s start with a few tips on how to watch a movie effectively before you can start writing your analysis.

When writing a film analysis, you will need to watch a film multiple times.

Here are some key tips to watch it critically:

• Give it your undivided attention when watching for the first time;
• When watching a movie for the second time, focus on its different aspects, such as dialogue, acting, etc.;
• Take notes with timestamps on the most important moments that you notice;
• Consider watching a film on mute to evaluate the visual part.

When making an analysis of such a complex documentary piece like Waltz with Bashir the movie, you should consider watching it more than three times to make more observations.

Brainstorming Ideas

After watching your film multiple times and collecting your notes, you need to define what exactly you will be writing in your paper. Before you do this, it could be a good idea to check a good film analysis example (or a few) to understand what the final piece should look like and gain some inspiration. After this, you need to consider different aspects of a movie to understand what to include in your paper.

Here are a few ideas of what you could consider:

• Genre — Define what’s the genre of a film and what elements confirm that it belongs to that genre;
• Cinematography — Study and evaluate the visual part of a film, such as settings, colors, camera angles, and other visual elements that create the atmosphere of a film;
• Characters — Analyze and assess characters, their development, conflicts, motivations, etc. And define how they contribute to the narrative.

Some other things that you can consider include symbolism and themes, narrative structure, social and cultural impact, directorial style, etc.

Of course, analyzing all these aspects on your own can be a challenge. Luckily, if it gets too tough, you can always find professionals on EssayService to satisfy your request.

Film Analysis Essay Types

There are several different ways to approach a movie analysis essay. Respectively, there are several types of this paper.

In this part of our guide, we are going to tell you about the most common types of film analysis to help you find an approach that perfectly aligns with your vision and task requirements.

Cultural/Historical Analysis

As the name suggests, this type of work focuses on analyzing a film from a historical or cultural point of view. It assesses how a movie reflects or comments on the period in which it was produced and what cultural (as well as social or political) impact it made during that time.

Semiotic Analysis

This type of analysis focuses on deeper, hidden meanings of the symbols in a film. Typically, movies contain a variety of different symbols. Moreover, some directors tend to use certain symbols repeatedly as their signature thing. Finding and analyzing these symbols requires exceptional attention to detail, but it can be a great way to approach the task.

Mise-en-Scene Analysis

In French, “mise-en-scene” means “setting the stage.” This type of film analysis essay analyzes all distinctive features of a movie, including the set design, lighting, audiovisual elements, etc. Your goal, in this case, is to define the main distinctive features and explain how they complement a movie — for example, lighting creates a certain mood, music evokes a certain emotion, etc.

Narrative Analysis

This type of analysis focuses on the narrative. It evaluates a movie’s plot, themes, and motives. If you choose it, you need to identify the three primary elements of narration — setup, confrontation, and resolution and assess how well a film discloses them. Also, this type of paper can include character analysis.

How to Write a Film Analysis Step-by-Step

If you were assigned to write a film analysis and are struggling with this task, the first step to solving this problem is creating a step-by-step plan of action. In this part of our guide, we are going to give you a plan that you can rely on in this situation.

As you should already know, the academic writing process consists of multiple stages. The same is true for writing an analysis essay. Here are the steps for tackling this task:

• Making a detailed outline;
• Coming up with a thesis statement;
• Writing an introduction;
• Writing body paragraphs;
• Writing a logical conclusion.

Now, let’s look at each of these steps in detail to help you get started.

Step 1: Writing a Film Analysis Outline

Writing an outline is the first step after actually watching a movie you are going to analyze.

Before writing an outline, be sure to study the instructions provided by your professor. Pay attention to the assignment requirements, such as word count, and keep them in mind while making an outline.

Once you are clear on the instructions, start making an outline. Use the notes you already have and organize them into logical paragraphs. Note down the core things that you want to include in your paper in your outline. Get as detailed as possible.

Step 2: Formulating a Film Analysis Thesis Statement

A thesis statement is a crucial element of your paper. It must be clear, straight to the point, and logical in order to capture the reader’s attention.

In a thesis, you need to outline the core idea of your analysis and prompt the reader on what you are going to discuss in your paper. To write it, focus on three core points:

• Film expectations;
• Author’s point of view;
• Your own opinion about a film.

Based on these points, formulate a concise statement that reveals the central idea of your analysis.

Step 3: Writing a Film Analysis Introduction

An introductory paragraph performs several roles — it grabs the reader’s attention and informs them about a film.

How to write a film analysis introduction? Typically, you want to start an intro with a hook. It can be a quote, rhetorical question, shocking fact, or any other trick that will get your readers interested.

Next, after a hook, you should provide general background info, such as a movie title, director, release date, cast, and so on.

After providing a general background, dive deeper. Explore the specific features of a film and provide valuable insights to spark readers’ interest. Then, state your thesis.

Step 4: Writing Body Paragraphs

The body is the biggest part of your paper, where you are going to break down a movie into its different features and elements, analyzing each of them. Typically, first, you’ll want to analyze every creative element separately and then make a comprehensive analysis of all of them.

What film features should you focus on? Unfortunately, there is no one-size-fits-all film analysis example or structure that you must follow. Every movie consists of a variety of creative elements that you can use for your analysis. And you will need to pick the features that you find the most significant.

Namely, you can consider writing about:

• Directing manner — Analyze what tools and patterns the director used and how they are different (or similar) to their other works;
• Scenario — Analyze the script and how it complements the overall atmosphere of a movie. Also, assess the script clarity, novelty, narrative, etc.
• Characters and acting — Evaluate how characters are presented in a film, how they change, and how good the acting is.
• Sound and visual — Analyze music, visual effects, settings, costumes, and other features of a movie.

While assessing all these features in your paper, don’t forget to add logical transitions between them. And if you are still hesitating about whether you can handle the task, hire a professional writer to ace it with no effort. 

Step 5: Writing a Killer Conclusion

Once the rest of your paper is ready, it’s time to give it a sense of closure with a good conclusion. A conclusion should not make any new statements or provide additional information. Instead, it should finalize everything you’ve discussed in your essay and logically link back to your thesis statement. And there should be a logical transition to the conclusion from your body paragraphs.

Crafting a conclusion is the final stage of the writing process. So, now that you have a step-by-step plan of action, let’s see how to write a solid movie analysis essay based on a real example.

Top 15 Film Analysis Essay Topics

The choice of a topic is nearly 50% of success in film essay writing. So before we give you an actual film analysis example, let us give you some good topic ideas that can inspire you to write your own paper:

• The potential hazards of artificial intelligence discussed in Ex Machina .
• How the traumatic disorder of the protagonist is treated in Waltz with Bashir .
• The power of dialog in The Silence of the Lambs .
• Analysis of the moral dilemma in Gone Baby Gone .
• The themes of war in Waltz with Bashir the movie.
• How the directing manner was changing in Harry Potter movies.
• Characters’ analysis in Marvel’s The Avengers film.
• Analysis of the significance of visual elements in A Space Odyssey by Stanley Kubrick.
• Analysis and interpretation of hidden symbolism in The Wizard of Oz (1939).
• What is the primary message in the film Juno ?
• Themes and symbols in the Interstellar movie.
• Explore the problem of toxic relationships in Sleeping With the Enemy .
• Analysis of Tim Burton’s directing patterns in Sleepy Hollow .
• Valuable lessons provided in the Pride and Prejudice film (2005).
• The themes of fathers and sons’ relationships in The Pursuit of Happiness.

Film Analysis Example

Now that you know the steps to writing a movie analysis, let us give you some inspiration for your paper. Below is a film analysis example based on Waltz with Bashir the movie.

The purpose of documentary movies is to document real life, whereas the purpose of animated movies is to create life. Somehow, the film Waltz with Bashir managed to combine these two genres to deliver a powerful message. The film is a 2008 animated war docudrama by Ari Folman that unfolds the events of the 1982 Lebanon War. What tools did Folman use to convey his message? And did he manage to resonate with the audience?

The film maintains a simple story. The protagonist is the filmmaker who sets off on a journey to regain his lost memories of the experience of being a soldier during the war. The character collects interviews from different participants of past events, and gradually, these interviews connect the dots and build up the complete story.

One of the brightest features of Waltz with Bashir is its animation and directing techniques. The main trick is the use of hyperreal rotoscope animation techniques similar to those we’ve seen made by Richard Linklater. Live-action footage has been transformed into a bizarre dreamscape that’s somewhere between two and three dimensions.

Aside from a powerful plot and animation, Waltz with Bashir delivers its extratextual, rhetorical-heavy atmosphere with the help of its soundtrack. The movie leverages an instrumental score by Max Richter, recognizable pop songs, covers, and original ballads. The film employs audio elements to pull the reader right into the action of the scenes.

Together, a simple yet powerful plot, unique directing techniques, and hard-hitting music helped the film deliver all the terror of the war to the audience. At the same time, according to Waltz with Bashir film reviews, the director managed to emphasize the important topics of morality — “One man’s personal experience with the 1982 invasion of Lebanon becomes a stimulating and provocative meditation on responsibility and morality…”

How to write a film analysis essay like a pro?

A good film analysis essay offers readers a 360-degree view of a film. It should go deeper than just your opinion on a movie. Instead, it should help readers look at it from different angles.

Ideally, your essay should answer several core questions:

• What is the key goal of the movie? Was it achieved?
• Does it speak effectively to its target audience?
• What primary conflicts are there?
• What important topics does it raise?

What is the main purpose of writing a film analysis?

Movies do much more than just tell a story. They raise different important topics, teach audiences valuable lessons, provoke certain feelings, and bring an important message. To achieve all these goals, a big team of people makes certain choices related to the script, settings, directing manners, and other features of a film.

A film analysis essay strives to critique and analyze a movie from various angles. It aims to extract other value from a film, except for entertainment and leisure.

A film analysis essay is a common type of assignment in schools and colleges. Despite its commonness, this task turns out to be a real challenge for many students.

There are many challenges that you might face while working on this task. First and foremost, it requires a very in-depth analysis and critical assessment of different creative features of a film, which is hard to do on your own.

Luckily, after reading this guide, you know exactly how to write a film analysis like a pro. Use the steps, tips, and tricks from this article to write your own A-grade film analysis. And don’t hesitate to use our movie analysis example for inspiration. Good luck!

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The Writing Place

Resources – how to write a film analysis, introduction to the topic.

While most people watch films for entertainment, those who study film focus on the elements of a film that combine to create the ultimate product. Behind the scenes production editing that occurs before, during, and after filming contribute to the images that people see on screen. A formal analysis of a film asks you to break a film down into its different components and discuss how those pieces work together to create an overall experience. Here is a checklist to help you write a film analysis.

Sections of a Film Analysis with Tips

The introduction to the paper.

Begin by  briefly  summarizing the film. You should not rehash the entire plot, but instead give the most critical information about the film to the reader. Then, introduce the formal elements that you will be discussing. Finally, your thesis should connect the elements you will discuss to their importance to the film as a whole.

The Body Paragraphs

The body paragraphs of a film analysis are similar to those found in other analytical essays.  Each paragraph should discuss a different small component of the film and how the component serves the entire film. In these paragraphs, you should give concrete examples to support your claims. These examples can include scenes or quotes from the film itself, but you can also include different editing techniques or other behind the scenes work. Connect your examples to the overall film and try to answer the question, “Why does this element ultimately matter for the viewing audience?”

The Conclusion

Briefly summarize what you have talked about in the essay. Be careful not to make generalizations about the film that are not supported by the effects of the specific elements you discussed. In this section, you can discuss the overall importance of the film its historical context or address any lingering questions the film leaves.

Tips for Film Analysis

• Understand the vocabulary of filmmaking. Knowing how to talk about elements such as lighting, special effects, framing, focus, and screenwriting are critical to writing a film analysis.
• Try to watch the film more than one, if possible. After you decide which element(s) to write about, watch the film again, keeping those ideas in mind.
• A film analysis is not the same of a film review. Avoid making pedestrian judgments about the film’s entertainment factor. If you wish to criticize the film, do so by referencing formal elements.
• Unless the assignment asks you, do not try to cover every single element the film uses. Try to narrow your focus as much as you can to one or two salient elements.
• If you are referring to the actions of a person in the film, refer to the scene using the character’s name. If you are referring the acting itself, use the actor’s real name.

Exercise: Which Sentence Belongs in a Film Analysis?

Sentences and instructions.

When writing a film analysis, many students have to fight the urge to incorporate the components of a film review into their essays. In each of the following exercises, one sentence could be a part of a film analysis, while the other is better suited for a review.

See if you can tell the difference:

1.      (a.) In  Winter’s Bone , Jennifer Lawrence gives the performance of the decade. (b.) For her role in  Winter’s Bone , Jennifer Lawrence had to learn a West Virginia accent in order to portray an authentic character.

2.   (a.) The editors of  Hocus Pocus  use special effects to create magic on screen. (b.) The editors of  Hocus Pocus  used a green screen to give the appearance that the witches were flying over the city.

 3.    (a.) The lack of shadows in  V for Vendetta  gives the viewer the impression that the editors forgot to add in some special effects. (b.) The lack of shadows in  V for Vendetta  gives the viewer the impression that the scenes are occurring in a futuristic world.

Developed by Ann Bruton, with the help of Alexander Waldman

Adapted F rom:

Dartmouth Writing Program’s “Writing About Film” 

Duke University’s Thompson Writing Program “Writing About Film”  

Click here to return to the “Writing Place Resources” main page.

Want to create or adapt books like this? Learn more about how Pressbooks supports open publishing practices.

50 Film Analysis

Film analysis, what this handout is about.

This handout provides a brief definition of film analysis compared to literary analysis, provides an introduction to common types of film analysis, and offers strategies and resources for approaching assignments.

What is film analysis, and how does it differ from literary analysis?

Film analysis is the process in which film is analyzed in terms of semiotics, narrative structure, cultural context, and mise-en-scene, among other approaches. If these terms are new to you, don’t worry—they’ll be explained in the next section.

Analyzing film, like  analyzing literature (fiction texts, etc.) , is a form of rhetorical analysis—critically analyzing and evaluating discourse, including words, phrases, and images. Having a clear argument and supporting evidence is every bit as critical to film analysis as to other forms of academic writing.

Unlike literature, film incorporates audiovisual elements and therefore introduces a new dimension to analysis. Ultimately, however, analysis of film is not too different. Think of all the things that make up a scene in a film: the actors, the lighting, the angles, the colors. All of these things may be absent in literature, but they are deliberate choices on the part of the director, producer, or screenwriter—as are the words chosen by the author of a work of literature. Furthermore, literature and film incorporate similar elements. They both have plots, characters, dialogue, settings, symbolism, and, just as the elements of literature can be analyzed for their intent and effect, these elements can be analyzed the same way in film.

Different types of film analysis

Listed here are common approaches to film analysis, but this is by no means an exhaustive list, and you may have discussed other approaches in class. As with any other assignment, make sure you understand your professor’s expectations. This guide is best used to understand prompts or, in the case of more open-ended assignments, consider the different ways to analyze film.

Keep in mind that any of the elements of film can be analyzed, oftentimes in tandem. A single film analysis essay may simultaneously include all of the following approaches and more. As Jacques Aumont and Michel Marie propose in Analysis of Film, there is no correct, universal way to write film analysis.

Semiotic analysis

Semiotic analysis is the analysis of meaning behind signs and symbols, typically involving metaphors, analogies, and symbolism.

This doesn’t necessarily need to be something dramatic; think about how you extrapolate information from the smallest signs in your day to day life. For instance, what characteristics can tell you about someone’s personality? Something as simple as someone’s appearance can reveal information about them. Mismatched shoes and bedhead might be a sign of carelessness (or something crazy happened that morning!), while an immaculate dress shirt and tie would suggest that the person is prim and proper. Continuing in that vein:

• What might you be able to infer about characters from small hints?
• How are these hints (signs) used to construct characters? How do they relate to the relative role of those characters, or the relationships between multiple characters?

Symbols denote concepts (liberty, peace, etc.) and feelings (hate, love, etc.) that they often have nothing to do with. They are used liberally in both literature and film, and finding them uses a similar process. Ask yourself:

• In Frozen Elsa’s gloves appear in multiple scenes.
• Her gloves are first given to her by her father to restrain her magic. She continues to wear them throughout the coronation scene, before finally, in the Let It Go sequence, she throws them away.

Again, the method of semiotic analysis in film is similar to that of literature. Think about the deeper meaning behind objects or actions.

• Elsa’s gloves represent fear of her magic and, by extension, herself. Though she attempts to contain her magic by hiding her hands within gloves and denying part of her identity, she eventually abandons the gloves in a quest for self-acceptance.

Narrative structure analysis

Narrative structure analysis is the analysis of the story elements, including plot structure, character motivations, and theme. Like the dramatic structure of literature (exposition, rising action, climax, falling action, resolution), film has what is known as the Three-Act Structure: “Act One: Setup, Act Two: Confrontation, and Act Three: Resolution.” Narrative structure analysis breaks the story of the film into these three elements and might consider questions like:

• How does the story follow or deviate from typical structures?
• What is the effect of following or deviating from this structure?
• What is the theme of the film, and how is that theme constructed?

Consider again the example of Frozen. You can use symbolism and narrative structure in conjunction by placing the symbolic objects/events in the context of the narrative structure. For instance, the first appearance of the gloves is in Act One, while their abandoning takes place in Act Two; thus, the story progresses in such a way that demonstrates Elsa’s personal growth. By the time of Act Three, the Resolution, her aversion to touch (a product of fearing her own magic) is gone, reflecting a theme of self-acceptance.

Contextual analysis

Contextual analysis is analysis of the film as part of a broader context. Think about the culture, time, and place of the film’s creation. What might the film say about the culture that created it? What were/are the social and political concerns of the time period? Or, like researching the author of a novel, you might consider the director, producer, and other people vital to the making of the film. What is the place of this film in the director’s career? Does it align with his usual style of directing, or does it move in a new direction? Other examples of contextual approaches might be analyzing the film in terms of a civil rights or feminist movement.

For example, Frozen is often linked to the LGBTQ social movement. You might agree or disagree with this interpretation, and, using evidence from the film, support your argument.

Some other questions to consider:

• How does the meaning of the film change when seen outside of its culture?
• What characteristics distinguishes the film as being of its particular culture?

Mise-en-scene analysis

Mise-en-scene analysis is analysis of the arrangement of compositional elements in film—essentially, the analysis of audiovisual elements that most distinctly separate film analysis from literary analysis. Remember that the important part of a mise-en-scene analysis is not just identifying the elements of a scene, but explaining the significance behind them.

• What effects are created in a scene, and what is their purpose?
• How does the film attempt to achieve its goal by the way it looks, and does it succeed?

Audiovisual elements that can be analyzed include (but are not limited to): props and costumes, setting, lighting, camera angles, frames, special effects, choreography, music, color values, depth, placement of characters, etc. Mise-en-scene is typically the most foreign part of writing film analysis because the other components discussed are common to literary analysis, while mise-en-scene deals with elements unique to film. Using specific film terminology bolsters credibility, but you should also consider your audience. If your essay is meant to be accessible to non-specialist readers, explain what terms mean. The Resources section of this handout has links to sites that describe mise-en-scene elements in detail.

Rewatching the film and creating screen captures (still images) of certain scenes can help with detailed analysis of colors, positioning of actors, placement of objects, etc. Listening to the soundtrack can also be helpful, especially when placed in the context of particular scenes.

Some example questions:

• How is the lighting used to construct mood? Does the mood shift at any point during the film, and how is that shift in mood created?
• What does the setting say about certain characters? How are props used to reveal aspects of their personality?
• What songs were used, and why were they chosen? Are there any messages in the lyrics that pertain to the theme?

Writing the film analysis essay

Writing film analysis is similar to writing literary analysis or any argumentative essay in other disciplines: Consider the assignment and prompts, formulate a thesis (see the  Brainstorming Handout  and  Thesis Statement Handout  for help crafting a nuanced argument), compile evidence to prove your thesis, and lay out your argument in the essay. Your evidence may be different from what you are used to. Whereas in the English essay you use textual evidence and quotes, in a film analysis essay, you might also include audiovisual elements to bolster your argument.

When describing a sequence in a film, use the present tense, like you would write in the literary present when describing events of a novel, i.e. not “Elsa took off her gloves,” but “Elsa takes off her gloves.” When quoting dialogue from a film, if between multiple characters, use block quotes: Start the quotation on a new line, with the entire quote indented one inch from the left margin. However, conventions are flexible, so ask your professor if you are unsure. It may also help to follow the formatting of the script, if you can find it. For example:

ELSA: But she won’t remember I have powers? KING: It’s for the best.

You do not need to use quotation marks for blocked-off dialogue, but for shorter quotations in the main text, quotation marks should be double quotes (“…”).

Here are some tips for approaching film analysis:

• Make sure you understand the prompt and what you are being asked to do. Focus your argument by choosing a specific issue to assess.
• Review your materials. Rewatch the film for nuances that you may have missed in the first viewing. With your thesis in mind, take notes as you watch. Finding a screenplay of the movie may be helpful, but keep in mind that there may be differences between the screenplay and the actual product (and these differences might be a topic of discussion!).
• Develop a thesis and an outline, organizing your evidence so that it supports your argument. Remember that this is ultimately an assignment—make sure that your thesis answers what the prompt asks, and check with your professor if you are unsure.
• Move beyond only describing the audiovisual elements of the film by considering the significance of your evidence. Demonstrate understanding of not just what film elements are, but why and to what effect they are being used. For more help on using your evidence effectively, see ‘Using Evidence In An Argument’ in the  Evidence Handout .

New York Film Academy Glossary Movie Outline Glossary Movie Script Database Citation Practices: Film and Television

Works Consulted

We consulted these works while writing the original version of this handout. This is not a comprehensive list of resources on the handout’s topic, and we encourage you to do your own research to find the latest publications on this topic. Please do not use this list as a model for the format of your own reference list, as it may not match the citation style you are using. For guidance on formatting citations, please see the  UNC Libraries citation tutorial .

Aumont, Jacques, and Michel Marie. L’analyse Des Films. Paris: Nathan, 1988. Print. Pruter, Robin Franson. “Writing About Film.” Writing About Film. DePaul University, 08 Mar. 2004. Web. 01 May 2016.

Film Analysis Copyright © 2020 by Liza Long; Amy Minervini; and Joel Gladd is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License , except where otherwise noted.

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Film Essays: The Ultimate Guide to Writing a Film Essay

By Essaywriter

If you’re a film buff or a student of film studies, you’ve probably encountered film essays at some point in your academic career.

Writing a film essay can be challenging, but with guidance, you can craft a compelling analysis of any cinematic masterpiece.

One of the world’s most well-liked and regularly watched forms of entertainment is a film, whether blockbusters or indie movies. The film has become an essential part of culture and society worldwide.

A film is a powerful tool for social critique and cultural expression. Despite changes, movies have never lost their capacity to amuse, instruct, and inspire. This post offers knowledge, suggestions, and resources for writing film essays. An analysis of a particular film’s many elements is done in a film essay.

Understanding the Elements of Film Analysis

Film analysis comprises evaluating and comprehending the many components that make up a film. These include the movie’s cinematography, sound, editing, acting, and narrative. It is possible to gain a deeper understanding of the movie’s themes, messages, and overall relevance by analyzing these components.

Films comprise certain components, which directors and movie producers tend to tweak to recreate different cultures and historical points in time. For instance, a movie set in the 1980s will have very different scenery, costumes, and soundtrack than a movie set in the present.

There has been a major advancement in technology, music, fashion, and social conventions between the 1980s and now. Therefore, these film components need to be properly considered when writing a film essay.

Tips for Writing Film Essays

Researching and selecting a film to analyze.

To explore possible films, choose your areas of interest, such as a specific genre, era, or filmmaker. After that, you can use various tools to gather information and ideas for new films.

Thousands of films, reviews, and ratings are available through online databases such as IMDb and Rotten Tomatoes. Search engines such as Google and Bing can also be used to find articles, criticisms, and analyses of certain films or directors.”

Outlining and Organizing the Film Essays

Outlining and arranging a film essay can help ensure that your analysis is clear and succinct. Create an outline that breaks down the various parts of the film you will be analyzing, such as the narrative, characters, cinematography, and symbolism so that you can arrange your thoughts.

Maintain focus by avoiding needless details. Instead, concentrate on offering specific examples from the film to back up and connect your analysis. You should also employ transitions between paragraphs to make it easier for the reader to follow your train of thought.

Citing Sources and Formatting the Film Essays

Citation of sources and Proper formatting gives credit to the film’s creators, but it also demonstrates the credibility of your research and analysis. When citing a film, it’s important to follow the guidelines of the citation style you use, whether it be MLA, APA, or Chicago.

This includes the title of the film, the director, and the year of release. When citing sources such as articles or books, it’s important to include the author, title, publication date, and page number(s).

Tips for Incorporating Film Terminology and Analysis Techniques

It is critical to strike a balance between employing technical language and making it accessible to your audience when incorporating cinema vocabulary and analysis procedures in a film essay.

One technique is to start with a clear and short statement that defines your essay’s major argument or purpose. From there, you can support and deepen your thesis by employing specialized cinema terminology and analysis approaches. Use film examples to illustrate your views and make them more accessible to the reader.

Use a clear and simple writing style and be consistent in using technical language and analysis methodologies. This will help the reader follow your argument and understand your views.

Finally, to provide a full understanding of the film, employing a variety of analysis methodologies such as formalism or psychoanalysis. This will not only help you obtain a deeper understanding of many components of the film, but it will also allow you to provide a more sophisticated analysis.

Sample Film Essays Outline

Thesis statement: “Through its use of surreal imagery and unconventional narrative structure, ‘Mulholland Drive’ deconstructs the Hollywood dream and exposes the darkness at the heart of the film industry.”

Main point 1: The cinematography and mise-en-scène of ‘Mulholland Drive’

Main point 2: The themes and messages of ‘Mulholland Drive’

Main point 3: The cultural and historical context of ‘Mulholland Drive’

Conclusion: Recap of main points and analysis of the lasting impact of the film

Film elements are what make each film production distinct from every other. Therefore, understanding them empowers writers with the tools to analyze and write fitting essays adequately.

When writing a film essay, tips like researching and selecting a film to analyze, outlining and organizing the essay, citing sources and formatting the essay, and incorporating film terminology and analysis techniques help present your essay in the most logical, clear, clear, concise, and comprehensive way.

If you’re looking to write a film essay anytime soon, following this stepwise guide on writing film essays will get you critical acclaim when your work is peer-reviewed.

Perhaps you do not have the time to write a film essay or any other paper, or maybe you need professional help writing your paper.

Our website, ThePaperExperts.com , is a place you can visit to get your paper professionally written and delivered on time, irrespective of the type of essay you need to be written.

Try us now by calling 1-888-774-9994 and speak to an academic advisor today and get help with film essays!

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Film Research Paper Topics: Tips & Ideas to Use as Inspiration

Updated 30 Aug 2024

The most challenging part of writing a research paper might be picking the right topic. Choosing one that’s interesting, compelling, and thought-provoking is critical for engaging the reader and showcasing your knowledge.

Thanks to decades of moviemaking, there are tons of film research paper topics to choose from, so it can be a bit overwhelming to lock in on a single one.

That’s why we’ve put together a comprehensive list of ideas that you can use for inspiration. Let’s dive in.

Most Interesting Film Essay Topics

When brainstorming a topic for your film research paper, it’s vital to pick something you’re passionate about. That’s how you’ll be able to put your best foot forward.

These are some of the most exciting topics that are certain to summon your inspiration muse.

• The Evolution of Female Protagonists in Action Films
• The Impact of Global Cinema on Hollywood
• Analyzing the Auteur Theory in Modern Cinema
• The Role of Soundtracks in Defining Movie Genres
• The Influence of Neo-Noir Aesthetics on Contemporary Filmmaking
• Virtual Reality in Cinema: A New Frontier or a Passing Trend?
• The Representation of Artificial Intelligence in Science Fiction Movies
• Cultural Stereotypes and Their Perpetuation in Animated Films
• The Psychological Effects of Horror Films on Audiences
• The Renaissance of Musical Films in the 21st Century
• Exploring the Cinematic Portrayals of Historical Events
• The Rise of Independent Films in the Streaming Era
• Color Theory in Film: How Palette Choices Affect Emotion
• The Depiction of Mental Illness in Modern Cinema
• The Use of Long Takes and Their Impact on Storytelling
• The Evolution of Superhero Movies: From Niche to Mainstream
• The Significance of Costume Design in Character Development
• Analyzing the Shift from Film to Digital Cinematography
• The Role of Propaganda Films in Shaping Public Opinion
• The Ethics of Documentary Filmmaking: Truth vs. Narrative
• The Influence of French New Wave on Contemporary Directors
• The Portrayal of LGBTQ+ Characters in Mainstream Cinema
• The Cultural Impact of Biographical Films
• The Art of the Film Sequel: Expansion or Exploitation?
• Cinema as a Tool for Social Change: Case Studies
• The Representation of Race and Ethnicity in Hollywood
• The Phenomenon of Cult Films and Their Dedicated Fanbases
• The Impact of Censorship on Creative Freedom in Film
• Exploring the Use of Non-Linear Narratives in Storytelling
• The Role of Film Festivals in Discovering New Talent
• The Challenges and Triumphs of Adapting Literature into Film
• The Dynamics of On-Screen Chemistry: What Makes It Work?
• The Influence of Cinema on Fashion Trends
• The Significance of Opening and Closing Shots in Films
• The Evolution of the Teen Movie Genre
• The Role of Archetypes in Film Genres
• The Impact of Global Locations on Film Production and Storytelling
• The Use of Silence as a Narrative Tool in Cinema
• The Portrayal of Villainy and Moral Ambiguity in Film
• The Legacy of Silent Films and Their Influence on Modern Cinema
• The Depiction of Space and Time Travel in Science Fiction Movies
• The Art and Technique of Film Editing: Creating Rhythm and Pace
• The Representation of War in Cinema: Glory vs. Horror
• The Influence of Social Media on Film Marketing and Audience Engagement
• The Role of Animation in Adult Storytelling
• The Impact of 3D Technology on the Viewer's Experience
• The Portrayal of Relationships and Love in Romantic Comedies
• The Use of Allegory and Symbolism in Film to Reflect Society
• The Challenges of Filming in Extreme Conditions
• The Future of Cinema in the Age of Streaming Services

Top Film History Research Paper Topics

The history of cinema is vast, so there are countless film history research topics that can captivate your reader. These are some of the most relevant you can use.

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• The Birth of Cinema: Exploring the Lumière Brothers' Contribution to Film
• George Méliès and the Invention of Narrative Cinema
• The Evolution of Silent Film Techniques and Their Modern Legacy
• Charlie Chaplin: The Impact of The Tramp on Global Cinema
• The Role of Women in Early Cinema: Pioneers Behind and in Front of the Camera
• The Transition from Silent to Sound Films: Technological and Artistic Challenges
• Expressionism in German Cinema: A Study of Visual Style and Its Influence
• The Rise and Fall of the Studio System in the Silent Era
• Early Animation Techniques: From Gertie the Dinosaur to Steamboat Willie
• Cross-Cultural Influences: How Early Cinema Traveled Across Continents
• The Hays Code: Censorship and Its Impact on Hollywood Storytelling
• Technicolor Dreams: The Introduction of Color in Hollywood Cinema
• Film Noir: Origins, Characteristics, and Key Figures
• The McCarthy Era: Blacklisting and Its Effects on Hollywood
• The Rise of the Director: Auteur Theory and Its Proponents
• New Hollywood: The 1970s Renaissance and Its Lasting Influence
• The Blockbuster Era: Jaws, Star Wars, and the New Business of Cinema
• Independent Cinema Movement: Breaking Away from Hollywood Norms
• The Digital Revolution: CGI and the Transformation of Film Production
• Global Cinema: The Influence of Hollywood on World Cinema and Vice Versa

Research Paper Topics on Music in Films

Music in films can tell a captivating story, evoke a world of emotions, and create a unique experience that lingers on long after you’ve watched the end credits. It often becomes as iconic as the films themselves, especially when it comes to musicals. Here are some captivating film research paper topics on music.

• The Evolution of Film Scores: From Silent Cinema to the Digital Age
• The Role of Music in Establishing Film Genres
• Iconic Film Composers: The Musical Styles of John Williams and Ennio Morricone
• The Impact of Jazz on Film Noir Soundtracks
• Musical Motifs in Cinema: Creating Character and Narrative Depth
• The Influence of Classical Music on Modern Film Scores
• Diegetic vs. Non-Diegetic Music: Shaping Viewer Perception
• The Use of Popular Music in Films: Cultural Context and Impact
• Music as a Narrative Device in Animated Films
• The Psychological Effects of Film Music on Audiences
• The Art of the Film Musical: Evolution from Stage to Screen
• World Music in Cinema: Exploring Cross-Cultural Soundscapes
• The Rise of the Film Soundtrack: From Background to Bestseller
• The Function of Silence: When the Absence of Music Tells the Story
• The Process of Scoring for Film: Collaboration Between Directors and Composers
• Adapting Opera and Ballet for the Film Medium
• Horror Film Scores: Techniques for Creating Tension and Fear
• The Legacy of Disney's Musical Films: Shaping Generations
• Music Video Aesthetics in Narrative Filmmaking
• The Role of Music in Documentary Films: Enhancing Realism and Emotion

Riveting Horror Film Research Paper Topics

There are quite a few scary and suspenseful horror movies that can keep viewers at the edge of their seats. Analyzing the overall genre or some of the greatest directors’ masterpieces and techniques is certain to enthrall your reader. Here are some gripping horror film research paper topics you can use.

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• The Evolution of Horror Cinema: From Gothic to Modern Psychological Thrillers
• Monsters and Myths: Cultural Significance of Horror Film Antagonists
• The Impact of German Expressionism on American Horror Films
• Social Fears and Horror Films: Reflecting Societal Anxieties Through Cinema
• The Final Girl Trope: Gender Dynamics in Slasher Films
• Horror and Comedy: Analyzing the Success of Horror-Comedy Hybrids
• The Rise of Found Footage: Authenticity and Fear in a Digital Age
• Censorship in Horror: The Battle Between Artistic Freedom and Social Responsibility
• The Influence of Literature on Horror Cinema: From Mary Shelley to Stephen King
• Horror Film Festivals: Cultivating Communities and Defining the Genre
• Sound Design in Horror Films: Crafting Fear with Audio
• Lighting and Color in Horror Cinema: Setting the Mood Without a Word
• The Art of Suspense: Building Tension in Horror Films
• Practical Effects vs. CGI in Horror: Preserving the Tangibility of Terror
• The Role of Setting: Isolated Cabins and Urban Nightmares in Horror Films
• Auteur Theory in Horror: The Signature Styles of Hitchcock, Carpenter, and Craven
• The Psychology of Jump Scares: Manipulating the Viewer's Anticipation and Fear
• Horror Film Sequels and Remakes: Innovation or Exploitation?
• The Use of First-Person Perspective in Horror Films: Immersion and Disorientation
• Horror Across Cultures: How Different Societies Scare Their Audiences

Compelling Monster Essay Topics

Movie monsters are often terrifying fictional creatures, but they sometimes represent human nature and our deepest fears as well. Let’s explore some of the more fascinating film essay topics on monsters.

• The Evolution of the Vampire Myth in Literature and Popular Culture
• Monsters as Metaphors: Analyzing the Symbolism Behind Literary Monsters
• Frankenstein's Monster: A Reflection on Humanity and Creator Responsibility
• The Role of Dragons in Eastern vs. Western Mythology
• Hybrid Monsters in Mythology: Exploring the Fear of the Unknown
• Duality of Werewolves: Exploring the Beast Within Human Nature
• The Influence of Greek Mythology's Monsters on Modern Fantasy Literature
• Grendel in "Beowulf": Monster as a Social Outcast
• The Loch Ness Monster: Myth, Hoax, or Unexplained Phenomenon?
• Monsters in Children's Literature: Fears, Morals, and Imagination
• The Psychology of Horror: Why Do We Enjoy Being Scared by Movie Monsters?
• Zombies as a Cultural Phenomenon: From Haitian Folklore to Global Apocalypse Obsession
• The Representation of Artificial Intelligence as Monstrous in Science Fiction
• Kaiju Films: The Appeal of Giant Monsters in Japanese Cinema and Beyond
• The Monster's Perspective: Sympathy for the Devil in Modern Media
• Aliens and the Fear of Invasion: Analyzing Extraterrestrial Monsters in Film
• The Role of Monsters in Video Games: Beyond the Antagonist
• Body Horror: The Monstrosity of the Human Form Transformed
• The Slasher Villain: Serial Killers as Monsters in Horror Films
• Monsters and Heroes: The Thin Line Between Antagonist and Protagonist in Comic Books

How to Pick a Good Topic for a Film Research Paper

If none of these film research paper topics have inspired you to write your paper, here’s what you can do to find new ideas:

• Make a list of your favorite films or filmmakers - Movies you’re passionate about or filmmakers you admire the most are a great place to start.
• Choose a specific historical period - If you’re interested in a specific period in film history, you can analyze that time’s movies, themes, techniques, etc.
• Pick a film genre - Focusing on a specific genre from the get-go might help you narrow down your list of ideas.
• Research different ideas - The more ideas you research, the higher your chances of finding the right topic. You should conduct thorough research on all the ideas, exploring the available literature, media platforms, published research papers, and other credible sources.
• Come up with a specific topic - Armed with relevant information, come up with a specific topic that interests you the most. Make sure it isn’t too broad so that you can go into detail and provide real value.
• Narrow down your focus - Narrowing down your topic to one or two ideas is key to writing a high-quality paper. Make sure it’s not too narrow so that you can keep the reader engaged.

Get Professional Film Research Assistance at EduBirdie

At EduBirdie, we have an expert team of professionals who can assist you with research and help you write a brilliant movie research paper. They have Ph.D. and Master’s degrees in Film Studies and years of experience under their belt.

Choosing the right film research paper topics can be overwhelming, so if you're struggling, you might consider the option to pay someone to write my paper to ensure a well-researched and compelling essay. We offer plagiarism-free research paper writing services with outline writing, formatting, citations, unlimited free revisions, and no delays. Contact us today and get original, unique, high-quality content that will exceed your expectations!

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Home — Essay Samples — Entertainment — Movies — Movie Review

Essays on Movie Review

Once in a while, you’ll be asked to do a movie review essay. This task is a great training tool for enhancing critical thinking skills. Essays on movie review aim at presenting a film from the most important scenes, special effects, to exciting moments and may be accompanied by criticism. From an advertising perspective, such a paper is aimed at convincing readers to watch the movie in question. Your writing should let a reader draw a conclusion, i.e, whether the film is worth their time or if they should try something else. Most importantly, your opinion must be independent and accurate. But how can you create a perfect introduction if you don’t have the experience in this type of writing? Relax. A good online writer can do it for you. If you have an idea but need some guidance, simply ask for a professional outline or use evaluation essay examples for students for more insights.

Hook Examples for Movie Review Essays

"a cinematic masterpiece" hook.

"Prepare to be captivated by the sheer brilliance of this cinematic masterpiece. Explore how every frame, performance, and detail contributes to a visual and emotional spectacle."

"Beyond the Screen: Themes and Messages" Hook

"This film transcends entertainment, offering profound themes and powerful messages. Dive into the underlying ideas and social commentary that make it a thought-provoking experience."

"The Journey of Character Development" Hook

"Follow the compelling journey of characters who evolve throughout the film. Analyze their growth, conflicts, and relationships, making this movie a character-driven narrative."

"Visual Delights: Cinematography and Special Effects" Hook

"Be prepared to be visually stunned by the breathtaking cinematography and cutting-edge special effects. Explore how these elements enhance the storytelling and immerse the audience."

"Unforgettable Performances" Hook

"The cast delivers unforgettable performances that breathe life into the characters. Discuss standout acting moments, character dynamics, and the emotional impact of their roles."

"The Soundtrack: Music That Moves" Hook

"The film's soundtrack is more than just music; it's an integral part of the storytelling. Explore how the score enhances emotions, sets the tone, and complements the visuals."

"Cinematic Analysis: Directing and Editing" Hook

"Delve into the meticulous craftsmanship of the director and editor. Analyze their choices in pacing, sequencing, and storytelling techniques that make this film a cinematic triumph."

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Film Extended Essay Ideas

Welcome to the world of film studies and the extended essay! If you have a passion for movies and want to delve deeper into the world of cinema, then you have come to the right place. In this guide, we will introduce you to the extended essay and its significance in the film field.

The extended essay is an independent research project that allows you to explore a specific topic in depth. It is a mandatory component of the International Baccalaureate Diploma Program, and it offers you the opportunity to demonstrate your research and writing skills, as well as your ability to think critically and analytically.

So, why is the extended essay important in the film field? Firstly, it provides you with an avenue to pursue your passion for film and develop your understanding of its various aspects. By conducting thorough research and analysis, you will gain a deeper appreciation for the artistry involved in filmmaking.

Furthermore, the extended essay allows you to showcase your knowledge and expertise in a specific area of film studies. Whether it is exploring the cinematography techniques used in a particular film or analyzing the cultural significance of a director’s body of work, the extended essay enables you to delve into the complexities of the film industry.

Besides its academic benefits, the extended essay can also have practical implications for your future career. If you aspire to work in the film industry or pursue film studies at the university level, the extended essay can serve as a valuable portfolio piece that showcases your research and analytical skills to potential employers or admissions committees.

In addition, the extended essay in film opens doors to further exploration and research. By igniting your curiosity and encouraging you to ask bold questions about cinematic practices and theories, it lays the foundation for a lifelong interest in film and the critical analysis of visual media.

Overall, the extended essay is an opportunity for you to immerse yourself in film studies and contribute to the ever-evolving field. It allows you to combine your passion for movies with academic rigor, propelling you towards a deeper understanding of the medium and fostering your intellectual growth.

Now that we have introduced you to the extended essay in film and its significance, it’s time to move on to the next step: choosing a relevant topic that sets the stage for your research journey. Remember, the journey of a thousand words begins with just one idea!

• An exploration of how the portrayal of female characters in Disney movies has changed over time, reflecting social attitudes towards gender roles.
• A study on how the musical choices in Nolan’s films contribute to the emotional engagement of the audience.
• Investigating how the city landscape and cultural background serve as more than just a setting in Allen’s movies.
• Analyzing how mental illness is portrayed in horror films and its impact on social stigma.
• A look at the elements of postmodernism in Pulp Fiction and how they contribute to the film’s unique storytelling techniques.
• Discussing how the depiction of friendships, family, and romance in Studio Ghibli films convey broader themes about Japanese culture.
• Tracing the impact of Italian Neorealistic techniques on the development of independent cinema in the United States.
• A focused study on how the film portrays the devastating effects of war through the perspective of its young protagonists.
• Investigating the use of montage and other techniques to create a persuasive political narrative.
• Examining whether the techniques and philosophies of the French New Wave hold significance in today’s digital filmmaking landscape.
• A detailed look at how location and set design contribute to the unique aesthetic and storytelling in Anderson’s films.
• Studying the use of horror tropes to comment on racism and social inequality in modern America.
• An analysis of how Kurosawa’s films serve as both entertainment and a reflection of traditional Japanese values.
• Investigating the techniques used by Alfred Hitchcock to create suspense and engage audiences.
• A look at the film’s use of mythological elements to enrich its narrative and themes.
• An analysis of how Bollywood blends realism and fantasy, and the cultural significance of this mixture.
• Investigating how the film uses visual elements to enhance its narrative and emotional impact.
• A study on how New Wave Queer Cinema has contributed to the visibility and portrayal of LGBTQ+ characters in film.
• An examination of recurring themes of loneliness and social disconnection in Sofia Coppola’s body of work.
• Comparing how Scorsese approaches the theme of violence and its moral implications in two of his seminal works.

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Importance of choosing a relevant topic.

When embarking on your extended essay journey in film, one of the most crucial decisions you’ll make is choosing a strong and relevant topic. This choice can significantly impact the research process and ultimately dictate the success of your essay. So why is it so important to select an appropriate topic?

1. Motivation and Engagement:

Choosing a topic that aligns with your interests and passions will naturally motivate and engage you throughout the research and writing process. When you have a genuine curiosity and enthusiasm for the subject matter, it becomes easier to invest time and effort into producing a high-quality extended essay.

2. Research Direction:

A relevant topic will provide clarity and direction to your research. It will guide you in identifying the key areas to explore, the specific films to analyze, and the appropriate research methods to employ. Conversely, a vague or unfocused topic can lead to aimless research and may result in a lackluster essay with inconsistent arguments.

3. Rich Content and Deeper Understanding:

A well-selected topic ensures that you delve into rich content and develop a deep understanding of the specific aspects you are exploring. By focusing on a narrow aspect of film, such as a particular genre or director’s body of work, you can analyze and interpret the films in-depth, contributing unique insights and perspectives to your essay.

4. Contributing to the Field:

An excellent extended essay not only demonstrates your understanding of film but also adds value to the field of study. By selecting a relevant and under-researched topic, you have the opportunity to present original ideas and contribute new knowledge. This can make your essay stand out and have a lasting impact on the broader film community.

5. Appeals to the Assessor:

Remember, your extended essay will be assessed by an examiner who may have limited knowledge of your chosen topic. By selecting a relevant topic, you ensure that your essay appeals to the assessor and demonstrates your expertise in film studies. A compelling topic can capture the attention of readers and provoke their interest, leading to a favorable evaluation.

To make a strong start on your extended essay in film, take the time to brainstorm and explore different topics that genuinely intrigue you. Consider your personal interests, emerging trends in the film industry, or concepts that challenge established ideas. And remember, a relevant topic can unleash your creativity and passion for film, leading to an insightful and impactful extended essay.

Creating an Engaging Research Question

Formulating a focused and compelling research question is crucial when embarking on an extended essay in film. The research question is the foundation upon which your entire essay rests, so it needs to both capture readers’ interest and provide a clear direction for your investigation. Here are some tips to help you create an engaging research question:

• Choose a topic that genuinely intrigues you: Selecting a topic that sparks your curiosity and passion will naturally make the research process more enjoyable and productive. Think about genres, directors, or films that have captivated your attention, and brainstorm ideas around them.
• Narrow down your focus: Be specific when framing your research question. A broad question may result in scattered research and a lack of depth. Consider narrowing your topic by focusing on a particular aspect of film, such as the use of visual effects in sci-fi films or the portrayal of gender roles in romantic comedies.
• Ensure feasibility: While it’s essential to pursue a unique research question, make sure it is feasible within the parameters of your extended essay. Take into account the available resources, time constraints, and access to relevant literature and films.
• Consider the significance and relevance: Evaluate the importance of your research question in relation to the broader field of film. Is it a question that has not been thoroughly explored? Does it address a current cinematic trend or challenge existing theories? Showing the significance and relevance of your research question can increase its appeal.
• Formulate it as a question: Instead of making a statement, frame your research question as an open-ended query. This allows for a deeper exploration and analysis of different perspectives and interpretations. For example, rather than stating, “The impact of film festivals on emerging filmmakers,” pose the question, “How do film festivals contribute to the visibility and career advancement of emerging filmmakers?”

Your research question should be concise, precise, and strategic. It should generate interest and highlight the unique contribution your essay will make to the field of film studies. Remember, your research question is not set in stone, and it may evolve and refine as you delve deeper into your research. Stay open to adjustments that arise during your investigation.

By creating an engaging research question, you lay the groundwork for a captivating extended essay in film. A well-crafted research question keeps your focus sharp and entices readers to explore your research findings. It is the first step in embarking on a fascinating journey through the world of film.

Choosing Suitable Films for Analysis

When it comes to selecting films for your extended essay in film, you have a variety of options that can lead to engaging and insightful analysis. Here are some different types of films that you can consider exploring:

• Specific Genre: You can choose to focus on a specific genre and analyze its characteristics, themes, and impact on the film industry. For example, you could explore the evolution of horror in cinema or examine how comedy films reflect social and cultural attitudes.
• Director’s Body of Work: Another option is to delve into the filmography of a particular director and study their artistic style, recurring themes, or directorial techniques. This approach allows you to explore the individual creative vision and impact of a specific filmmaker, such as analyzing the films of Alfred Hitchcock or Quentin Tarantino.
• Cultural Significance: Films often provide a lens through which we can view and understand cultures and societies. You can choose a film that holds significant cultural importance and delve into its representation of a specific culture, historical event, or social issue. For instance, you could examine the portrayal of gender roles and societal norms in a foreign film or analyze the depiction of a specific historical event in a biographical drama.

It is important to select a film that genuinely interests you and aligns with your research question. Your passion for the subject matter will drive your motivation throughout the research and writing process, resulting in a more engaging and compelling extended essay. Additionally, consider the availability of resources and materials related to the chosen film. Ensure that there are sufficient scholarly articles, books, and interviews that can support your analysis.

Remember, the aim of choosing a suitable film for analysis is to find a balance between accessibility and depth of investigation. The selected films should allow you to explore various film techniques, elements, and critical perspectives relevant to your research question.

Once you have identified potential films for analysis, it is recommended to narrow down your options by critically evaluating their relevance and their potential to contribute to your research. Consider seeking input from your supervisor or mentor to ensure that your film choices align with the parameters of an extended essay in film.

In the next section, we will discuss the importance of conducting thorough research, using various credible sources to gather information for your extended essay in film.

Conducting Thorough Research

When embarking on your film extended essay, conducting thorough research is crucial to ensure that your essay is well-informed and supported by credible sources. Here are some guidelines to help you navigate the research process:

• Utilize diverse sources: In order to gather a comprehensive range of information, it is important to explore various credible sources. These include scholarly articles, books written by film experts, interviews with filmmakers or critics, and online databases dedicated to film studies. By consulting these different sources, you will gain multiple perspectives and enrich your understanding of the topic.
• Start with scholarly articles: Scholarly journals are excellent resources for in-depth analysis and critical perspectives on films. They provide rigorous academic research and interpretations that can enhance your own analysis. When searching for articles, consider using databases like JSTOR or Film Quarterly that focus specifically on film studies.
• Immerse yourself in film literature: Books written by film scholars and theorists offer valuable insights into various aspects of cinema. From major film studies classics to recent publications, you have access to a wealth of knowledge. Pay attention to the reputation of the author and the relevance of the book to your chosen topic. Take notes and keep track of key arguments and theories that you can incorporate into your essay.
• Interview industry professionals: Conducting interviews with filmmakers, actors, or critics can provide unique perspectives and insider knowledge. Read up on interviews conducted by reputable film journalists; they often reveal behind-the-scenes information and shed light on the intentions behind certain creative choices.
• Explore online databases: With the advent of the internet, a vast amount of film-related information is now readily available online. Websites like the Internet Movie Database (IMDb), the Criterion Collection, or academic platforms like Project MUSE can offer valuable resources for research. Remember to evaluate the credibility of the sources before using them in your essay.

As you research, take detailed notes and document your sources carefully. This will help you avoid plagiarism and facilitate proper citation later on. Cross-reference your findings from different sources to gather a comprehensive understanding of your chosen film topic.

Remember, conducting thorough research is not a one-time activity but an ongoing process throughout your extended essay. As you delve deeper into your research, new questions may arise, leading you to new sources and perspectives. Embrace the journey of exploration and use the research phase as a foundation for an insightful and well-supported essay on film.

Analyzing Film Techniques and Elements: Unlocking the Secrets of the Silver Screen

Lights, camera, action! When it comes to crafting a compelling extended essay in film, analyzing the intricate techniques and elements employed by filmmakers is a key ingredient for success. In this section, we will delve into the fascinating world of analyzing film techniques, including cinematography, editing, sound, and mise-en-scène, and explore how it can enrich your research and contribute to a rock-solid essay.

Capturing the Visual Poetry: Cinematography

If a picture is worth a thousand words, then cinematography is the language of the silver screen. It is through the lens of the camera that filmmakers evoke emotion, heighten tension, and create visual masterpieces. By analyzing various aspects of cinematography, such as framing, camera angles, and lighting choices, you can uncover hidden meanings, thematic motifs, and artistic intent lurking within the frames of your chosen films.

The Art of Seamless Storytelling: Editing

The magic of film lies not only in what is captured on camera but also in the way those captured moments are stitched together. Editing plays a vital role in shaping narrative structure, pacing, and meaning. By dissecting the editing choices made by filmmakers, including shot transitions, continuity, and emphasis, you can unearth fresh perspectives on storytelling devices and explore how they contribute to the overall impact and reception of the film.

A Symphony of Sound: Audio Elements

Sound, often an underestimated aspect of filmmaking, has a profound impact on our emotional response and interpretation of a movie. By examining the sound design, dialogue, music, and other auditory components, you can unravel a rich tapestry of subtext, character development, and atmosphere. This analysis can deepen your understanding of how sound contributes to the overall audiovisual experience and the storytelling prowess of the filmmakers.

Peeling Back Layers: Mise-en-scène

Mise-en-scène encompasses all the visual elements within a frame, including set design, costumes, props, and actor positioning. Analyzing these factors can reveal subliminal messages and artistic choices made by the filmmakers. By dissecting mise-en-scène, you can explore themes of identity, symbolism, and social commentary, shining a light on hidden meanings in the visual tapestry presented on screen.

A comprehensive analysis of film techniques and elements not only showcases your critical thinking skills but also helps unlock the hidden depth and complexities within movies. Whether you are exploring a classic example of Auteur cinema or dissecting the technical prowess of modern blockbusters, delving into the world of cinematography, editing, sound, and mise-en-scène will undoubtedly add layers of richness to your extended essay in film.

Evaluating the Historical and Cultural Context

When delving into the world of film analysis, it is crucial to consider the historical and cultural context in which films were created. The historical setting and the prevailing cultural influences have a significant impact on the themes, messages, and visual elements depicted in movies. Understanding these contextual factors brings a deeper understanding of the films and enhances the interpretation and analysis of their content.

Historical Context:

Examining the historical context helps to situate films within specific time periods, societal changes, and events that shape their narratives and production. Films serve as reflections of the era in which they were made, portraying the political, social, and artistic climate. For example, a film set during World War II will provide insights into the impact of war on individuals and societies, showcasing struggles, resilience, and changing cultural values.

A critical analysis of a film’s historical context can unveil powerful representations of historical events, shedding light on their impact and long-term effects on people’s lives. By offering a perspective informed by the socio-political climate of the past, students can analyze how filmmakers present historical moments, ideologies, or controversies.

Cultural Context:

The cultural context plays an equally integral role in film analysis. Cultural aspects encompass a broad range of influences, including societal norms, customs, belief systems, and artistic movements. It is essential to explore the films within the framework of the cultures they portray, as well as the cultural background of the filmmakers themselves.

By evaluating the cultural context, students gain insights into why certain topics, symbols, or narratives resonate with audiences. Different societies may respond differently to the same film due to variations in cultural practices and perspectives. Moreover, considering cultural implications helps discover hidden meanings and subtexts, deepening the understanding of a film’s intentions and challenges to established societal norms.

Overall, evaluating the historical and cultural context allows for a comprehensive analysis of films. By situating movies within their relevant time periods and cultural landscapes, students can critically examine their socio-political commentary, artistic choices, and thematic explorations. This contextual approach enriches the theoretical analysis of films, motivating thought-provoking interpretations and inspiring new perspectives on their meaning.

Examining Film Theory and Critical Perspectives

In order to gain a deeper understanding of the films being analyzed in your extended essay, it is essential to explore prominent film theories and critical perspectives. These theoretical frameworks allow you to delve into various aspects of films, uncover hidden meanings, and provide a solid foundation for your analysis.

Feminist film theory: Feminist film theory examines how gender roles and representations are portrayed within films. It explores how women are depicted, their agency in storytelling, and the marginalization or empowerment of female characters. By applying this theory, you can analyze how gender biases manifest themselves, challenge societal norms, and highlight the stories and experiences of women within the film medium.

Psychoanalytical approaches: Psychoanalytical approaches focus on the psychological elements present within a film. This perspective considers the unconscious desires, motivations, and fears depicted by the characters and how they reflect societal realities. By analyzing the use of symbolism, dreams, and underlying psychological conflicts, you can gain insight into the created world of the film and its impact on viewers.

Structuralism and semiotics: Structuralism examines the structure and underlying systems in a film. Semiotics analyzes how meaning is conveyed through signs and symbols. Both theoretical frameworks enable you to understand the relationships between different elements within a film, such as shot composition, color schemes, and editing techniques. By decoding these visual and auditory cues, you can unravel the intended meanings and messages embedded within the film.

Postcolonial theory: Postcolonial theory explores the impacts of colonialism, imperialism, and the legacy of colonial powers within the film industry. It delves into issues of representation, cultural appropriation, and the subversion or perpetuation of stereotypes relating to colonized peoples or cultures. Through this critical perspective, you can analyze how films reflect or challenge power dynamics and highlight the voices and experiences of marginalized communities.

When applying these film theories and critical perspectives to your extended essay, it is crucial to consider the strengths and limitations of each theory within the specific context of your chosen films. Moreover, it is essential to engage with different scholarly viewpoints and use them as tools to enhance your analysis.

By incorporating film theory and critical perspectives, you deepen your understanding of the films under investigation and establish a robust foundation for your essay. This allows you to explore broader themes and concepts within the film medium and unravel the unique insights that come with a critical exploration of different theoretical lenses.

Structuring the Extended Essay

When it comes to writing an extended essay in film, having a clear and organized structure is crucial for presenting your research effectively. This section will outline a recommended structure that you can follow to ensure a coherent and well-structured essay.

1. Introduction: Begin your essay with a strong introduction that provides an overview of the topic and presents your research question. This section should also outline the significance and relevance of your chosen topic in the realm of film studies.

2. Body Paragraphs: The main body of your essay should consist of several paragraphs that delve deep into your research. Each paragraph should focus on a specific aspect or argument related to your topic. Make sure to provide evidence and examples to support your points, whether it’s through film analysis, critical perspectives, or academic theories.

• Paragraph 1: Start by introducing your first main point and provide supporting evidence from your research.
• Paragraph 2: Move on to your second main point and link it back to your overall research question. Again, provide evidence to back up your claims.
• Paragraph 3: Continue with additional main points, expanding on each one and making sure each paragraph flows logically from the previous one.

3. Conclusion: Conclude your essay by summarizing your main arguments and findings. Reflect on the significance of your research question and discuss any implications or unanswered questions that may arise from your study. This section should leave the reader with a sense of closure and reinforce the main points of your essay.

4. Additional Sections: Depending on your research topic and the scope of your study, you may need to include additional sections within your essay. For example, if you conducted interviews or surveys for primary research, you may have a section dedicated to presenting and analyzing your findings. Be sure to consider what additional sections are necessary to present your research effectively.

By following this recommended structure, you will provide a clear roadmap for your readers to navigate through your extended essay. Remember to use appropriate headings and subheadings to assist in organizing your content, making it easier for readers to locate specific information. Additionally, use topic sentences at the start of each paragraph to clearly outline the main point that will be discussed. This helps to maintain a cohesive flow of ideas throughout your essay.

A well-structured extended essay not only showcases your understanding of the topic but also enhances the overall readability and coherence of your work. By investing time in planning and organizing your essay effectively, you can ensure that your arguments are presented logically and coherently while providing a solid foundation for your research findings.

(Note: Potential resource links can support the section further).

Research Methodology and Data Collection

In order to conduct a comprehensive extended essay in film, it is crucial to employ appropriate research methodologies and methods of data collection. These methodologies and methods will vary depending on the scope and nature of the research question and the type of data needed to support the arguments.

One common research method in film studies is textual analysis. This involves closely examining the content of films, including dialogues, actions, visual elements, and underlying themes. By analyzing specific scenes or sequences from a film, one can gain insights into the director’s artistic choices and how they contribute to the overall impact of the film. To effectively analyze films through textual analysis, it is important to develop strong observation and interpretation skills.

Another research method is conducting interviews. This can involve interviewing filmmakers, scholars, experts, or audience members who have insights or opinions related to the chosen topic. Interviews provide firsthand accounts and personal perspectives, allowing for a deeper understanding of the films being studied. When conducting interviews, it is essential to prepare well-thought-out questions and actively listen to the responses to gather valuable qualitative data.

Surveys are another valuable data collection method in film studies. Surveys allow researchers to collect large amounts of quantifiable data from a diverse group of respondents. For example, surveys can be used to gauge public opinion about certain films, to assess the impact of specific cinematic techniques or to measure the effectiveness of film marketing strategies. When constructing surveys, it is important to ensure that the questions are clear, concise, and unbiased to elicit accurate responses.

Quantitative data analysis can be employed when dealing with numerical data related to films, such as box office revenue, ratings, or audience demographics. This method involves using statistical techniques to interpret and analyze data. Quantitative data can provide valuable insights into trends, patterns, or correlations, helping to support or challenge arguments and hypotheses.

When collecting and analyzing data in film studies, it is essential to ensure ethical considerations. It is important to obtain informed consent from any participants involved in interviews or surveys and to maintain the confidentiality and anonymity of the data collected. Additionally, it is crucial to accurately document and cite all sources and to use reputable and reliable data sources.

Overall, the choice of research methodology and methods of data collection will depend on both the research question and the availability of resources. By employing appropriate methodologies and methods, researchers can conduct rigorous and insightful extended essays in film.

Incorporating Visual Evidence

When writing an extended essay in film, it is crucial to include visual evidence to support your arguments and enhance the overall visual appeal of your essay. Visual evidence can come in various forms, such as film stills or screenshots, and it serves several important purposes.

• Supporting Arguments: Visual evidence helps to provide concrete examples and support for your analysis and interpretation of the films. By including relevant film stills or screenshots, you can illustrate specific scenes or moments that showcase the techniques or elements you are discussing. This visual evidence adds depth to your arguments and helps readers understand your points more effectively.
• Enhancing Engagement: Incorporating visual evidence can greatly enhance the overall visual appeal of your extended essay. Images capture attention and make your essay more visually engaging. They break up large blocks of text and add visual interest, making the content more appealing and easier to read. Visual evidence can create a more immersive experience for your readers, allowing them to visually connect with your analysis.
• Bolstering Credibility: Using visual evidence demonstrates thorough research and attention to detail. It shows that you have conducted a close analysis of the films and can accurately support your claims with tangible evidence. Including relevant film stills or screenshots not only strengthens your arguments but also lends credibility to your essay. It gives readers confidence in the validity and depth of your analysis.

Remember, when incorporating visual evidence, it is important to choose images strategically. Select film stills or screenshots that are relevant to your analysis and effectively demonstrate the techniques or elements you are discussing. Clearly label and explain the significance of each visual example in relation to your arguments.

To ensure that your visual evidence is of high quality, consider using reputable sources or capturing your own screenshots directly from the film if possible. Pay attention to image resolution and ensure that the visual evidence is clear and easily understood.

Always remember to properly credit the sources of your visual evidence in accordance with the chosen citation style. Include captions or figure labels that clearly identify the film, scene, and relevant details. This not only highlights your ethical responsibility but also allows readers to locate the specific scene or moment within the film.

Incorporating visual evidence not only adds credibility to your arguments but also enhances the visual appeal of your extended essay. By selecting appropriate images, you can provide concrete examples, increase engagement, and make your analysis more persuasive. Visual evidence brings your analysis to life, enabling readers to visualize and better understand the films you are discussing.

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Writing and Revising the Extended Essay

When it comes to the extended essay in film, writing a well-crafted and well-structured essay is essential to effectively present your arguments and research findings. Here are some tips for efficient academic writing, structuring coherent arguments, accurately citing sources, and revising your essay for clarity and a strong overall presentation:

• 1. Effective Academic Writing: Start by developing a clear thesis statement that states the main argument of your essay. Use a formal academic tone and avoid vague or ambiguous language. Be concise and focused in your writing, ensuring that each paragraph serves a specific purpose in supporting your overall argument.
• 2. Structuring Arguments: Organize your essay into logical paragraphs and sections that flow smoothly from one idea to another. Begin each paragraph with a topic sentence that introduces the main point, followed by supporting evidence and analysis. Use transitional phrases to connect your ideas and create coherence throughout your essay.
• 3. Citing Sources Accurately: When referencing sources, use a recognized citation style such as MLA or APA. Include in-text citations whenever you paraphrase, quote, or use information from a source. Create a separate reference list or bibliography at the end of your essay to provide your readers with the necessary information to find your cited sources.
• 4. Revising for Coherence and Clarity: Review your essay for coherence, making sure that the flow of ideas is logical and easy to follow. Use transition words and phrases to create connections between paragraphs and sections. Check for clarity by reading your essay aloud or getting feedback from others. Edit for grammar, spelling, and punctuation errors to ensure a polished final product.

When writing your extended essay in film, it is important to remember that presenting your arguments and research findings effectively is just as crucial as the content itself. By following these tips for effective academic writing, structuring arguments, citing sources accurately, and revising your essay thoroughly, you can create a compelling and well-presented extended essay that will impress your readers and contribute to the field of film studies.

When embarking on your extended essay in film, one of the most important considerations is the selection of suitable films for analysis. The choice of films will greatly influence the depth and scope of your research, as well as the overall quality of your essay.

There are various approaches you can take when selecting films for analysis. You may choose to focus on a specific genre, such as film noir or sci-fi, and delve into its characteristics, themes, and historical context. Alternatively, you could opt to explore the work of a particular director, analyzing their cinematic style and artistic vision throughout their filmography.

Another fascinating avenue to consider is examining the cultural significance of a particular film. You can explore how it shaped societal perceptions, influenced popular culture, or addressed significant social issues of its time. Such an approach allows for a comprehensive analysis of not only the film itself but also its broader impact and reception.

It is crucial to conduct a thorough evaluation of potential films before making your final selection. Consider their accessibility and availability, as access to viewing and analyzing the chosen films is imperative for conducting detailed research. Additionally, choose films that offer rich visual and narrative substance, keeping in mind the level of complexity they can provide for analysis.

Remember, your goal is to select films that offer ample scope for exploration and critical analysis. At the same time, it is essential to choose films that have received sufficient attention from scholars and film theorists. A wealth of existing research and critical perspectives will enrich your essay and facilitate a more comprehensive understanding of your chosen topic.

In some cases, it may be beneficial to choose films that share thematic or stylistic similarities. Comparing and contrasting multiple films within a specific context or subject matter can provide unique insights and create a more dynamic and engaging extended essay.

Finally, when choosing suitable films, always consider your own interests and preferences. Selecting films that you find genuinely captivating and exciting will undoubtedly enhance your motivation and enjoyment throughout the research and writing process.

In the next section, we will explore how to conduct thorough research, laying the groundwork for a robust and well-informed extended essay in film.

Nick Radlinsky

Nick Radlinsky is a devoted educator, marketing specialist, and management expert with more than 15 years of experience in the education sector. After obtaining his business degree in 2016, Nick embarked on a quest to achieve his PhD, driven by his commitment to enhancing education for students worldwide. His vast experience, starting in 2008, has established him as a reputable authority in the field.

Nick's article, featured in Routledge's " Entrepreneurship in Central and Eastern Europe: Development through Internationalization ," highlights his sharp insights and unwavering dedication to advancing the educational landscape. Inspired by his personal motto, "Make education better," Nick's mission is to streamline students' lives and foster efficient learning. His inventive ideas and leadership have contributed to the transformation of numerous educational experiences, distinguishing him as a true innovator in his field.

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Essays About Movies: 7 Examples and 5 Writing Prompts

Check out our guide with essays about movies for budding videographers and artistic students. Learn from our helpful list of examples and prompts.

Watching movies is a part of almost everyone’s life. They entertain us, teach us lessons, and even help us socialize by giving us topics to talk about with others. As long as movies have been produced, everyone has patronized them.  Essays about movies  are a great way to learn all about the meaning behind the picture.

Cinema is an art form in itself. The lighting, camera work, and acting in the most widely acclaimed movies are worthy of praise. Furthermore, a movie can be used to send a message, often discussing issues in contemporary society. Movies are entertaining, but more importantly, they are works of art. If you’re interested in this topic, check out our round-up of screenwriters on Instagram .

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• 7. La Bamba: American Dreaming, Chicano Style by Yolanda Machado

1. My Favorite Movie

2. movies genres, 3. special effects in movies, 4. what do you look for in a movie, 5. the evolution of movies.

“​​Films encourage us to take action. Our favourite characters, superheroes, teach us life lessons. They give us ideas and inspiration to do everything for the better instead of just sitting around, waiting for things to go their way. Films about famous personalities are the perfect way to affect social behaviour positively. Films are a source of knowledge. They can help learn what’s in the trend, find out more about ancient times, or fill out some knowledge gaps.”

In this movie essay, Rathod gives readers three ways watching movies can positively affect us. Movie writers, producers, and directors use their platform to teach viewers life skills, the importance of education, and the contrast between good and evil. Watching movies can also help us improve critical thinking, according to Briggs. Not only do movies entertain us, but they also have many educational benefits. You might also be interested in these  essays about consumerism .

“Many people involving children and adults can effect with their sleeping disturbance and anxiety. Myths, non-realistic, fairy tales could respond differently with being in the real world. Horror movies bring a lot of excitement and entertainment among you and your family. Horror movies can cause physical behavior changes in a person by watching the films. The results of watching horror movies shows that is has really effect people whether you’re an adult, teens, and most likely happens during your childhood.”

In his essay, Briggs acknowledges why people enjoy horror movies so much but warns of their adverse effects on viewers. Most commonly, they cause viewers nightmares, which may cause anxiety and sleep disorders. He focuses on the films’ effects on children, whose more sensitive, less developed brains may respond with worse symptoms, including major trauma. The films can affect all people negatively, but children are the most affected.

“This was the message of Casablanca in late 1942. It was the ideal opportunity for America to utilize its muscles and enter the battle. America was to end up the hesitant gatekeeper of the entire world. The characters of Casablanca, similar to the youthful Americans of the 1960s who stick headed the challenge development, are ‘genuine Americans’ lost in a hostile region, battling to open up another reality.”

In this essay, the author discusses the 1942 film  Casablanca , which is said to be the greatest movie ever made, and explains why it has gotten this reputation. To an extent, the film’s storyline, acting, and even relatability (it was set during World War II) allowed it to shine from its release until the present. It invokes feelings of bravery, passion, and nostalgia, which is why many love the movie. You can also check out these  books about adaption . 

4.   Dune Review: An Old Story Reshaped For The New 2021 Audience by Oren Cohen

“Lady Jessica is a powerful woman in the original book, yet her interactions with Paul diminish her as he thinks of her as slow of thought. Something we don’t like to see in 2021 — and for a good reason. Every book is a product of its time, and every great storyteller knows how to adapt an old story to a new audience. I believe Villeneuve received a lot of hate from diehard Dune fans for making these changes, but I fully support him.”

Like the previous essay, Cohen reviews a film, in this case, Denis Villeneuve’s  Dune , released in 2021. He praises the film, writing about its accurate portrayal of the epic’s vast, dramatic scale, music, and, interestingly, its ability to portray the characters in a way more palatable to contemporary audiences while staying somewhat faithful to the author’s original vision. Cohen enjoyed the movie thoroughly, saying that the movie did the book justice. 

“Those travelers added around 630 million New Zealand dollars ($437 million) to the country’s economy in 2019 alone, the tourism authority told CNBC. A survey by the tourism board, however, showed that almost one in five Kiwis are worried that the country attracts too many tourists. Overcrowding at tourist spots, lack of infrastructure, road congestion and environmental damage are creating tension between locals and visitors, according to a 2019 report by Tourism New Zealand.”

The locations where successful movies are filmed often become tourist destinations for fans of those movies. Goel writes about how “film tourism” affects the residents of popular filming locations. The environment is sometimes damaged, and the locals are caught off guard. Though this is not always the case, film tourism is detrimental to the residents and ecosystem of these locations. You can also check out these  essays about The Great Gatsby .

6. Moonage Daydream:  “Who Is He? What Is He?” by Jonathan Romney

“Right from the start, Brett Morgen’s  Moonage Daydream  (2022) catches us off guard. It begins with an epigraph musing on Friedrich Nietzsche’s proclamation that “God is dead,” then takes us into deep space and onto the surface of the moon. It then unleashes an image storm of rockets, robots, and star-gazers, and rapid-fire fragments of early silent cinema, 1920s science fiction, fifties cartoons, and sixties and seventies newsreel footage, before lingering on a close-up of glittery varnish on fingernails.” 

Moonage Daydream  is a feature film containing never-before-seen footage of David Bowie. In this essay, Romney delves into the process behind creating the movie and how the footage was captured. It also looks at the director’s approach to creating a structured and cohesive film, which took over two years to plan. This essay looks at how Bowie’s essence was captured and preserved in this movie while displaying the intricacies of his mind.

7. La Bamba:  American Dreaming, Chicano Style by Yolanda Machado

“A traumatic memory, awash in hazy neutral tones, arising as a nightmare. Santo & Johnny’s mournful “Sleep Walk” playing. A sudden death, foreshadowing the passing of a star far too young. The opening sequence of Luis Valdez’s  La Bamba  (1987) feels like it could be from another film—what follows is largely a celebration of life and music.”

La Bamba  is a well-known movie about a teenage Mexican migrant who became a rock ‘n’ roll star. His rise to fame is filled with difficult social dynamics, and the star tragically dies in a plane crash at a young age. In this essay, Machado looks at how the tragic death of the star is presented to the viewer, foreshadowing the passing of the young star before flashing back to the beginning of the star’s career. Machado analyses the storyline and directing style, commenting on the detailed depiction of the young star’s life. It’s an in-depth essay that covers everything from plot to writing style to direction.

5 Prompts for Essays About Movies

Simple and straightforward, write about your favorite movie. Explain its premise, characters, and plot, and elaborate on some of the driving messages and themes behind the film. You should also explain why you enjoy the movie so much: what impact does it have on you? Finally, answer this question in your own words for an engaging piece of writing.

From horror to romance, movies can fall into many categories. Choose one of the main genres in cinema and discuss the characteristics of movies under that category. Explain prevalent themes, symbols, and motifs, and give examples of movies belonging to your chosen genre. For example, horror movies often have underlying themes such as mental health issues, trauma, and relationships falling apart. 

Without a doubt, special effects in movies have improved drastically. Both practical and computer-generated effects produce outstanding, detailed effects to depict situations most would consider unfathomable, such as the vast space battles of the  Star Wars  movies. Write about the development of special effects over the years, citing evidence to support your writing. Be sure to detail key highlights in the history of special effects. 

Movies are always made to be appreciated by viewers, but whether or not they enjoy them varies, depending on their preferences. In your essay, write about what you look for in a “good” movie in terms of plot, characters, dialogue, or anything else. You need not go too in-depth but explain your answers adequately. In your opinion, you can use your favorite movie as an example by writing about the key characteristics that make it a great movie.

From the silent black-and-white movies of the early 1900s to the vivid, high-definition movies of today, times have changed concerning movies. Write about how the film industry has improved over time. If this topic seems too broad, feel free to focus on one aspect, such as cinematography, themes, or acting.

For help with your essays, check out our round-up of the  best essay checkers .

If you’re looking for more ideas, check out our  essays about music topic guide !

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Film Analysis

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All art forms convey meaning, and film is no different. Whereas paintings convey meaning through shape and colour, and works of literature convey meaning through language, films convey meaning through various audiovisual elements, such as mise-en-scène, cinematography, editing, and sound, among others. The purpose of a film analysis paper is to explore how these formal features contribute to a film’s meaning. 

Remember that a film’s formal features are the result of creative decisions made by the filmmaker. So, when analyzing a particular formal aspect of a film, ask yourself: Why has the filmmaker constructed the film in this way? What effect might they be trying to elicit in the viewer? In Film Art: An Introduction , Bordwell, Thompson, and Smith provide examples of some questions that illustrate how films convey meaning through form:

Does the use of music or noise alter our attitude toward a character? Does the composition of the shot tend to make us concentrate on a particular detail (4.153, the shot of Anne’s face in  Day of Wrath )? Does the use of camera movement hold off story information to create suspense, as in the opening of  Touch of Evil  (pp. 213–215)? Does the use of discontinuous editing cue us to create thematic comparisons, as in the sequence we analyzed in  October  (pp. 259–262)? Bordwell, Thompson, & Smith, 2017, p. 309.

Here are some other tips to consider when you are conducting film analysis: 

Aim to persuade

Just like most university essays, a film analysis paper is a form of persuasive writing, and as such, it advances an argument that is backed up by evidence. Usually, your paper will need to have a thesis statement, located in the introduction, that summarizes your main argument, and body paragraphs that present and analyze evidence supporting your thesis. Your evidence must include specific examples drawn from the film(s) you are studying. For some assignments, you may also be permitted or even required to draw on outside sources (such as film criticism or historical/biographical information) to contextualize your analysis.   

Avoid film review

The goal of a film analysis paper is not to state whether you liked or disliked the film, or to encourage people to see it or not. The goal is to analyze the film. Analysis means breaking something down into its constituent parts and showing how these parts function and relate to one another to make up a unified whole. Film analysis reveals something about how the film works that you may not have noticed the first time you watched it. Therefore, rather than merely claiming that a particular shot is beautiful, ask yourself: Why do I find this shot beautiful? What cinematic techniques does the filmmaker employ to create this effect?

Avoid excessive plot summary

Summary states what happened; analysis explains how or why it happened. In a film analysis paper, you can usually assume that the reader is familiar with the film you are writing about and therefore knows “what happened” in it. The reader is much more interested to know how the film was constructed and to what effect. Summarize only those aspects of the film’s plot that the reader needs to understand your analysis.

Consider the narrative

Don’t take the film’s plot—or any of its narrative aspects—for granted. They all result from creative decisions made by the filmmaker and therefore require critical analysis. Ask yourself: How is the sequence of events in the film ordered? Is it linear or not? From whose point of view is the film’s story told? Is the narration restricted or unrestricted, subjective or objective? To what effect? If the film lacks a conventional narrative altogether, does it employ another sort of organizing principle or pattern? Keep in mind that your analysis should pay attention to both the narrative and stylistic aspects of the film. If your argument could equally apply to a novel on which the film is based, you are not analyzing the film as a film .

Consider the film’s theme(s)

One of the ways films produce meaning is by engaging with themes. Themes are what you might say a film is “about.” They are broad, universal topics, such as romantic relationships, mortality, and good versus evil, which have served as the subject matter of art time and time again. However, different filmmakers deal with these themes in very different ways. Therefore, rather than merely claiming that a film is about romantic relationships, ask yourself: What is the filmmaker saying about romantic relationships? And importantly, how is this claim or message reinforced through the film’s form and style? 

Consider the film’s genre, place in film history, and filmmaker

To fully appreciate the significance of a film, you may need some understanding of its genre, place in film history, or filmmaker. Ask yourself: Does the film belong to a genre category, such as action, horror, sci-fi, or comedy? Does the film conform to the typical norms and conventions of the genre, or does it deviate from them? To what effect? Is the film part of a specific tradition or movement in film history, such as the French New Wave of the early ’60s or the New Hollywood era of the ’70s? What characteristics do films of this kind have in common? Is the film the work of a recognized auteur? If so, what is distinctive or unmistakable about this person’s filmmaking style?

Consider the film’s ideological stance

Some films are made to advance a particular social or political message. However, upon close analysis, films may also be shown to express ideological beliefs or assumptions that the filmmaker did not directly intend. When analyzing a film, you should be on the lookout for both types of meaning. Ask yourself: What values does the film advocate (both explicitly and implicitly)? To what degree do these values reflect the time and place in which the film was made? How does the film represent racial, gender, and class relations? Does the film exhibit any unacknowledged biases or prejudices?

Further Reading

Bordwell, David, Kristin Thompson, and Jeff Smith. “Glossary.” In Film Art: An Introduction , 11th ed., G1–6. New York: McGraw-Hill Education, 2017.

Corrigan, Timothy. “Film Terms and Topics for Film Analysis and Writing.” In A Short Guide to Writing about Film , 8th ed., 36–82. Glenview: Pearson, 2012.  

Gocsik, Karen, Richard Barsam, and Dave Monahan. “Formal Analysis.” In Writing about Movies , 4th ed., 35–54. New York: W. W. Norton & Company, 2016.

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The essay film

In recent years the essay film has attained widespread recognition as a particular category of film practice, with its own history and canonical figures and texts. In tandem with a major season throughout August at London’s BFI Southbank, Sight & Sound explores the characteristics that have come to define this most elastic of forms and looks in detail at a dozen influential milestone essay films.

Andrew Tracy , Katy McGahan , Olaf Möller , Sergio Wolf , Nina Power Updated: 7 May 2019

from our August 2013 issue

Le camera stylo? Dziga Vertov’s Man with a Movie Camera (1929)

I recently had a heated argument with a cinephile filmmaking friend about Chris Marker’s Sans soleil (1983). Having recently completed her first feature, and with such matters on her mind, my friend contended that the film’s power lay in its combinations of image and sound, irrespective of Marker’s inimitable voiceover narration. “Do you think that people who can’t understand English or French will get nothing out of the film?” she said; to which I – hot under the collar – replied that they might very well get something, but that something would not be the complete work.

The Sight & Sound Deep Focus season Thought in Action: The Art of the Essay Film runs at BFI Southbank 1-28 August 2013, with a keynote lecture by Kodwo Eshun on 1 August, a talk by writer and academic Laura Rascaroli on 27 August and a closing panel debate on 28 August.

To take this film-lovers’ tiff to a more elevated plane, what it suggests is that the essentialist conception of cinema is still present in cinephilic and critical culture, as are the difficulties of containing within it works that disrupt its very fabric. Ever since Vachel Lindsay published The Art of the Moving Picture in 1915 the quest to secure the autonomy of film as both medium and art – that ever-elusive ‘pure cinema’ – has been a preoccupation of film scholars, critics, cinephiles and filmmakers alike. My friend’s implicit derogation of the irreducible literary element of Sans soleil and her neo- Godard ian invocation of ‘image and sound’ touch on that strain of this phenomenon which finds, in the technical-functional combination of those two elements, an alchemical, if not transubstantiational, result.

Mechanically created, cinema defies mechanism: it is poetic, transportive and, if not irrational, then a-rational. This mystically-minded view has a long and illustrious tradition in film history, stretching from the sense-deranging surrealists – who famously found accidental poetry in the juxtapositions created by randomly walking into and out of films; to the surrealist-influenced, scientifically trained and ontologically minded André Bazin , whose realist veneration of the long take centred on the very preternaturalness of nature as revealed by the unblinking gaze of the camera; to the trash-bin idolatry of the American underground, weaving new cinematic mythologies from Hollywood detritus; and to auteurism itself, which (in its more simplistic iterations) sees the essence of the filmmaker inscribed even upon the most compromised of works.

It isn’t going too far to claim that this tradition has constituted the foundation of cinephilic culture and helped to shape the cinematic canon itself. If Marker has now been welcomed into that canon and – thanks to the far greater availability of his work – into the mainstream of (primarily DVD-educated) cinephilia, it is rarely acknowledged how much of that work cheerfully undercuts many of the long-held assumptions and pieties upon which it is built.

In his review of Letter from Siberia (1957), Bazin placed Marker at right angles to cinema proper, describing the film’s “primary material” as intelligence – specifically a “verbal intelligence” – rather than image. He dubbed Marker’s method a “horizontal” montage, “as opposed to traditional montage that plays with the sense of duration through the relationship of shot to shot”.

Here, claimed Bazin, “a given image doesn’t refer to the one that preceded it or the one that will follow, but rather it refers laterally, in some way, to what is said.” Thus the very thing which makes Letter “extraordinary”, in Bazin’s estimation, is also what makes it not-cinema. Looking for a term to describe it, Bazin hit upon a prophetic turn of phrase, writing that Marker’s film is, “to borrow Jean Vigo’s formulation of À propos de Nice (‘a documentary point of view’), an essay documented by film. The important word is ‘essay’, understood in the same sense that it has in literature – an essay at once historical and political, written by a poet as well.”

Marker’s canonisation has proceeded apace with that of the form of which he has become the exemplar. Whether used as critical/curatorial shorthand in reviews and programme notes, employed as a model by filmmakers or examined in theoretical depth in major retrospectives (this summer’s BFI Southbank programme, for instance, follows upon Andréa Picard’s two-part series ‘The Way of the Termite’ at TIFF Cinémathèque in 2009-2010, which drew inspiration from Jean-Pierre Gorin ’s groundbreaking programme of the same title at Vienna Filmmuseum in 2007), the ‘essay film’ has attained in recent years widespread recognition as a particular, if perennially porous, mode of film practice. An appealingly simple formulation, the term has proved both taxonomically useful and remarkably elastic, allowing one to define a field of previously unassimilable objects while ranging far and wide throughout film history to claim other previously identified objects for this invented tradition.

Las Hurdes (1933)

It is crucial to note that the ‘essay film’ is not only a post-facto appellation for a kind of film practice that had not bothered to mark itself with a moniker, but also an invention and an intervention. While it has acquired its own set of canonical ‘texts’ that include the collected works of Marker, much of Godard – from the missive (the 52-minute Letter to Jane , 1972) to the massive ( Histoire(s) de cinéma , 1988-98) – Welles’s F for Fake (1973) and Thom Andersen’s Los Angeles Plays Itself (2003), it has also poached on the territory of other, ‘sovereign’ forms, expanding its purview in accordance with the whims of its missionaries.

From documentary especially, Vigo’s aforementioned À propos de Nice, Ivens’s Rain (1929), Buñuel’s sardonic Las Hurdes (1933), Resnais’s Night and Fog (1955), Rouch and Morin’s Chronicle of a Summer (1961); from the avant garde, Akerman’s Je, Tu, Il, Elle (1974), Straub/Huillet’s Trop tôt, trop tard (1982); from agitprop, Getino and Solanas’s The Hour of the Furnaces (1968), Portabella’s Informe general… (1976); and even from ‘pure’ fiction, for example Gorin’s provocative selection of Griffith’s A Corner in Wheat (1909).

Just as within itself the essay film presents, in the words of Gorin, “the meandering of an intelligence that tries to multiply the entries and the exits into the material it has elected (or by which it has been elected),” so, without, its scope expands exponentially through the industrious activity of its adherents, blithely cutting across definitional borders and – as per the Manny Farber ian concept which gave Gorin’s ‘Termite’ series its name –  creating meaning precisely by eating away at its own boundaries. In the scope of its application and its association more with an (amorphous) sensibility as opposed to fixed rules, the essay film bears similarities to the most famous of all fabricated genres: film noir, which has been located both in its natural habitat of the crime thriller as well as in such disparate climates as melodramas, westerns and science fiction.

The essay film, however, has proved even more peripatetic: where noir was formulated from the films of a determinate historical period (no matter that the temporal goalposts are continually shifted), the essay film is resolutely unfixed in time; it has its choice of forebears. And while noir, despite its occasional shadings over into semi-documentary during the 1940s, remains bound to fictional narratives, the essay film moves blithely between the realms of fiction and non-fiction, complicating the terms of both.

“Here is a form that seems to accommodate the two sides of that divide at the same time, that can navigate from documentary to fiction and back, creating other polarities in the process between which it can operate,” writes Gorin. When Orson Welles , in the closing moments of his masterful meditation on authenticity and illusion F for Fake, chortles, “I did promise that for one hour, I’d tell you only the truth. For the past 17 minutes, I’ve been lying my head off,” he is expressing both the conjuror’s pleasure in a trick well played and the artist’s delight in a self-defined mode that is cheerfully impure in both form and, perhaps, intention.

Nevertheless, as the essay film merrily traipses through celluloid history it intersects with ‘pure cinema’ at many turns and its form as such owes much to one particularly prominent variety thereof.

The montage tradition

If the mystical strain described above represents the Dionysian side of pure cinema, Soviet montage was its Apollonian opposite: randomness, revelation and sensuous response countered by construction, forceful argumentation and didactic instruction.

No less than the mystics, however, the montagists were after essences. Eisenstein , Dziga Vertov and Pudovkin , along with their transnational associates and acolytes, sought to crystallise abstract concepts in the direct and purposeful juxtaposition of forceful, hard-edged images – the general made powerfully, viscerally immediate in the particular. Here, says Eisenstein, in the umbrella-wielding harpies who set upon the revolutionaries in October (1928), is bourgeois Reaction made manifest; here, in the serried ranks of soldiers proceeding as one down the Odessa Steps in Battleship Potemkin (1925), is Oppression undisguised; here, in the condemned Potemkin sailor who wins over his imminent executioners with a cry of “Brothers!” – a moment powerfully invoked by Marker at the beginning of his magnum opus A Grin Without a Cat (1977) – is Solidarity emergent and, from it, the seeds of Revolution.

The relentlessly unidirectional focus of classical Soviet montage puts it methodologically and temperamentally at odds with the ruminative, digressive and playful qualities we associate with the essay film. So, too, the former’s fierce ideological certainty and cadre spirit contrast with that free play of the mind, the Montaigne -inspired meanderings of individual intelligence, that so characterise our image of the latter.

Beyond Marker’s personal interest in and inheritance from the Soviet masters, classical montage laid the foundations of the essay film most pertinently in its foregrounding of the presence, within the fabric of the film, of a directing intelligence. Conducting their experiments in film not through ‘pure’ abstraction but through narrative, the montagists made manifest at least two operative levels within the film: the narrative itself and the arrangement of that narrative by which the deeper structures that move it are made legible. Against the seamless, immersive illusionism of commercial cinema, montage was a key for decrypting those social forces, both overt and hidden, that govern human society.

And as such it was method rather than material that was the pathway to truth. Fidelity to the authentic – whether the accurate representation of historical events or the documentary flavouring of Eisensteinian typage – was important only insomuch as it provided the filmmaker with another tool to reach a considerably higher plane of reality.

Dziga Vertov’s Enthusiasm (1931)

Midway on their Marxian mission to change the world rather than interpret it, the montagists actively made the world even as they revealed it. In doing so they powerfully expressed the dialectic between control and chaos that would come to be not only one of the chief motors of the essay film but the crux of modernity itself.

Vertov’s Man with a Movie Camera (1929), now claimed as the most venerable and venerated ancestor of the essay film (and this despite its prototypically purist claim to realise a ‘universal’ cinematic language “based on its complete separation from the language of literature and the theatre”) is the archetypal model of this high-modernist agon. While it is the turning of the movie projector itself and the penetrating gaze of Vertov’s kino-eye that sets the whirling dynamo of the city into motion, the recorder creating that which it records, that motion is also outside its control.

At the dawn of the cinematic century, the American writer Henry Adams saw in the dynamo both the expression of human mastery over nature and a conduit to mysterious, elemental powers beyond our comprehension. So, too, the modernist ambition expressed in literature, painting, architecture and cinema to capture a subject from all angles – to exhaust its wealth of surfaces, meanings, implications, resonances – collides with awe (or fear) before a plenitude that can never be encompassed.

Remove the high-modernist sense of mission and we can see this same dynamic as animating the essay film – recall that last, parenthetical term in Gorin’s formulation of the essay film, “multiply[ing] the entries and the exits into the material it has elected (or by which it has been elected)”. The nimble movements and multi-angled perspectives of the essay film are founded on this negotiation between active choice and passive possession; on the recognition that even the keenest insight pales in the face of an ultimate unknowability.

The other key inheritance the essay film received from the classical montage tradition, perhaps inevitably, was a progressive spirit, however variously defined. While Leni Riefenstahl’s Triumph of the Will (1935) and Olympia (1938) amply and chillingly demonstrated that montage, like any instrumental apparatus, has no inherent ideological nature, hers were more the exceptions that proved the rule. (Though why, apart from ideological repulsiveness, should Riefenstahl’s plentifully fabricated ‘documentaries’ not be considered as essay films in their own right?)

The overwhelming fact remains that the great majority of those who drew upon the Soviet montagists for explicitly ideological ends (as opposed to Hollywood’s opportunistic swipings) resided on the left of the spectrum – and, in the montagists’ most notable successor in the period immediately following, retained their alignment with and inextricability from the state.

Progressive vs radical

The Grierson ian documentary movement in Britain neutered the political and aesthetic radicalism of its more dynamic model in favour of paternalistic progressivism founded on conformity, class complacency and snobbery towards its own medium. But if it offered a far paler antecedent to the essay film than the Soviet montage tradition, it nevertheless represents an important stage in the evolution of the essay-film form, for reasons not unrelated to some of those rather staid qualities.

The Soviet montagists had created a vision of modernity racing into the future at pace with the social and spiritual liberation of its proletarian pilot-passenger, an aggressively public ideology of group solidarity. The Grierson school, by contrast, offered a domesticated image of an efficient, rational and productive modern industrial society based on interconnected but separate public and private spheres, as per the ideological values of middle-class liberal individualism.

The Soviet montagists had looked to forge a universal, ‘pure’ cinematic language, at least before the oppressive dictates of Stalinist socialist realism shackled them. The Grierson school, evincing a middle-class disdain for the popular and ‘low’ arts, sought instead to purify the sullied medium of cinema by importing extra-cinematic prestige: most notably Night Mail (1936), with its Auden -penned, Britten -scored ode to the magic of the mail, or Humphrey Jennings’s salute to wartime solidarity A Diary for Timothy (1945), with its mildly sententious E.M. Forster narration.

Night Mail (1936)

What this domesticated dynamism and retrograde pursuit of high-cultural bona fides achieved, however, was to mingle a newfound cinematic language (montage) with a traditionally literary one (narration); and, despite the salutes to state-oriented communality, to re-introduce the individual, idiosyncratic voice as the vehicle of meaning – as the mediating intelligence that connects the viewer to the images viewed.

In Night Mail especially there is, in the whimsy of the Auden text and the film’s synchronisation of private time and public history, an intimation of the essay film’s musing, reflective voice as the chugging rhythm of the narration timed to the speeding wheels of the train gives way to a nocturnal vision of solitary dreamers bedevilled by spectral monsters, awakening in expectation of the postman’s knock with a “quickening of the heart/for who can bear to be forgot?”

It’s a curiously disquieting conclusion: this unsettling, anxious vision of disappearance that takes on an even darker shade with the looming spectre of war – one that rhymes, five decades on, with the wistful search of Marker’s narrator in Sans soleil, seeking those fleeting images which “quicken the heart” in a world where wars both past and present have been forgotten, subsumed in a modern society built upon the systematic banishment of memory.

It is, of course, with the seminal post-war collaborations between Marker and Alain Resnais that the essay film proper emerges. In contrast to the striving culture-snobbery of the Griersonian documentary, the Resnais-Marker collaborations (and the Resnais solo documentary shorts that preceded them) inaugurate a blithe, seemingly effortless dialogue between cinema and the other arts in both their subjects (painting, sculpture) and their assorted creative personnel (writers Paul Éluard , Jean Cayrol , Raymond Queneau , composers Darius Milhaud and Hanns Eisler ). This also marks the point where the revolutionary line of the Soviets and the soft, statist liberalism of the British documentarians give way to a more free-floating but staunchly oppositional leftism, one derived as much from a spirit of humanistic inquiry as from ideological affiliation.

Related to this was the form’s problems with official patronage. Originally conceived as commissions by various French government or government-affiliated bodies, the Resnais-Marker films famously ran into trouble from French censors: Les statues meurent aussi (1953) for its condemnation of French colonialism, Night and Fog for its shots of Vichy policemen guarding deportation camps; the former film would have its second half lopped off before being cleared for screening, the latter its offending shots removed.

Night and Fog (1955)

Appropriately, it is at this moment that the emphasis of the essay film begins to shift away from tactile presence – the whirl of the city, the rhythm of the rain, the workings of industry – to felt absence. The montagists had marvelled at the workings of human creations which raced ahead irrespective of human efforts; here, the systems created by humanity to master the world write, in their very functioning, an epitaph for those things extinguished in the act of mastering them. The African masks preserved in the Musée de l’Homme in Les statues meurent aussi speak of a bloody legacy of vanquished and conquered civilisations; the labyrinthine archival complex of the Bibliothèque Nationale in the sardonically titled Toute la mémoire du monde (1956) sparks a disquisition on all that is forgotten in the act of cataloguing knowledge; the miracle of modern plastics saluted in the witty, industrially commissioned Le Chant du styrène (1958) regresses backwards to its homely beginnings; in Night and Fog an unprecedentedly enormous effort of human organisation marshals itself to actively produce a dreadful, previously unimaginable nullity.

To overstate the case, loss is the primary motor of the modern essay film: loss of belief in the image’s ability to faithfully reflect reality; loss of faith in the cinema’s ability to capture life as it is lived; loss of illusions about cinema’s ‘purity’, its autonomy from the other arts or, for that matter, the world.

“You never know what you may be filming,” notes one of Marker’s narrating surrogates in A Grin Without a Cat, as footage of the Chilean equestrian team at the 1952 Helsinki Olympics offers a glimpse of a future member of the Pinochet junta. The image and sound captured at the time of filming offer one facet of reality; it is only with this lateral move outside that reality that the future reality it conceals can speak.

What will distinguish the essay film, as Bazin noted, is not only its ability to make the image but also its ability to interrogate it, to dispel the illusion of its sovereignty and see it as part of a matrix of meaning that extends beyond the screen. No less than were the montagists, the film-essayists seek the motive forces of modern society not by crystallising eternal verities in powerful images but by investigating that ever-shifting, kaleidoscopic relationship between our regime of images and the realities it both reveals and occludes.

— Andrew Tracy

1.   À propos de Nice

Jean Vigo, 1930

Few documentaries have achieved the cult status of the 22-minute A propos de Nice, co-directed by Jean Vigo and cameraman Boris Kaufman at the beginning of their careers. The film retains a spontaneous, apparently haphazard, quality yet its careful montage combines a strong realist drive, lyrical dashes – helped by Marc Perrone’s accordion music – and a clear political agenda.

In today’s era, in which the Côte d’Azur has become a byword for hedonistic consumption, it’s refreshing to see a film that systematically undermines its glossy surface. Using images sometimes ‘stolen’ with hidden cameras, A propos de Nice moves between the city’s main sites of pleasure: the Casino, the Promenade des Anglais, the Hotel Negresco and the carnival. Occasionally the filmmakers remind us of the sea, the birds, the wind in the trees but mostly they contrast people: the rich play tennis, the poor boules; the rich have tea, the poor gamble in the (then) squalid streets of the Old Town.

As often, women bear the brunt of any critique of bourgeois consumption: a rich old woman’s head is compared to an ostrich, others grin as they gaze up at phallic factory chimneys; young women dance frenetically, their crotch to the camera. In the film’s most famous image, an elegant woman is ‘stripped’ by the camera to reveal her naked body – not quite matched by a man’s shoes vanishing to display his naked feet to the shoe-shine.

An essay film avant la lettre , A propos de Nice ends on Soviet-style workers’ faces and burning furnaces. The message is clear, even if it has not been heeded by history.

— Ginette Vincendeau

2. A Diary for Timothy

Humphrey Jennings, 1945

A Diary for Timothy takes the form of a journal addressed to the eponymous Timothy James Jenkins, born on 3 September 1944, exactly five years after Britain’s entry into World War II. The narrator, Michael Redgrave , a benevolent offscreen presence, informs young Timothy about the momentous events since his birth and later advises that, even when the war is over, there will be “everyday danger”.

The subjectivity and speculative approach maintained throughout are more akin to the essay tradition than traditional propaganda in their rejection of mere glib conveyance of information or thunderous hectoring. Instead Jennings invites us quietly to observe the nuances of everyday life as Britain enters the final chapter of the war. Against the momentous political backdrop, otherwise routine, everyday activities are ascribed new profundity as the Welsh miner Geronwy, Alan the farmer, Bill the railway engineer and Peter the convalescent fighter pilot go about their daily business.

Within the confines of the Ministry of Information’s remit – to lift the spirits of a battle-weary nation – and the loose narrative framework of Timothy’s first six months, Jennings finds ample expression for the kind of formal experiment that sets his work apart from that of other contemporary documentarians. He worked across film, painting, photography, theatrical design, journalism and poetry; in Diary his protean spirit finds expression in a manner that transgresses the conventional parameters of wartime propaganda, stretching into film poem, philosophical reflection, social document, surrealistic ethnographic observation and impressionistic symphony. Managing to keep to the right side of sentimentality, it still makes for potent viewing.

— Catherine McGahan

3. Toute la mémoire du monde

Alain Resnais, 1956

In the opening credits of Toute la mémoire du monde, alongside the director’s name and that of producer Pierre Braunberger , one reads the mysterious designation “Groupe des XXX”. This Group of Thirty was an assembly of filmmakers who mobilised in the early 1950s to defend the “style, quality and ambitious subject matter” of short films in post-war France; the signatories of its 1953 ‘Declaration’ included Resnais , Chris Marker and Agnès Varda. The success of the campaign contributed to a golden age of short filmmaking that would last a decade and form the crucible of the French essay film.

A 22-minute poetic documentary about the old French Bibliothèque Nationale, Toute la mémoire du monde is a key work in this strand of filmmaking and one which can also be seen as part of a loose ‘trilogy of memory’ in Resnais’s early documentaries. Les statues meurent aussi (co-directed with Chris Marker) explored cultural memory as embodied in African art and the depredations of colonialism; Night and Fog was a seminal reckoning with the historical memory of the Nazi death camps. While less politically controversial than these earlier works, Toute la mémoire du monde’s depiction of the Bibliothèque Nationale is still oddly suggestive of a prison, with its uniformed guards and endless corridors. In W.G. Sebald ’s 2001 novel Austerlitz, directly after a passage dedicated to Resnais’s film, the protagonist describes his uncertainty over whether, when using the library, he “was on the Islands of the Blest, or, on the contrary, in a penal colony”.

Resnais explores the workings of the library through the effective device of following a book from arrival and cataloguing to its delivery to a reader (the book itself being something of an in-joke: a mocked-up travel guide to Mars in the Petite Planète series Marker was then editing for Editions du Seuil). With Resnais’s probing, mobile camerawork and a commentary by French writer Remo Forlani, Toute la mémoire du monde transforms the library into a mysterious labyrinth, something between an edifice and an organism: part brain and part tomb.

— Chris Darke

4. The House is Black

(Khaneh siah ast) Forough Farrokhzad, 1963

Before the House of Makhmalbaf there was The House is Black. Called “the greatest of all Iranian films” by critic Jonathan Rosenbaum, who helped translate the subtitles from Farsi into English, this 20-minute black-and-white essay film by feminist poet Farrokhzad was shot in a leper colony near Tabriz in northern Iran and has been heralded as the touchstone of the Iranian New Wave.

The buildings of the Baba Baghi colony are brick and peeling whitewash but a student asked to write a sentence using the word ‘house’ offers Khaneh siah ast : the house is black. His hand, seen in close-up, is one of many in the film; rather than objects of medical curiosity, these hands – some fingerless, many distorted by the disease – are agents, always in movement, doing, making, exercising, praying. In putting white words on the blackboard, the student makes part of the film; in the next shots, the film’s credits appear, similarly handwritten on the same blackboard.

As they negotiate the camera’s gaze and provide the soundtrack by singing, stamping and wheeling a barrow, the lepers are co-authors of the film. Farrokhzad echoes their prayers, heard and seen on screen, with her voiceover, which collages religious texts, beginning with the passage from Psalm 55 famously set to music by Mendelssohn (“O for the wings of a dove”).

In the conjunctions between Farrokhzad’s poetic narration and diegetic sound, including tanbur-playing, an intense assonance arises. Its beat is provided by uniquely lyrical associative editing that would influence Abbas Kiarostami , who quotes Farrokhzad’s poem ‘The Wind Will Carry Us’ in his eponymous film . Repeated shots of familiar bodily movement, made musical, move the film insistently into the viewer’s body: it is infectious. Posing a question of aesthetics, The House Is Black uses the contagious gaze of cinema to dissolve the screen between Us and Them.

— Sophie Mayer

5. Letter to Jane: An Investigation About a Still

Jean-Luc Godard & Jean-Pierre Gorin, 1972

With its invocation of Brecht (“Uncle Bertolt”), rejection of visual pleasure (for 52 minutes we’re mostly looking at a single black-and-white still) and discussion of the role of intellectuals in “the revolution”, Letter to Jane is so much of its time as to appear untranslatable to the present except as a curio from a distant era of radical cinema. Between 1969 and 1971, Godard and Gorin made films collectively as part of the Dziga Vertov Group before they returned, in 1972, to the mainstream with Tout va bien , a big-budget film about the aftermath of May 1968 featuring leftist stars Yves Montand and  Jane Fonda . It was to the latter that Godard and Gorin directed their Letter after seeing a news photograph of her on a solidarity visit to North Vietnam in August 1972.

Intended to accompany the US release of Tout va bien, Letter to Jane is ‘a letter’ only in as much as it is fairly conversational in tone, with Godard and Gorin delivering their voiceovers in English. It’s stylistically more akin to the ‘blackboard films’ of the time, with their combination of pedagogical instruction and stern auto-critique.

It’s also an inspired semiological reading of a media image and a reckoning with the contradictions of celebrity activism. Godard and Gorin examine the image’s framing and camera angle and ask why Fonda is the ‘star’ of the photograph while the Vietnamese themselves remain faceless or out of focus? And what of her expression of compassionate concern? This “expression of an expression” they trace back, via an elaboration of the Kuleshov effect , through other famous faces – Henry Fonda , John Wayne , Lillian Gish and Falconetti – concluding that it allows for “no reverse shot” and serves only to bolster Western “good conscience”.

Letter to Jane is ultimately concerned with the same question that troubled philosophers such as Levinas and Derrida : what’s at stake ethically when one claims to speak “in place of the other”? Any contemporary critique of celebrity activism – from Bono and Geldof to Angelina Jolie – should start here, with a pair of gauchiste trolls muttering darkly beneath a press shot of ‘Hanoi Jane’.

6. F for Fake

Orson Welles, 1973

Those who insist it was all downhill for Orson Welles after Citizen Kane would do well to take a close look at this film made more than three decades later, in its own idiosyncratic way a masterpiece just as innovative as his better-known feature debut.

Perhaps the film’s comparative and undeserved critical neglect is due to its predominantly playful tone, or perhaps it’s because it is a low-budget, hard-to-categorise, deeply personal work that mixes original material with plenty of footage filmed by others – most extensively taken from a documentary by François Reichenbach about Clifford Irving and his bogus biography of his friend Elmyr de Hory , an art forger who claimed to have painted pictures attributed to famous names and hung in the world’s most prestigious galleries.

If the film had simply offered an account of the hoaxes perpetrated by that disreputable duo, it would have been entertaining enough but, by means of some extremely inventive, innovative and inspired editing, Welles broadens his study of fakery to take in his own history as a ‘charlatan’ – not merely his lifelong penchant for magician’s tricks but also the 1938 radio broadcast of his news-report adaptation of H.G. Wells’ The War of the Worlds – as well as observations on Howard Hughes , Pablo Picasso and the anonymous builders of Chartres cathedral. So it is that Welles contrives to conjure up, behind a colourful cloak of consistently entertaining mischief, a rueful meditation on truth and falsehood, art and authorship – a subject presumably dear to his heart following Pauline Kael ’s then recent attempts to persuade the world that Herman J. Mankiewicz had been the real creative force behind Kane.

As a riposte to that thesis (albeit never framed as such), F for Fake is subtle, robust, supremely erudite and never once bitter; the darkest moment – as Welles contemplates the serene magnificence of Chartres – is at once an uncharacteristic but touchingly heartfelt display of humility and a poignant memento mori. And it is in this delicate balancing of the autobiographical with the universal, as well as in the dazzling deployment of cinematic form to illustrate and mirror content, that the film works its once unique, now highly influential magic.

— Geoff Andrew

7. How to Live in the German Federal Republic

(Leben – BRD) Harun Farocki, 1990

Harun Farocki ’s portrait of West Germany in 32 simulations from training sessions has no commentary, just the actions themselves in all their surreal beauty, one after the other. The Bundesrepublik Deutschland is shown as a nation of people who can deal with everything because they have been prepared – taught how to react properly in every possible situation.

We know how birth works; how to behave in kindergarten; how to chat up girls, boys or whatever we fancy (for we’re liberal-minded, if only in principle); how to look for a job and maybe live without finding one; how to wiggle our arses in the hottest way possible when we pole-dance, or manage a hostage crisis without things getting (too) bloody. Whatever job we do, we know it by heart; we also know how to manage whatever kind of psychological breakdown we experience; and we are also prepared for the end, and even have an idea about how our burial will go. This is the nation: one of fearful people in dire need of control over their one chance of getting it right.

Viewed from the present, How to Live in the German Federal Republic is revealed as the archetype of many a Farocki film in the decades to follow, for example Die Umschulung (1994), Der Auftritt (1996) or Nicht ohne Risiko (2004), all of which document as dispassionately as possible different – not necessarily simulated – scenarios of social interactions related to labour and capital. For all their enlightening beauty, none of these ever came close to How to Live in the German Federal Republic which, depending on one’s mood, can play like an absurd comedy or the most gut-wrenching drama. Yet one disquieting thing is certain: How to Live in the German Federal Republic didn’t age – our lives still look the same.

— Olaf Möller

8. One Man’s War

(La Guerre d’un seul homme) Edgardo Cozarinsky , 1982

One Man’s War proves that an auteur film can be made without writing a line, recording a sound or shooting a single frame. It’s easy to point to the ‘extraordinary’ character of the film, given its combination of materials that were not made to cohabit; there couldn’t be a less plausible dialogue than the one Cozarinsky establishes between the newsreels shot during the Nazi occupation of Paris and the Parisian diaries of novelist and Nazi officer Ernst Jünger . There’s some truth to Pascal Bonitzer’s assertion in Cahiers du cinéma in 1982 that the principle of the documentary was inverted here, since it is the images that provide a commentary for the voice.

But that observation still doesn’t pin down the uniqueness of a work that forces history through a series of registers, styles and dimensions, wiping out the distance between reality and subjectivity, propaganda and literature, cinema and journalism, daily life and dream, and establishing the idea not so much of communicating vessels as of contaminating vessels.

To enquire about the essayistic dimension of One Man’s War is to submit it to a test of purity against which the film itself is rebelling. This is no ars combinatoria but systems of collision and harmony; organic in their temporal development and experimental in their procedural eagerness. It’s like a machine created to die instantly; neither Cozarinsky nor anyone else could repeat the trick, as is the case with all great avant-garde works.

By blurring the genre of his literary essays, his fictional films, his archival documentaries, his literary fictions, Cozarinsky showed he knew how to reinvent the erasure of borders. One Man’s War is not a film about the Occupation but a meditation on the different forms in which that Occupation can be represented.

—Sergio Wolf. Translated by Mar Diestro-Dópido

9. Sans soleil

Chris Marker, 1982

There are many moments to quicken the heart in Sans soleil but one in particular demonstrates the method at work in Marker’s peerless film. An unseen female narrator reads from letters sent to her by a globetrotting cameraman named Sandor Krasna (Marker’s nom de voyage), one of which muses on the 11th-century Japanese writer  Sei Shōnagon .

As we hear of Shōnagon’s “list of elegant things, distressing things, even of things not worth doing”, we watch images of a missile being launched and a hovering bomber. What’s the connection? There is none. Nothing here fixes word and image in illustrative lockstep; it’s in the space between them that Sans soleil makes room for the spectator to drift, dream and think – to inimitable effect.

Sans soleil was Marker’s return to a personal mode of filmmaking after more than a decade in militant cinema. His reprise of the epistolary form looks back to earlier films such as  Letter from Siberia  (1958) but the ‘voice’ here is both intimate and removed. The narrator’s reading of Krasna’s letters flips the first person to the third, using ‘he’ instead of ‘I’. Distance and proximity in the words mirror, multiply and magnify both the distances travelled and the time spanned in the images, especially those of the 1960s and its lost dreams of revolutionary social change.

While it’s handy to define Sans soleil as an ‘essay film’, there’s something about the dry term that doesn’t do justice to the experience of watching it. After Marker’s death last year, when writing programme notes on the film, I came up with a line that captures something of what it’s like to watch Sans soleil: “a mesmerising, lucid and lovely river of film, which, like the river of the ancients, is never the same when one steps into it a second time”.

10. Handsworth Songs

Black Audio Film Collective, 1986

Made at the time of civil unrest in Birmingham, this key example of the essay film at its most complex remains relevant both formally and thematically. Handsworth Songs is no straightforward attempt to provide answers as to why the riots happened; instead, using archive film spliced with made and found footage of the events and the media and popular reaction to them, it creates a poetic sense of context.

The film is an example of counter-media in that it slows down the demand for either immediate explanation or blanket condemnation. Its stillness allows the history of immigration and the subsequent hostility of the media and the police to the black and Asian population to be told in careful detail.

One repeated scene shows a young black man running through a group of white policemen who surround him on all sides. He manages to break free several times before being wrestled to the ground; if only for one brief, utopian moment, an entirely different history of race in the UK is opened up.

The waves of post-war immigration are charted in the stories told both by a dominant (and frequently repressive) televisual narrative and, importantly, by migrants themselves. Interviews mingle with voiceover, music accompanies the machines that the Windrush generation work at. But there are no definitive answers here, only, as the Black Audio Film Collective memorably suggests, “the ghosts of songs”.

— Nina Power

11.   Los Angeles Plays Itself

Thom Andersen, 2003

One of the attractions that drew early film pioneers out west, besides the sunlight and the industrial freedom, was the versatility of the southern Californian landscape: with sea, snowy mountains, desert, fruit groves, Spanish missions, an urban downtown and suburban boulevards all within a 100-mile radius, the Los Angeles basin quickly and famously became a kind of giant open-air film studio, available and pliant.

Of course, some people actually live there too. “Sometimes I think that gives me the right to criticise,” growls native Angeleno Andersen in his forensic three-hour prosecution of moving images of the movie city, whose mounting litany of complaints – couched in Encke King’s gravelly, near-parodically irritated voiceover, and sometimes organised, as Stuart Klawans wrote in The Nation, “in the manner of a saloon orator” – belies a sly humour leavening a radically serious intent.

Inspired in part by Mark Rappaport’s factual essay appropriations of screen fictions (Rock Hudson’s Home Movies, 1993; From the Journals of Jean Seberg , 1995), as well as Godard’s Histoire(s) de cinéma, this “city symphony in reverse” asserts public rights to our screen discourse through its magpie method as well as its argument. (Today you could rebrand it ‘Occupy Hollywood’.) Tinseltown malfeasance is evidenced across some 200 different film clips, from offences against geography and slurs against architecture to the overt historical mythologies of Chinatown (1974), Who Framed Roger Rabbit (1988) and L.A. Confidential (1997), in which the city’s class and cultural fault-lines are repainted “in crocodile tears” as doleful tragedies of conspiracy, promoting hopelessness in the face of injustice.

Andersen’s film by contrast spurs us to independent activism, starting with the reclamation of our gaze: “What if we watch with our voluntary attention, instead of letting the movies direct us?” he asks, peering beyond the foregrounding of character and story. And what if more movies were better and more useful, helping us see our world for what it is? Los Angeles Plays Itself grows most moving – and useful – extolling the Los Angeles neorealism Andersen has in mind: stories of “so many men unneeded, unwanted”, as he says over a scene from Billy Woodberry’s Bless Their Little Hearts (1983), “in a world in which there is so much to be done”.

— Nick Bradshaw

12.   La Morte Rouge

Víctor Erice, 2006

The famously unprolific Spanish director Víctor Erice may remain best known for his full-length fiction feature The Spirit of the Beehive (1973), but his other films are no less rewarding. Having made a brilliant foray into the fertile territory located somewhere between ‘documentary’ and ‘fiction’ with The Quince Tree Sun (1992), in this half-hour film made for the ‘Correspondences’ exhibition exploring resemblances in the oeuvres of Erice and Kiarostami , the relationship between reality and artifice becomes his very subject.

A ‘small’ work, it comprises stills, archive footage, clips from an old Sherlock Holmes movie, a few brief new scenes – mostly without actors – and music by Mompou and (for once, superbly used) Arvo Pärt . If its tone – it’s introduced as a “soliloquy” – and scale are modest, its thematic range and philosophical sophistication are considerable.

The title is the name of the Québécois village that is the setting for The Scarlet Claw (1944), a wartime Holmes mystery starring Basil Rathbone and Nigel Bruce which was the first movie Erice ever saw, taken by his sister to the Kursaal cinema in San Sebastian.

For the five-year-old, the experience was a revelation: unable to distinguish the ‘reality’ of the newsreel from that of the nightmare world of Roy William Neill’s film, he not only learned that death and murder existed but noted that the adults in the audience, presumably privy to some secret knowledge denied him, were unaffected by the corpses on screen. Had this something to do with war? Why was La Morte Rouge not on any map? And what did it signify that postman Potts was not, in fact, Potts but the killer – and an actor (whatever that was) to boot?

From such personal reminiscences – evoked with wondrous intimacy in the immaculate Castillian of the writer-director’s own wry narration – Erice fashions a lyrical meditation on themes that have underpinned his work from Beehive to Broken Windows (2012): time and change, memory and identity, innocence and experience, war and death. And because he understands, intellectually and emotionally, that the time-based medium he himself works in can reveal unforgettably vivid realities that belong wholly to the realm of the imaginary, La Morte Rouge is a great film not only about the power of cinema but about life itself.

Sight & Sound: the August 2013 issue

In this issue: Frances Ha’s Greta Gerwig – the most exciting actress in America? Plus Ryan Gosling in Only God Forgives, Wadjda, The Wall,...

More from this issue

DVDs and Blu Ray

Buy The Complete Humphrey Jennings Collection Volume Three: A Diary for Timothy on DVD and Blu Ray

Humphrey Jennings’s transition from wartime to peacetime filmmaking.

Buy Chronicle of a Summer on DVD and Blu Ray

Jean Rouch’s hugely influential and ground-breaking documentary.

Further reading

Video essay: The essay film – some thoughts of discontent

Kevin B. Lee

The land still lies: Handsworth Songs and the English riots

The world at sea: The Forgotten Space

What I owe to Chris Marker

Patricio Guzmán

His and her ghosts: reworking La Jetée

Melissa Bradshaw

At home (and away) with Agnès Varda

Daniel Trilling

Pere Portabella looks back

John Akomfrah’s Hauntologies

Laura Allsop

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